The Truth About Emanuel (2014)

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

i guess this movie is about loss and deficiency that could never be filled with anything. This is typical subject so it is really important how to make a story without leaving a familiar impression. Like I said, it is familiar to me. Because I have read some short s stories reminiscent of this movie. The images of fishes and ocean reminds me of " legend of suicide" written by David Vann and the story of babysitting the baby who does not exist, A short story of William Trevor which I can't remember the name of. So this movie has beautiful scenes and I like watching it but there is no impression on it. And I cannot actually feel sadness for Emmanuel or Linda

'The truth about Emanuel' is an engrossing movie which is punctuated by two great lead performances. Both Jessica and Kara have a real on screen chemistry as their relationship is one of the most powerful you have seen, and their characters of 'Linda' and 'Emmanuel' respectively also have mystery. The film primarily deals with the emotions of loss and grief as well as entering into a world where reality is not how it appears. The film is not well known but this movie is quality all the way, keeping the viewer on the edge as the 'truth' becomes more and more complex. The ending could have been better but in essence this movie is about raw emotions, taking you on a journey into the minds of two troubled women. Loved Jessica and Kara's performances !

After reading the critic reviews for this film, I was not expecting much at all. However I decided to give it a watch in my spare time and it was definitely worth it. Kaya (whom I have adored ever since skins) although sticking to the "troubled teen" stereotype she is often cast in, delivered a believable and well rounded performance. The script came together very well, and the story arcs in a way which I did not expect, and the film is then carried through by strong acting performances from both Kaya and Jessica, allowing the viewer to really witness and experience the emotions of these characters and the experiences through which they have suffered.My only criticism would be that occasionally the "Claude" storyline felt a but forced and unnecessary, but a wonderful film none the less. If you enjoy slower burning films that pay off such as 'now is good' or 'the virgin suicides' this film is definitely down your alley.

Probably the sole reason I saw this movie was Kaya Scodelario. Like many, I found the character of Effy to be entrancing, and have seen most Scodelario's movies ever since. Thing is, outside of maybe Wuthering Heights, there is that slight feeling that perhaps Scodelario is type casted. However, she hasn't really have had a breakout role to separate her from Effy, and unfortunately this movie is not that role which makes you see her in a whole new light.Characters & Story For The Truth About Emanuel there is a rather small cast. Scodelario plays the lead, Emanuel, who is a girl who lost her mother, is quite open about it, and pretty much has the same personality as Effy did during series/season 4. Meaning, while appealing, her issues do tend to create quite a bit of drama in her life of which some she causes, and other bits she is attracted to. Alongside her in the movie are the characters Linda (played by Jessica Biel) a woman dealing with a failed marriage; Dennis (played by Alfred Molina) who plays Emanuel's dad; and then there is Janice (played by Frances O'Connor), the only one who seems to see Emanuel for who she is and seemingly is growing tired of Dennis creating excuses for her.As for the story though, we focus on the lead-up to Emanuel's 18th birthday. She meets a guy named Claude (played by Aneurin Barnard) who she dates for a little while; meets Linda who seems nice at first, until her eccentricities are revealed; and all the while she has a step-mom in Janice who thinks she is gay, and a dad, Dennis, who just wants a sense of normalcy. But, being that Linda has a secret and Emanuel has a slight obsession with how her mom died, what life would have been like if she died instead of her mom, and other similar topics, we see two peculiar lives converge and create many moments which just leave you turning your head.Praise Now, though I criticize Scodelario for nearly playing the same character each role she has, it is hard to deny that most aspects of her one trick pony aren't good. She maintains the Effy allure which gets you interested in her character, and this is what greatly helps maintain interest in the film. Also, I must note that the music in the film was quite beautiful and relaxing. And though I'm about to critique the hell out of the story, I must admit the bits between Emanuel and Claude I thought were quite cute and a saving grace for the film.Criticism However the rest of the film seems to not ever fully grasp the concept of grief, and while you understand the various coping mechanisms used in the film, something about the situations just feel off. Not off as in the how someone is coping or why, but the performances. Biel in particular, doesn't make you feel anything even though she has a very sympathetic character. Part of the reason for this is, she is presented as nothing but awkward. Not creepy, or just a sad case worth pity, she is just this odd woman whose secret doesn't even have a real proper build in the film. Sadly, her secret is obvious early on and though you understand why she is in the film, at the same time you sort of wish she was written out.And while, as noted earlier, Scodelario is the film's saving saving grace, she does add onto the issues of the film. The reason I say this is Scodelario has that ability to teeter between being vulnerable, relatable and yet unobtainable, but once her character goes to a place where she isn't this interesting femme fatale type, she loses you a bit. Now, this isn't to say Scodelario isn't able to, in this film, draw sympathy out of you, but the issue is that when it comes to her character having a mental breakdown, it shows where her abilities as an actress are lacking. Overall: Skip ItThough I do adore Scodelario, I can't recommend this film. Though the idea of Emanuel living vicariously through Linda's love for her baby wasn't lost on me, the concept just didn't click well in the writing. Also, thought I love the Effy mannerisms and personality, it is starting to get old. And really, even the cute little sub-plot of Emanuel and Claude isn't enough to even say this is worth watching on TV. So, just skip it. Maybe if you are a fan of Scodelario it may be worth checking out, but for a general audience there isn't anything here worth seeing really.