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The Serpent and the Rainbow

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The Serpent and the Rainbow (1988)

February. 05,1988
|
6.4
|
R
| Horror Thriller
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A Harvard anthropologist is sent to Haiti to retrieve a strange powder that is said to have the power to bring human beings back from the dead. In his quest to find the miracle drug, the cynical scientist enters the rarely seen netherworld of walking zombies, blood rites and ancient curses. Based on the true life experiences of Wade Davis and filmed on location in Haiti, it's a frightening excursion into black magic and the supernatural.

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VividSimon
1988/02/05

Simply Perfect

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filippaberry84
1988/02/06

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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Hayden Kane
1988/02/07

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

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Aubrey Hackett
1988/02/08

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

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John Brooks
1988/02/09

The movie starts off a bit roughly, then takes on a nice pace and settles in, delivers its plot and introduces the various characters, all the while showing life in Haiti, some of the cultural aspects there.It should be said Zakes Mokae, the 'bad guy', puts in a fabulous performance.Other than that, the ending ruins so much of the potential the whole film may've been driving towards, there's not much commentary to be made really. We get the gist of it, but it totally explodes in that last act and there's little to salvage, really.Good for a while, not good as a whole.

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alex wolfman
1988/02/10

Wes Craven really is kind of a hit or miss director. He made The Serpent and the Rainbow in 1988 at an interesting time of his career after having some success with Nightmare on Elm Street but after the disaster of Deadly Friend. The Serpent and the Rainbow has a few interesting ideas but Craven never really develops them very well. This is really a big miss film from Craven.Dennis Alan (Bill Pullman ) a researcher out of Harvard goes to Haiti to tackle the mystery of a zombie legend and also a type of drug that might be connected. There is also a voodoo theme as the drug is used in Haitian voodoo rituals.You really to have to question what Craven was doing with this film. He starts with what seems like an interesting plot and the really lets it sink. The plot really goes everywhere and is very hard to follow. There is also a love story that is very shallow as well as dream scenes that never seem to end. By act 3, you expect that it can't get much worse but you would be wrong. It also has an ending that has you saying "What am I even watching?" Frankly, this is a movie where in the end, you don't even know what you just watched.Interestingly, this was Bill Pullman's second film ever and before he had his big roles. Actually, he plays his role very well and the character is smart, has a heart and is easy to root for. Pullman makes this movie somewhat bearable along with some rather different zombies.I think this is a case where Craven basically had a couple of random ideas and put them together and called it a film. I hated this movie with a passion even more so considering what it could have been.

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ashleybrownmedia
1988/02/11

Years ago I heard a brief plot summary of this film and thought it sounded a little boring. However, when I finally came to see it earlier this year - I was very surprised. I've not actually read the book, so I won't go into that - although it is on my 'to-read' list.What I liked most about this is the way it plays out as a supernatural adventure, a lot of horror films nowadays are more worried about creatively killing off characters and using snapcuts. But this film builds up a dream-like feeling of dread and sustains it the whole way through, with some truly memorable and disturbing scenes. Although I must say that the battle at the end is a tad over the top, but I'm not cynical enough to let that change my positive review too much.Bill Pullman's lead character is a kind of geekier Indiana Jones, and as much as I say 'geekier' he is still able to scrap with the best of them - he has no hesitation when it comes to smashing someone over the head with a bottle certainly.In short this is a well-worked adventure story with subtle, creeping horror themes running throughout it - put down that slasher film and watch this.

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Scott LeBrun
1988/02/12

"The Serpent and the Rainbow" is true horror, a deeply sinister tale just dripping with flavour and atmosphere. It's based on the non-fiction book by Wade Davis, and tells the story of anthropologist Dennis Alan (Bill Pullman) who travels to Haiti for the purpose of investigating what could be causing supposedly dead people to still be alive. He finds himself in a whole lot of trouble, what with his stubborn insistence on solving the mystery and poking his nose into places where other people don't want it. His chief antagonist is local policeman Dargent Peytraud (an effectively scary Zakes Mokae), a man who's not exactly subtle about his malevolent intentions. Fortunately, Dennis has some allies, in the form of crusading doctor Marielle DuChamp (gorgeous Cathy Tyson) and business owner Lucien Celine (Paul Winfield). There are some absolutely great horror moments in this very competently made chiller, and some very vivid characters. Dennis, unfortunately, is an intelligent but not terribly likable protagonist, and Pullman can't do much to make us want to root for him; it's the other actors & characters that really make this sing. Tyson is appealing and Winfield solid as always; Brent Jennings as Mozart, Conrad Roberts as Christophe, Michael Gough as Schoonbacher, Badja Djola as Gaston, Theresa Merritt as Simone, and Paul Guilfoyle as Andrew Cassedy are all fine, especially the engaging Jennings and the haunted Roberts who is able to mine his part for much pathos. Adding to the feel of the piece is its political subtext as the movie takes place during the reign of the notorious "Baby Doc" Duvalier. Makeup and visual effects are nicely done, and the movie has some good zombie action and highly surreal moments. It sizes up as one of the more interesting and entertaining films of Craven's career, projecting a strong sense of doom & gloom; it could have used some more humour, and the finale gets a bit silly, but overall, it's definitely worth a look. Seven out of 10.

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