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A Home at the End of the World

A Home at the End of the World (2004)

July. 23,2004
|
6.6
|
R
| Drama Romance

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

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Vashirdfel
2004/07/23

Simply A Masterpiece

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BoardChiri
2004/07/24

Bad Acting and worse Bad Screenplay

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Bergorks
2004/07/25

If you like to be scared, if you like to laugh, and if you like to learn a thing or two at the movies, this absolutely cannot be missed.

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Bob
2004/07/26

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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akash_sebastian
2004/07/27

A simple and poignant film about muddling through life and the desperation to belong somewhere. The characters are interesting and commendably established, not too much and not too less, just enough to know their minds and emotions. The movie has quite a few unique and memorable scenes, from the initial elder-brother-having-sex scene, to mom smoking up, and mutual masturbation.Colin Farrell really surprised me with his nuanced portrayal of a sensitive and innocent guy trying to find a firm grip on life, who time and again loses people closest to him. And talented actors like Sissy Spacek and Robin Wright were welcomed additions, who play intriguing characters, different from what they've played before. Debutant Dallas Roberts was good as well.One would expect more conflict when three characters are trying to establish a family together, but the calm and composed outlook was refreshing. The story moves from one moment to the other, and then just tries to deal with it, just like life; doesn't lead to, or even promise, a strong or compelling ending. It takes us in and then throws us out, leaving us there to contemplate...just like Bobby (Colin); we see and feel everything through his eyes.

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SnoopyStyle
2004/07/28

In 1967 Cleveland, Bobby Morrow idolizes his older brother but he dies in a freak accident. In high school, he gets into a secret gay relationship with Jonathan Glover. Jonathan's mother Alice (Sissy Spacek) teaches him how to bake. At 24, Bobby (Colin Farrell) moves to NYC and reunites with Jonathan (Dallas Roberts). Clare (Robin Wright Penn) is their bohemian roommate. They form an unconventional threesome family.As a biopic, it's OK. As a relationship movie, it's meandering. As a historical drama, they're in period gear. The acting is nothing special. Colin Farrell is good. Director Michael Mayer does nothing but a straight line job. It's an unimpressive movie derived from better material with good actors in the mix.

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wes-connors
2004/07/29

"Remember your very best friend in high school, the one who knew… and kept… all your secrets? Bobby and Jonathan, who shared that kind of friendship, meet again as adults in New York. Sparked by their relationship with free-spirited Clare, they forge a loving unit that redefines 'family'. Colin Farrell, Robin Wright Penn, Sissy Spacek and Dallas Roberts star in this lyrical film that's both a celebration of commitment and a music - and memory-driven portrait of America in the '70s and '80s. Adapted by Pulitzer Prize winner Michael Cunningham from his own novel, 'A Home at the End of the World' strikes close to home as an adventure as big as life itself: risky, surprising, sexually charged and real," according to sleeve scribers...That description, while not entirely inaccurate, hints at how "A Home at the End of the World" fails to achieve its full potential. The film isn't altogether a "memory-driven portrait" of family and music over the decades covered; indeed, it is a portrait of an unconventional family unit, but that should have remained secondary. At heart, this is a love (the kind including a sexual attraction) story between the Bobby and Jonathan characters, possibly deemphasized to make it more palatable. The focus unravels, especially after Mr. Farrell's adult Bobby take over the action. The film draws its fault line by losing touch with the central relationship, and Farrell's characterization goes off course. Freed-from-the-wig Colin Farrell and Dallas Roberts could have recorded a hit version of "Look Out, Cleveland" with The Band backing...The casting is excellent, with Erik Smith and Harris Allan especially winning as the teenage Bobby and Jonathan; they blend perfectly with the grown-up Farrell and Mr. Roberts. Note that criticisms of Farrell in the lead role are of characterization, not acting. Smith's Bobby was played as a self-assured and sexual adventurous young man, but Farrell's Bobby is suddenly an asexual puppy dog; something is missing. We begin with an uncommonly artistic story, from Mr. Cunningham's novel. Cunningham worked on the film; a double edged sword, for it reveals not only tantalizing bits of his artistic vision, but also invites criticism regarding its execution. The fine original story is still evident on film, and some cinematic moments give the material emotional strength...A highlight occurs when Smith and Allan become "brothers" by exchanging jackets; most importantly, the jacket worn by Bobby belonged to his brother, and he symbolically replaces Carlton (a sexually-charged Ryan Donowho) with Jonathan. This is a circular story. Note we begin with "Bobby" walking in on his brother having sex with a young woman (on top); this scene is recalled when he walks in on his replacement brother, again with a woman (on top). In both instances, Bobby winds up in bed with brother. There is no evidence of incest, but the opening brother/brother relationship appears extremely intimate, as does the later relationship between Bobby and replacement "mother" Alice (an easily potted Sissy Spacek). This story is about replacing lost love. We end with a full circle...******* A Home at the End of the World (6/9/04) Michael Mayer ~ Colin Farrell, Dallas Roberts, Robin Wright, Sissy Spacek

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eleveneleven11
2004/07/30

this movie is so pure. bobby loves who he loves and makes no conditions or boundaries. i just adore all of these characters. there are no agendas, some jealousies, and some leaving. nothing is forever, but what works for now is oftentime enough.robin wright is so right, a little older and wiser than the boys. she knows what she wants and she gets it.this is the beginning of the AIDS epidemic.the movie covers the whole gamut of the '70's. the highs and the lows.it also embraces every emotion.if it doesn't make you tearful and happy you are not human.happy, sad, longing, desire, despair, ENJOY! and the music is amazing.

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