Knight Moves (1992)

Stylish but barely mediocre overall

Did you people see the same film I saw?

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

This film begins with a young boy playing in a chess match and then physically attacking his opponent upon losing the game. After being hospitalized he is released to the custody of his mentally ill mother who is told that he must abstain from playing chess from now on. Not long afterward, he discovers blood dripping from the ceiling and upon investigation notices his mother bleeding profusely in her bed and then weakly asking him to help her. But rather than helping, he chooses to open up the night stand by the bed and pulls out the chessboard that he had been deprived of and calmly helps himself to some milk and cookies before beginning a new game. The scene then shifts to twenty years later with a European Grandmaster named "Peter Sanderson" (Christopher Lambert) participating in a tournament when his lover is found in bed totally drained of blood with a sign above her body saying "Remember". And because of his connection to this woman Peter Sanderson is a prime suspect. Now rather than reveal any more I will just say that this was an entertaining movie for the most part with both Christopher Lambert and Diane Lane (as "Kathy Sheppard") performing in a fine manner. I especially liked the way in which the mystery was sustained up until the final moments. On the other hand, the way some of the chess players were depicted as being mentally unstable was somewhat overdone. Neither did I care for the rather obvious allusions to Bobby Fischer in the introduction of Peter Sanderson. Even so, I still enjoyed this film and I have rated it accordingly. Slightly above average.

Peter Sanderson is a chess grandmaster whose freedom gets threatened after a murderer of females shows up in the city they all live in. Filmmakers bring all the doubts throughout the story to let spectator curious about who the lunatic may be, which is very classic in the called "whodunit" thrillers. It feels IMPOSSIBLE not to notice how much like 2004's "Saw" this movie does look; in my opinion, it's pretty clear that James Wan has had at least an inspiration in "Knight Moves". Of course "Saw" is a lot more elaborated and well produced than this, but I won't deny this film has brought a nice idea to the genre. Unfortunetaly, there is, in fact, a little of bad acting in this 90's hidden project; nobody seems to be acting naturally in the character they've been given. Maybe a better director or casting director would have made something better about it. "Knight Moves" has, eventually, a good ending that makes you feel a little happy-- mainly because Sanderson doesn't turn out to be the monster that policemen were saying--, so I can state it's a regular thriller, deserved to be seen. Just don't get mad with the occasional bad acting and the poor photography directing and you'll probably have a good time.

KNIGHT MOVES Aspect ratio: 2.39:1Sound format: Dolby StereoFilmed on grim Canadian locations by German director Carl Schenkel (OUT OF ORDER), this curious psycho-thriller has the look and feel of an Italian giallo, despite the American setting. All the elements are in place: Christopher Lambert plays a chess grandmaster targeted by a serial killer who leaves obscure one-word messages at the scene of his/her crimes, hoping to draw Lambert into a lethal game of cat and mouse. That the murders are based on well-known chess manoeuvres should come as no surprise to seasoned thriller addicts, and nor should the killer's identity, which is betrayed by a seemingly throwaway bit of business near the beginning of the film (not a spoiler - only the truly attentive will spot it). Brad Mirman's convoluted script bends over backwards to cast suspicion on Lambert throughout (which means it *can't* be him - or can it?), but the narrative is undermined by some poorly-drawn characters, and everyone but Tom Skerritt - as the detective leading the investigation - seems to be coasting through proceedings on auto-pilot. The murders aren't explicitly detailed, and Schenkel goes out of his way to avoid crowd-pleasing exploitation, which rather curbs the film's commercial emphasis. But at least it's never dull, and the climax is reasonably proficient, complete with overwrought thunderstorm and psycho with a mommy complex! Daniel Baldwin exaggerates wildly as a macho cop determined to nail Lambert for the crimes, while Ferdinand Mayne hovers in the background, making the most of a glorified cameo as the hero's blind mentor.

Knight Moves is a film of/for fruitcakes....a little too complicated to be called a Madeira, but heavy enough to take away the hunger pangs. It manages to convey the horror of death without any real murder sequences being shown and is rather Hitchcockesque in places.The story centres around chess player Peter Sanderson (Christophe Lambert) and his (possible) involvement in a string of serial killings. Due to his complete absorption in the game, he has already lost his wife and is now in danger of losing his daughter. Although he is the prime suspect, he becomes involved with a psychologist called in by the Police. This role was picked up by Christophe's (then) wife, Diane Lane, who not only coped well with the character, but also with a well-rehearsed bedroom scene. A case of 'truth being stranger than fiction'?Like many of Christophe's films, this one relies heavily on explaining the psychology of the killer, even if it is only in laymen's terms; but it does deal with complex issues of responsibility and duress. The photography is a juxtaposition of European noir sur blanc and British thriller, with a little American 'home-grown' logic thrown in for good effect. Tom Skerritt is disappointing as the chief of police, a role that he plays woodenly. He is upstaged by his sidekick (Daniel Baldwin). Jeremy is portrayed by Ferdinand Mayne, an actor well known to film-going audiences, with over 120 roles to his credit before his death in 1998.Although this film was not initially well received, its continued presence on the 'Pick of the week' shelf at the video store proves that it may well become a 'cult' film. It is often in the top-100-rentals slot in many countries and it seems to appeal to a diverse range of people. While some of the supporting cast need acting lessons, its camera work and well co-ordinated plot make this an original and enjoyable 'who-dunnit'...and you really will be guessing to the end.