The Hottest State (2007)

Very very predictable, including the post credit scene !!!

As Good As It Gets

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The film never slows down or bores, plunging from one harrowing sequence to the next.

There's a lot to like in Hottest State, even if far from perfect.Ethan Hawke's direction of his (probably autobiographical) novel sets the mood perfectly, with great music, lighting and good pacing of this story. The story progresses well, contains sensual moments and with the help of an inspired, yet simple soundtrack, is at times touching. Unfortunately, the dialogs are a real weakness and something Hawke might have wanted to touch up, preferably with someone else.Without a doubt, the highlight of the film is Mark Webber in the lead role. Simply put, I have not seen such a promising actor since noticing Ryan Gosling in "The Believer", years ago. I immediately knew Gosling was headed for stardom and this will be the case here as well. At a young age, Webber shows intensity, range and depth wrapped up in restraint. At times as whacky as a Giovanni Ribisi, as laid back and colorfully human as a Sam Rockwell, as soulful and magnetic as a Sean Penn. Webber is the complete package to be great in second roles but, just like Gosling, oozes of the charisma required to lead big movies as well. It's a matter of time for him to get noticed.Sadly, his romantic interest Catalina Sandino Moreno is not nearly as good. I wish someone of the caliber of Abbie Cornish had been cast in the role of Sarah. Instead, Catalina's portrayal of Sarah comes off as one-dimensional and annoying for what should be a fascinating and complex character. While Webber makes us feel his character's passion for Sarah, it's tough for us as viewers to really buy Catalina's performance. The script is also at fault for that at times.With a better second lead, a script shave of 10 to 15 minutes and tighter dialogs, this would be a classic. Instead, it is an enjoyable moment and for those of us who had never noticed Mark Webber, an opportunity to see one of the next bright stars of cinema. Nonetheless, props to Ethan Hawke for what is a very heartfelt movie.

Written and directed by Ethan Hawke, and based on Hawke's (I presume) autobiographical novel of the same name, The Hottest State is an intensely personal movie. Yet unlike, say, Woody Allen's autobiographical films (Annie Hall, Stardust Memories, Husbands and Wives), Hawke's personality doesn't flood his material. Hawke is quite casual about baring his soul to us, and audiences may not be aware how deeply he takes them into his psyche. But he holds nothing back.The film recounts a brief, magical love affair between 20-year-old William (Mark Webber), Texas-born living in New York, and Sara (Catalina Sandino Moreno), a beautiful Mexican who has moved to the city to pursue her singing career. The film unfolds with an easy, natural spontaneity that is both engaging and faintly ominous (we know where it's heading because William informs us in voice-over). Working with his actors and crew, Hawke uses simple, unassuming brush strokes to communicate the joy and misery, and the complexity, of falling in love. William's trouble is that he has fallen in love with "a force of evil," which is to say, with unfathomable femininity.The Hottest State shows the futility of romantic desire without ever opting for self-pity or easy cynicism. Hawke imbues the film with the wisdom and acceptance of a broken heart made stronger and freer by the breakage. The film is so faithful to his own experience that it gets at something universal, and cuts all the way to the bone. As a result, it may stir feelings we'd rather not have to deal with, ones we'd hoped we'd put to rest. I don't think I have ever seen a romantic film that manages to be this painful without being in the least bit sentimental. It's not so much about the sadness of watching a great love die, but about the horror and incomprehensibility of it.Although it's raw and almost nakedly personal, there's nothing amateurish about the film. Hawke's handling of his actors is flawless, and just about every scene resonates, rings bells of recognition. In scene after scene, Hawke seems to have got precisely what he was after. His use of the soundtrack (songs by Jesse Harris), free-form editing, overlapping scenes, voice-over, the rich, sensuous colors and his knack for placing the camera just where it needs to be, all is remarkably assured, making this probably the most auspicious debut from a writer-director since Sean Penn's Indian Runner. The Hottest State is a wonderful film and I felt richer for having seen it; and it deserves a wider audience, because so far as I know it did little business and got Luke-warm notices. Another precious gem in danger of slipping under the radar.The film is a little soft around the edges. Some of the dialogue (particularly between William and his mother, played by Laura Linney, and in the crucial scene with William's father, played by Hawke) may be a little too pat. We're aware of Hawke's limitations as a writer here, of his putting words into the characters' mouths instead of letting them speak for themselves (which is the problem with Sara's last few scenes). But considering what Hawke is attempting here—adapting his own novel, directing it, and playing a key role—it's an astonishingly assured work.Like Penn, Hawke has an authentic artistic sensibility, and with any luck he could become a major filmmaker. He's so confident of getting to the truth of a scene that he achieves poetry without trying, without even a whiff of pretension. The film has a raw honesty to it, and yet it never seems self-indulgent or narcissistic. It's confessional in the best sense. It's as if getting these experiences down (in the novel, which I haven't read, and by making the film) was essential for Hawke's peace of mind, as if by sharing his pain and confusion with us, he was able to come to terms with the past and reduce its hold over him. As a result, the film has urgency and poignancy, it feels essential, from the heart. I can't think of another film that conveys the agony of heartbreak and the rite of passage it entails as effectively as this. It has its very own ache.

Ethan Hawke wrote the book THE HOTTEST STATE and then proceeded to write the screenplay, direct and act in it. Sometimes that combination works, but in this instance the whole project feels like a narcissistic self-indulgent autobiographical talky two hours. Hawke is respected enough among his peers that he was able to draw a fine cast together in an attempt to make this film work, but in the end it is pretty boring.Young Texas actor William (Mark Webber) has moved to New York to make it big, and while he gets jobs, he feels as though he doesn't have a handle on relationships. When he meets the beautiful singer Sarah (Catalina Sandino Moreno) he falls in love but has no idea how to court his dream girl. Sarah is cautious about relationships, too, yet is attracted to William and consents to travel to Mexico to heat up their bonding. In Mexico they spend the greater part of their time consummating their love affair: the love scenes are fairly erotic, especially on the part of Moreno. Returning to their jobs in New York the two face problems in continuing their relationship. William's divorced parents (Laura Linney and Ethan Hawke) have their own demons that prevent their providing William with much consolation, and Sarah's mother (Sonia Braga) has a rather negative view of relationships. How the film finally winds down with dealing with William's whining and Sarah's resistance is all that is left of the lengthy diatribe.Though Linney, Braga, Michelle Williams (in too short a role), and Moreno try to make this story tolerable, it is inherent in the concept that William (Ethan Hawke poorly disguised) is just too boring a guy to care about. Mark Webber is supposed to have the promise and charisma of a 'new Brando' (according to the hype), but he is flat in this film. The soundtrack is wearing and rarely takes a break for the dialog. Hawke can and has done better. Hopefully he has released his ego in this film and can move on. Grady Harp

I saw this film in Venice on Saturday 2 September. I absolutely loved it! I haven't read the book , so cannot comment on how faithful the film is, however I really enjoyed it, and it was certainly the best I saw in Venice.The story made me really emotional. I could see myself or my friends at 20 years old and recognised a lot of emotional patterns that are typical of growing up. The actors are all amazing. The two main characters have got a freshness and grace about them that make them beautiful to watch. Laura Linney and Ethan Hawke play the parents wonderfully.It is a very sexy and raw film, but delicate at the same time. For anyone who has ever fallen in love and had his heart broken for the very first time. It made me cry a lot and I thank Ethan Hawke for it!