The 7:39 (2014)

So much average

Great example of an old-fashioned, pure-at-heart escapist event movie that doesn't pretend to be anything that it's not and has boat loads of fun being its own ludicrous self.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

David Nicholls' reworking of the David Lean classic shifts the action from wartime Carnforth to contemporary London. Carl Matthews (David Morrissey) and Sally Thorn (Sheridan Smith) have a chance meeting, see each other on a regular basis on the 7.39 morning train from an unspecified suburb to the center of London, and fall in love. Unlike Trevor Howard and Celia Johnson in the earlier film, their love is not restricted to clandestine meetings in a station canteen, but develops into a full-blown affair. Nonetheless the outcome is much the same, as they realize that there is no future for either of them. The story is a familiar one, set against the backdrop of contemporary London - a teeming, high-tech city that alienates many of its citizens. John Alexander's direction vividly captures the heartlessness of contemporary urban life, with shots of a crowded train whose passengers seldom, if ever talk to one another, and interior shots of Carl's office, where the employees are separated from one another by glass screens. No one, it seems, has the time or the inclination to relate to one another. Thus it is perhaps inevitable that Carl and Sally should try to seek an alternative through love. Shot mainly in a series of shot/reverse shot sequences, THE 7.39 is an intense drama focusing on the characters' unspoken feelings: a close-up of Sally's tortured expression as she leaves Carl for the last time tells us far more about her pent-up emotions than dialog ever can. The casting is highly effective: Morrissey towers over Smith, suggesting that the couple are both physiognomically as well as emotionally ill-matched. Nonetheless they take full advantage of the affair while it lasts.

The 7.39 is the latest screenplay to hit the (TV) screens from the pen of David (One day) Nicholls comes across as an update or homage to Brief Encounter. The 1945 original is rightly considered a classic, written by Noel Coward and directed by David Lean it's very much a film of it's time. This was shown recently over two nights on BBC1 and follows a similar pattern with the two leads being tempted into cheating on their partners. David Morrissey is well cast as the middle management office worker married to Olivia Coleman with two teenage children. Sheridan Smith is equally effective as a personal trainer recently engaged to Sean Maguire who clearly works out.Knowing David Nicholls this won't be a "and they all lived happily ever after" ending and it isn't. But the journey is what this film is all about and it's quite a ride, with highs and lows along the way as the miss-matched pair get to know each other better.There is not much humour or nudity in the film but it's definitely an adult film with consequences for actions taken, it also works as a story much better than the film adaptation of One day did.Overall 8/10 highly recommended.

This is a drama about two people who have a chance meeting on a train. Both are with other people and seemingly happy but the attraction between them is too strong to resist. It follows their relationship from the platonic to the inevitable fallout from the decisions they take. In other hands this could have been a corny and cheesy mess however a brilliant cast and good direction means this is nothing but a success. It moves along at a good pace and never gets boring. I also liked the fact that it didn't paint the adulterers as awful people just normal people in a difficult situation.The main cast are all top rate actors and they don't disappoint. David Morrissey is great as the guilty husband, the fantastic Sheridan Smith is beguiling as the younger woman and Olivia Colman superb as the spurned wife. The 7.39 is a very good drama and well worth watching.

If you've ever had to commute to London, you'll know that: conversations are sparse, fat people forget how fat they are and newspapers seem to make more noise at 7am! The 7.39 brings all this together but showing through commuter rage, friendships can be made. Many viewers have complained it's not realistic making such a connection this way, but let's not forget it started with a dispute! As for other complaints such as the train carriage was too empty, just remember you have to fit a whole camera crew onto the train and some trains do not actually allow bikes during peak times! Part one allows us to see how the friendship between Sally and Karl develops and just how quickly it leads to something more dangerous. The most artistic aspect of the first half of this drama is how the director shows the audience just how unaware the Sally and Karl are actually falling for each other.In the beginning of part two, we see the aftermath of Sally and Karl's affair which out of the whole series, is the most realistic scenes we'll see.Much recommend and but have a tissue to hand!