The Legend of Billie Jean (1985)

Absolutely Fantastic

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

One of the worst ways to make a cult movie is to set out to make a cult movie.

In Texas, the hot teenager Billie Jean Davy (Helen Slater) lives with her brother Binx (Christian Slater) and her mother in a trailer. In a hot day, she rides with Binx on his scooter to swim in a lake. However, the bully Huble Pyatt (Barry Tubb) steals the scooter with his friends. Billie Jean goes to the police but Detective Ringwald (Peter Coyote) does not give much attention to her. When Binx tries to retrieve his scooter, Huble trashes the scooter and beats Binx up. Billie Jean goes with her brother Binx and her friend Ophelia (Martha Gehman) to the store of Huble's father Pyatt (Richard Bradford) with the repair bill and the old man lures Billie Jean and brings her to his office. Then he harass and tries to rape her. Meanwhile Binx finds a gun in the cash register and her accidentally shoots Pyatt. Billie Jean, Binx. Ophelia and their teenage neighbor Putter (Yeardley Smith) flee from Ophelia's car. They meet the teenager Lloyd (Keith Gordon), who is the estranged son of the D.A. Muldaur (Dean Stockwell), he proposes to be their "hostage" so that the runaway teenagers could get some money for their journey. When Billie Jean watches Otto Preminger 's "Saint Joan" at Lloyd's television, she cuts her hair short and makes a video with her explanation and demands, becoming and icon worshiped by the teenagers. Meanwhile Detective Ringwald finds the mess, he realizes that he should have listened to Billie Jean and tries to fix the situation."The Legend of Billie Jean" is a super-cult movie from the 80's and maybe Helen Slater's best film in her career. The plot entwines action and drama and it is delightful to watch. In the 80's, many viewers believed that Helen Slater and Christian Slater were siblings since they have the same last name. The story of a wronged teenager that cuts her hair in Joan of Arc's style and becomes an idol of the youth has not aged and is still wonderful to watch. My vote is eight.Title (Brazil): "A Lenda de Billie Jean" ("The Legend of Billie Jean")

I recently purchased the special edition "Fair Is Fair" DVD version of "The Legend of Billie Jean". Partly because I thought it was a fun flashback to the 80s when I thought this movie was so cutting-edge cool when I was still a teenager, partly because it had a soundtrack commentary by stars Helen Slater and Yeardley Smith. I wasn't disappointed.I will say I've watched this movie more than a few times. Each time I am kinda in awe of how blonde and stunning Helen is. She was (still is) a beautiful actress. "City Slickers", "The Secret of My Success" both cast her as the sexy co-star and for good reason. Her sexiness is without question in this movie. This is one of Christian Slater's (no relation) first movies and he's exactly what you'd expect him to be at 15 years old. Yeardley Smith is and always has been a gifted ugly duckling that is as adorable as they get. This is no different. Priceless casting.The story is fairly silly and formulaic. A teenage girl and her brother have their motor scooter trashed by some bullies. The girl goes to the bully's father and demands money for the damages. The dad is worse than the son. They struggle. An accident occurs. The kids go on the lam. Good cop who can read between the lines trails the kids like a bloodhound. Kids become famous outlaws. Big climax at the end. Standard teenage 80s stuff. And it's worth every second of screen time!!!Watching the DVD with the voice-over soundtrack by both Helen and Yeardley made me laugh out loud a few times. It was hilarious listening to these two friends banter back and forth about who did what when and where, the horrible 80s styles and hair now that they're mothers themselves, how their daughters won't even watch it out of sheer horror their mothers were rebellious teenagers (Helen - "We're five minutes into the movie and my daughter has already left." - funny stuff), etc... The fact Helen didn't remember the real actress' name of her own mother character in the movie (Mona Lee Fultz) tells you how raw this audio take is. No editing, just middle-age friends talking into a microphone. It's genuine and even better than this classic 80s flick by itself.The movie is dated, even ridiculous in some cases, and totally awesome (yes, an 80s term)! How can you not sing a few bars of Pat Benatar's "Invincible" in this fantastically cheesy movie? It's self-consciously teeny throughout. Even the adults act more like enabling or overbearing parents than real adults. It's cheerful, uplifting, cool and just plain fun to watch. The writing is irrelevant. Holes in the plot are beside the point. Sit back, slide this piece of 80s nostalgia into your DVD player, put on your headphones, pump up the volume on the headphones at all the right places, and just enjoy the experience.Billie Jean RULES!!! :-)

Feisty lower-class teenager Billie Jean (a strong and charismatic performance by Helen Slater) and her brother Binx Davy (a solid and likable Christian Slater in his film debut) become celebrity fugitives after a dispute between affluent jerk Hubie (a perfectly obnoxious turn by Barry Tubb) and his no-count father Mr. Pyatt (a splendidly slimy portrayal by Richard Bradford) about Hubie trashing Binx's scooter gets out of hand.Director Matthew Robbins keeps the engrossing story moving along at a quick pace, vividly captures the humid atmosphere of rural Texas, and manages to prevent the potentially campy story from degenerating into totally laughable kitsch. The astute script by Rick Rosenthal and Lawrence Konner offers a pointed and powerful social commentary on how the rich exploit and push around the poor and disenfranchised, the way the media can mold someone into a martyr, and the basic necessity to see that justice gets served after something wrong goes initially unpunished. This film further benefits from fine acting by a tip-top cast: Yeardley Smith as excitable third wheel Putter, Keith Gordon as the helpful Floyd, Martha Gehman as loyal gal pal Ophelia, Peter Coyote as sympathetic cop Lt. Ringwald, and Dean Stockwell as Flloyd's estranged bigwig politician father Muldaur. However, it's Slater who really keeps this picture on track: She looks absolutely stunning with close-cropped hair and brings a fierce conviction and winning sense of pure integrity to the character of Bille Jean that makes her real easy to root for and side with as she becomes a symbol of defiant rebellion and female empowerment to the adolescent public at large. Jeffrey L. Kimball's slick cinematography provides a neat polished look. Craig Safan's moody score and the pumping rock soundtrack both hit the stirring spot. A super cool movie that's deserving of its avid fan following.

I've always had a thing for underrated movies, and this was one for the ages.I can honestly say that if you mess with someone's stuff and don't intend to pay for your wrongdoings, you'd better know how to cover your ass. (Appearantly, Mr. Pyatt didn't have the common sense to realize that.) I've only seen this movie just this year, but I didn't have to learn something about payback and justice by your own hands, that's been my stand for years on end. This movie also has one of the best soundtracks I've ever heard, mostly due in large part to Pat Benatar's "Invincible." The only real flaw in this movie that I can name is that the plot's just a little on the hard-to-follow side; if nothing else, this movie was great to watch.Now for the verdict: 9 out of 10.Oh, and one more thing: Fair is fair!