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Nine 1/2 Weeks

Nine 1/2 Weeks (1986)

February. 21,1986
|
5.9
|
R
| Drama Romance

An erotic story about a woman, the assistant of an art gallery, who gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

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GamerTab
1986/02/21

That was an excellent one.

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Ensofter
1986/02/22

Overrated and overhyped

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Stevecorp
1986/02/23

Don't listen to the negative reviews

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Afouotos
1986/02/24

Although it has its amusing moments, in eneral the plot does not convince.

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maraki-lost
1986/02/25

Kim Basinger portrays an ordinary woman with an ordinary job whose life is so boring she's ready to be swept off her feet by an attractive rich man. Right from the start he comes off as very sure of himself, playing the macho man who knows he can have any woman, places his arms around her, holds her hand and they haven't known each other for an hour. The film is so smooth though someone may miss the signs. We see them having fun, we see him playing tricks on her, buying her expensive gifts, playing with her like a little child, chasing after some children all smiles and joy. We also see them having fun in the bedroom where he always takes the lead. But at moments, there are scenes in which we see him get mad at her when she doesn't follow his orders like she always did and throw or hit things. He doesn't stop even when she's crying and afraid of him. He only tries to wipe the incidents out of her memory by kissing her and having sex with her. No apology, no talk over the matter, no self-examination in order to become a better man.That is because he simply does not care about what she wants. This is a game to him. He finds vulnerable women looking for a thrill, he manipulates them with his charming ways, gifts and money and then he asks them to do things they perhaps would have never done if it were not for him. When they do not comply, he loses control and shows his bad side. It is easy for someone to fall for his good looks, soft voice and great sense of style and the film does exactly that: it puts you in Kim Basinger's shoes. You fall in love with John (Mickey Rourke) like she did, so you do understand why she hasn't left yet or why it took her so long to leave him but you also feel the heartache she experiences when he doesn't show up like she asked him to -do something for her for a change. It is easy to judge her character in this film or any real woman over their decision not to leave a toxic or abusive person, but the truth is, every human being doesn't want to believe their partner does not love them. We try to find excuses to justify their mistakes, we hope they will change over time, we tell ourselves the good times are more than the bad ones and we've become so emotionally attached we can't just throw it all away for a couple of flaws. Rating: 7/10

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margielove
1986/02/26

This film is worth watching just for the 2 stunning main characters - Basinger and Rourke - Basinger for her incredible figure (she never looked better in her suits/high heels) and John for his chisseled features. Of course Basinger's acting is also impeccable, although I believe that Rourke does brooding /introspective better than he does happy. I have to say that the sexual games do seem to come across as a little one-sided - always Rourke directing a game for Basinger - and not the other way. It would have been interesting to see a role reversal on occasion.This film has been compared to 'Last Tango' and the obvious similarity is that Brando and Rourke only open up about their personal lives at the end - and ONLY when Maria and Kim - DON'T want to know ,are not interested and are in fact ready to leave. Very interesting that Rourke says 'I love you' AFTER Basinger has left and the door is closed. (I have also seen Rourke in 'The Wrestler' and was wondering why he did not get an Oscar for that film and '9 1/2'. Probably due to him being not mainstream enough for Hollywood.) Margaret Reines.

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SnoopyStyle
1986/02/27

Elizabeth McGraw (Kim Basinger) works in a SoHo art gallery in the hustle and bustle of NYC. She is taken with confident Wall Street trader John Gray (Mickey Rourke). They begin a torrid sexual affair lasting nine and a half weeks. He's a commanding presence and she feels herself breaking new boundaries. Her best friend goes out with her ex.At least, this is better than 50 Shades. Mickey Rourke is simply a superior actor especially at this time period. He exudes the over-confidence of his character. Kim Basinger is beautiful and also very enchanting. The movie develops the world of New York. It's fun, a little wild and very alluring. The cinematography is beautiful. The food eating lit by the fridge light looks sexy and beautiful. At the end of the day, this is a pretty thin story. Despite the nice acting, there is not much more here than an erotica. The montages are beautiful but shows the lack of drama. Also the controlling nature of John Gray can be taken as misogynistic and very off-putting.

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boyan-denizov
1986/02/28

This film was rather a disappointment to me. It starts promisingly but fails to develop and becomes boring and unconvincing. I think that this plot should have been developed above all as a psychological drama. But it is exactly psychology that is missing here. Instead, it relies on visual teasing. But a film is more than mere photography. Rourke is totally inappropriate for this role. His sweet smile, being on his face time and again, starts looking idiotic as the plot develops. Elizabeth, who is the central character, is also unrealistic. What is it that drives her into this dangerous and humiliating relationship? Taste for danger and adventure? Loneliness? Greed to catch a Wall street man? Masochism? We are not told to the very end. This film is a very pretentious attempt to reveal female eroticism but I think it fails in this. I find this film very un-erotic, perhaps because of the hints of sadism and masochism presented.

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