Cake (2005)

Save your money for something good and enjoyable

Although it has its amusing moments, in eneral the plot does not convince.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

Watching it is like watching the spectacle of a class clown at their best: you laugh at their jokes, instigate their defiance, and "ooooh" when they get in trouble.

Heather Graham isn't a bad actress, but in the last few years she has taken nothing but hand-me-down roles in low-rent comedies and one poorly-received television show. This laughable item, replete with Julia Roberts/Meg Ryan/Diane Lane overtones, represents the nadir of the chick flick, the proverbial last resort for Lifetime when it can't scrape up anything better for a Tuesday afternoon. A trampy hussy stops living large long enough to check in with her corporate magnate father, but upon her arrival he has a heart attack; such is the hilarious chain of events which takes this cynical party girl from traveling the world to running one of daddy's magazines--a bridal spread. Somehow, two attractive men are drawn to Graham once she gets serious and buckles down, with the caveat being that we can all get what we want as long as we do the work. I'd rather see the escapades of a trampy hussy in Europe... NO STARS from ****

Philippa "Pippa" McGee (Heather Graham) is the freelance journalist daughter of a respected publishing giant. One of dad's publications is Wedding Bells, an advice rag for those who intend to walk down the aisle in the near future. Pippa's mother was once involved with this particular magazine but she passed away when her daughter was but 13. After her mother's death, Pippa developed many of her free-spirited ways, including her personal rejection of a "happily ever after" marriage. Instead, Pippa covers such events as Spain's running of the bulls and her only romantic encounters are of the very short-lived variety. A close friend (Sandra Oh) helps the freelancer through life's rough moments. But, after her father suffers a heart attack, Pippa decides to help him out by becoming the new editor of Wedding Bells. This displeases most of the staff, including a sales director, Roxanne (Cheryl Hines) and a handsome financial adviser, Ian (David Sutcliffe). Yet, although Pippa's first efforts fail badly, she learns quickly from her mistakes and is determined to succeed. She may even discover some lessons in love and marriage that she has previously dismissed as nonsense. Will there be a rose-colored future for our Pippa and her magazine? This is a slight but satisfying romcom for those insatiable fans of the genre. Graham excels in her role as the vagabond beauty who explores new truths about her own existence while Sutcliffe is a charming, attractive foil to Pippa's flighty personality. Oh, Hinds, Taye Diggs and others also offer fine turns as the supporting cast members. The scenery is quite nice, as are the costumes and production values. As for the story, it takes a lot of twists and turns, sometimes to excess, but ends up tying ups its loose ends nicely. If you are not a fan of romantic comedy, this one will probably have you biting your fingernails. But, for those who adore those funny tales of love, this one will "take the cake" for you.

In a perfect world, Heather Graham would be as bankable as, say, Julia Roberts.Graham certainly is prettier than the Pretty Woman, has a better sense of comedic timing and, let's face it, has eyes you could disappear into. (Any straight guy who says otherwise is, well, probably Republican.) Trouble is, Graham isn't going to be America's sweetheart - I don't know if she wants to be - if she keeps making films such as "Cake."I realize Graham executive-produced this film. What was she thinking? Surely she saw Tassie Cameron's script as just another run-of-the-mill romantic comedy replete with the clichéd love triangle and tired stereotypes.Perhaps Graham needs a new agent - especially after the "Emily's Reasons Why Not" debacle. She has some good films on her resume -"Bowfinger" (1999), "Boogie Nights" (1997), "Two Girls and a Guy" (1997), "The Ballad of Little Jo" (1993) and "Drugstore Cowboy" (1989). But the roles that stand out are Rollergirl and Felicity Shagwell and it's the clunkers that seem to define her - "Lost in Space" (1998), "Say It Ain't So" (2001) and "Killing Me Softly" (2002). Now, add "Cake" to the mix.Cameron and director Nisha Ganatra don't even bother masking their film's hackneyed plot. Which is a shame because they have a talented cast. There's Graham, Taye Diggs, Cheryl Hines, Sandra Oh (who's terrific on TV's "Grey's Anatomy") and Sarah Chalke, who knows what it's like to do genuinely funny comedy on TV's "Scrubs," which, for my money, is the best half-hour on TV.Graham, much like Roberts, isn't a masterful dramatic actress. Her turn as English hooker Mary Kelly in "From Hell" (2001) was admirable, albeit miscast. But Graham clearly knows how to play comedy. She just needs good material. Her nine-episode stint as Dr. Molly Clock on "Scrubs" proved as much.There's never a moment in "Cake" when you think, "Oh, this is different." Cameron's script is so atrociously lazy that she never bothers to include even the slightest of surprises. Poor Graham flays about buoyantly in a valiant, yet futile, attempt to elicit laughs out of this bad script.In "Cake," she's Pippa McGee, a spunky, care-free travel writer suddenly forced to take over her dad's magazine - a bridal periodical. There's some humor in the decor of the magazine's offices as this sprightly, independent feminist tries to handle things. But the story is so clunky and her two love interest so unreal and dull, there's not even a modicum of sense to this whole enterprise. Pippa spends such little time with the men that it's asking a lot of us to believe either would work.As much fun as it is to see the luminescent Graham bounce around, she certainly deserves better than this mediocre fare.

The movie's cast is great. I am a shameless Heather Graham fan. Heather Graham never looked more gorgeous than she does in this film! I have been in love with Sandra Oh since Sideways. Why don't we see more of her?I love it when a romantic COMEDY is actually FUNNY. So many of them just suck today.Even though script was predictable I appreciated the quick pacing and the sharp performances. Every time the movie was about to go down a cheesy road- the director cut and pulled back just in time to save it from being too dramatic and annoyingly sentimental.I've already recommended it to friends.