Look Who's Talking (1989)

Powerful

I'll tell you why so serious

Expected more

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

I had heard the title of this movie a few times, I knew it was about talking baby, I knew one or two of the stars, and I knew it followed with two not as good sequels, so I finally got to trying it when I got the opportunity, directed by Amy Heckerling (Fast Times at Ridgemont High, Clueless). Basically in New York, career-minded accountant Mollie Jensen (Kirstie Alley) has an affair with her client, executive Albert (George Segal), a womaniser who is a married with two children. When Mollie becomes pregnant, she and Albert keep their indiscretion secret, under the idea that she was artificially inseminated, Albert says he will leave his wife and two children for her. But then he is caught fooling around with his interior designer Melissa (Joy Boushel), Mollie leaves upset, and immediately goes into labour. She gets into a taxi, driver James Ubriacco (John Travolta) speeds through the city to get to the hospital in time, and inadvertently becomes witness to the birth of Mollie's son. The baby is named Michael, or "Mikey", and ever since his conception, he has been making commentary on his life, he interacts with everything through an inner wisecracking voice (Bruce Willis), which he also uses to communicate with other babies. Hoping to get her life back on track, Mollie becomes a dedicated single mother, rejecting several men in a search to find a new father figure, dismissing them for quirks that may reflect badly on Mikey. Mollie meets James again, he has moved into the apartment building in order to find his grandfather Vincent (Abe Vigoda) a nice care home, she occasionally asks him to babysit. There is an instance where she takes the baby to the airport, where James is a part-time pilot, she takes a nap, Mikey is taken by James, she into a panic thinking he has been kidnapped. A year passes, Mikey has grown a little, James realises his feelings for Mollie, he deliberately sabotages one of her dates, she also realises the bond between him and Mikey, she decides to give him a chance. James has found his grandfather a care home, he takes Mollie to flying lessons, she realises she is falling for him, but when they become intimate, she imagines their life together and resists, then James tells her he loves her, but she says she wants what is best for Mikey and kicks him out. Back at work, Mollie's boss insists she and Albert work together, Albert wants to see Mikey, she agrees, but when he visits, he meets James and they get into an argument. James asks Mollie if she loves Albert, she claims she does not know, James suggests he is closest thing to a father Mikey has. But Mollie tells him that he is like a big kid and is not responsible enough to be a father, James calls her out for using Mikey to push men away including himself and he storms out. At the playground, Mikey talks to other children, they tell him what "daddies" are, he realises he wants James as his daddy, James later comes to the apartment to tell Mikey he will not be around anymore, Mollie overhears him pouring his heart out on the baby monitor, Mikey says he will miss James too. Mollie takes Mikey to the office for Albert to meet him, but he claims he does not want the responsibility of being a father, Mollie realises he has not changed, she and Mikey ruin several pieces of furniture before storming out, putting Albert out of their lives for good. Mollie receives a call from Vincent's care home, telling her that's James's grandfather is disruptive and abusive to staff, she helps to clear up the error with involving a stash of chocolate given to him. James arrives, and he and Mollie make up, meanwhile Mikey wanders off on his own, searching for James, he is taken away in a car while Mollie and James frantically search for him. Mollie and James eventually spot him and give chase, until Mikey is standing in the middle of heavy traffic, James and Mollie take him to safety, where Mikey unofficially asks James to be his father by saying his first word "dada". James and Mollie realise that Mikey already sees James as his father, they decide to give it a chance, kissing passionately, while Mikey decides to wait to tell them he needs a diaper change, and nine months later, Mollie gives birth to a baby daughter Julie (voiced by Joan Rivers), who makes her first wisecracking comment. Also starring Olympia Dukakis as Rosie, Christopher Aydon as Mikey (age 2 years), Jacob Haines as Mikey (age 1 year), Jaryd Waterhouse as Mikey (age 6 months), Jason Schaller as Mikey (fetus-newborn) and Twink Caplan as Rona. Travolta had only one or two passable films before this one, most others being flops, this brought him back into the limelight (five years before Pulp Fiction made him massive), Alley is likeable, she and Travolta are a pleasant couple, despite her not realising he is the right guy all along, it is Willis that gets the best lines throughout the movie, making baby-based gags. It is a fairly clever concept, a wiesecracking baby only heard by the audience, it is predictable in terms of the story itself, but I can see I suppose why it became a hit movie, hence spawning the daft sequels, all in all an amusing and fun enough comedy. Worth watching!

I seem to be in a small minority of people who hated 'Look Who's Talking'. That's fine, but I really can't understand what people see in this film. It has a plot that goes nowhere, jokes that appear to have been written by 5 year olds, and of course, highly annoying talking babies.What irritates me most about dumb films like this is how some people try to make out that they're 'classics'. This movie is barely watchable it's so annoying, why on earth does it deserve to be held in the same regard as some of the best films of all time? 'Look Who's Talking' is exactly the sort of film I usually avoid, and I wish I had.

Look Who's Talking is the definition of Hollywood mediocrity. From the acting to the script, the soundtrack to the visual look of the movie, everything shouts average. Hell, even Kirstie Alley managed to maintain an average weight for the duration. This isn't to say the movie isn't funny because it is, but aside from a few one liners by Mikey (voiced by Bruce Willis) we never really get anything that makes you want to laugh out loud which is a real shame considering the potential of the situations in the movie. If you want a movie that will let you chill out and relax, whilst being instantly forgettable, this is it.Overall rating: 6 out of 10.

Look Who's Talking (1989) *** 1/2 (out of 4) Highly entertaining comedy centering on a single mother (Kirstie Alley) who plans on finding her son (voice of Bruce Willis) the perfect daddy after his real father refuses to have anything to do with him. She tries out a few men not realizing the relationship her son has started with the babysitter (John Travolta). The entire idea of this movie seems like a major mess so it really comes as a great shock to see how loving, caring and downright adorable the picture is. The idea of a single mom trying to find a father for a baby who we constantly get voice-overs from isn't the greatest story out there but the performances are so good, the laughs so big and the heart is in the right place and all of this really adds up to a rather special movie. A lot of the credit for the laughs has to go to Bruce Willis who does a very good job with the voice-overs. His comic timing is dead-on from start to finish but I think the most important thing was how child-like in nature he was. We've had dozens of movies that used voice-overs to try and get laughs but they usually fail because they either try too hard or the comedy is forced but that's never the case here because the work is done with such ease by Willis that you can't help but feel as if you're actually listening to how a real kid would think and talk. Alley is also very good in her part, although I'd probably argue that the screenplay could have toned down on some of her hard-edge because at times you start to question some of her character traits. Olympia Dukakis, George Segal and Abe Vigoda are all good in their small parts but I think the key to the film's success is the performance of Travolta. This was the GREASE stars first major role in years and it would also serve as his first comeback but of course the sequels would lead to his eventual fall before Tarantino rescued him once again. Either way, the performance here is so great that you really can't help but fall in love with his character. Travolta does a remarkable job at just being so adorable, so caring and so protective of the child that you want to see them together. Being a Travolta movie you can expect a dance sequence and how they pull it off here is incredibly fun and touching. Every single second of the movie is predictable from a scene where Travolta gives some "tips" to a guy looking to take Alley out to the ending but that really doesn't matter. Heart is a hard thing to get into any film let alone a comedy but this film really hits it out of the part. Mix in the terrific soundtrack and you've got a perfect little gem.