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See No Evil, Hear No Evil

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See No Evil, Hear No Evil (1989)

May. 12,1989
|
6.8
|
R
| Comedy Crime
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A murder takes place in the shop of David Lyons, a deaf man who fails to hear the gunshot being fired. Outside, blind man Wally Karue hears the shot but cannot see the perpetrator. Both are arrested, but escape to form an unlikely partnership. Being chased by both the law AND the original killers, can the pair work together to outwit them all?

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Reviews

Hellen
1989/05/12

I like the storyline of this show,it attract me so much

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Tedfoldol
1989/05/13

everything you have heard about this movie is true.

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Nessieldwi
1989/05/14

Very interesting film. Was caught on the premise when seeing the trailer but unsure as to what the outcome would be for the showing. As it turns out, it was a very good film.

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Rio Hayward
1989/05/15

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

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MatthewH-93
1989/05/16

This movie makes me laugh every time I watch it. It's sad that both of the actors died. They were the best ones in town, they will be truly missed.

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Michael_Elliott
1989/05/17

See No Evil, Hear No Evil (1989) *** (out of 4)Richard Pryor plays Wally, a blind man. Gene Wilder plays Dave, a deaf man. The two meet and quickly become friends as it seems they complete one another but they are accused of a murder and must take off and try to solve the mystery of who the real killers are.SEE NO EVIL, HEAR NO EVIL was the third of four films between Pryor and Wilder and I must say that it very well might be their best. If you go back and read some of the original reviews for the movie, it somewhat took a beating by many who said blind and deaf people shouldn't be made fun of. I agree with this but at the same time both actors turn in wonderful performances and I would argue that they say a lot about being handicapped and show both the blind and the deaf in a positive manor. Of course, this is a comedy and it does feature Pryor and Wilder so one should expect jokes and there are a ton of them here and I'd say that the majority of them work. The comic genius of both actors is on full display here just by the way they bounce off one another whether it be a physical joke or just a matter of timing. Just take a look at the opening sequence where the two bump into one another and a fight almost breaks out even though they are unaware of the other one. The timing between the actors are just flawless here.I'd also argue that both of them are very believable in their parts. This is especially true for Pryor who gives one of the best examples of a blind person that I've seen. Wilder also deserves a lot of credit for how he played the deaf man. Joan Severance, Alan North and Kevin Spacey are also good in their supporting parts. The director keeps the film moving at a very nice pace and as I said, the majority of the jokes work extremely well.There's no question that the success of SEE NO EVIL, HEAR NO EVIL falls back on Pryor and Wilder. Both turns in fabulous performances and make this film what it is.

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Leofwine_draca
1989/05/18

SEE NO EVIL, HEAR NO EVIL is a fine '80s-era comedy that features a couple of big names pairing up. These are Richard Pryor, delivering an utterly convincing performance as a bolshy blind bloke; and Gene Wilder, a whimsical delight as a deaf guy with a chip on his shoulder. The two get engaged in a murder plot involving a gorgeous femme fatale and a youthful Kevin Spacey playing a British baddie. As expected, there's a lot of character interplay here, a lot of slapstick, and a lot of bad language, but it's nonetheless clean entertainment and also very funny. Pryor and Wilder have a ball as the odd couple and the highlights, like the car chase scene, are really very good.

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TheLittleSongbird
1989/05/19

While a box office success at the time, 'See No Evil, Hear No Evil' was very negatively received critically and, while it has its defenders, many still consider it a lesser Gene Wilder/Richard Pryor effort.From personal opinion, 'See No Evil, Hear No Evil' doesn't see Wilder and Pryor at their best. Of their four double act collaborations, my personal favourite is 'Silver Streak' while also really enjoying 'Stir Crazy' mostly (where the partnership between the two is more equal and even more inspired) if not as even (with a second half that doesn't fare as well as the first half). At the same time, 'See No Evil, Hear No Evil' doesn't disgrace either Wilder or Pryor and doesn't hurt what made their chemistry so enjoyable in the first place. It's not a great film, but to me it is nowhere near as bad as reputed and a better film than their last collaboration 'Another You'.'See No Evil, Hear No Evil' has its good things. It's hardly a cheap-looking film, it's nicely shot and cohesively edited mostly. The music is a good, sometimes quirky, never over-bearing and rarely mismatched, fit.Not everything works here material-wise but some lines are funny, Pryor especially has some gems, and there are a few amusing gags. The concept of the story is a quite unique one, and despite some worries as to how it would turn out, the film treats the concept nowhere near as distastefully as feared. Not everything comes cleverly and there is a lack of taste and subtlety at times but there really has been far more offensive content.Like with their previous two collaborations, Wilder and Pryor are a well-matched double act and both enjoy themselves and give good performances as well as being convincing in their characters' handicaps. Although with a less understated and louder character, meaning that he could easily have fallen into the trap of being annoying, Pryor does provide some very nice moments, but Wilder's gentler in comparison performance is no less inferior and doesn't resort to mugging.Quite a lot is lacking however, or at least from personal view, in 'See No Evil, Hear No Evil'. While Wilder and Pryor are good, the supporting cast are less so. Alan North fares least badly. Joan Severance has sex appeal and allure going for her but exudes little threat or much personality for that matter, and to say that Kevin Spacey in a very early role went on to much better things later on than his too-silly-to-be-taken-seriously is being very kind.Scripting has its moments, as said, but too many of the jokes (even for the kind of the comedy it was going for and the film's concept) were far too juvenile and some so idiotic it nearly insults the intelligence. The story has an interesting idea but it became confused and contrived the more it went on (especially the caper element that was nearly completely lost amongst the humour).Erratic pacing (sometimes too hectic, at other times suffering from a lack of urgency) and the chaotic, and like it belonged more in a cartoon, action does no favours either.In conclusion, okay film if not great. Not that bad, while not with enough to passionately defend it either. 5/10 Bethany Cox

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