Destiny Turns on the Radio (1995)

I like the storyline of this show,it attract me so much

Crappy film

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

This film is so real. It treats its characters with so much care and sensitivity.

Prison escapee heading for Las Vegas is given a ride by Johnny Destiny, a mystery man and walking fortune cookie. Destiny may be playing havoc with the crook's life, for nothing goes right once he hits town: the money he robbed three years ago is missing and his girl Lucille is now a lounge singer involved with a mobster. Sort of a surreal, would-be noir filmed in blazing colors, written by the team of Robert Ramsey and Matthew Stone--who don't seem to know anything about Vegas (the film is an outsider's fantasy-version of Las Vegas). Overacted by the cast, although Quentin Tarantino retains his wily charm and charisma as Johnny (one misses the crackling dialogue typically found in his screenplays, however). Jack Baran attempts a certain style in his direction, but this whole stew seems left over from the 1980s. * from ****

It is said:Uttamo brahinasadbha'Va madhyania' Khayyam ha'Ravi'a' Japastutih sya'dad-ha a' murtipu'ja Dhaka'Dhaka'Society at large has lived in relative indifference of the cohesive power of Dylan McDermott (Wonderland, TV's The Practice, Cowboy Way) culture. The spiritual values of Dylan McDermott culture are integrative, relational and adaptive. McDermott and McDermott's father Pappy, played by Tracey Walter (Tv's Nash Bridges), seem quite startled to notice a man who appeared from their hot-tub and that man is Destiny, as played by the Q-man (Tarantino). Ideation on James Belushi (Tv's According To Jim, Daddy's Boy, Animal House, Mulholland Falls) is, in this movie, anyway, the best process of intuitional practice. The second best is Dhaka'Na (meditation) and dharana (concentration). LeGros and Travis are inferior and idol worship (Tarantino) is the least favorable.This is what is called in Western philosophy a fallacy of a 'straw man argument'. that is, you present the notion of people worshiping Hollywood pretty-boys which they presume will enable them to achieve some sort of cosmic liberation. McDermott flounders and can barely do anything. LeGros and Travis are wasted and Travis didn't sing those songs, you know. Tarantino gives this movie it's surviving 9.1/2 star ruling. Furthermore, it survives being a Bomb with the assistance of David Cross (Men In Black 1 and 2, Showboat) and Bobcat Goldthwait (Blow, Indepenence Day) but even their parts are also a kind of sadhana. Also starring Sara Trees (Legend of Curly's Gold Strike) as Lucille's friend.The tantric paths are the vehicle, as it were, and realizations are stations along the way....

Destiny is one of those films that is neither great nor terrible. Taranitno is one of the greatest filmmakers of all time. But his acting abilities are very limited. The story is sort of creative, but at the same time trying to be a indie film too hard. James Belushi puts on a good performance that seems almost related to his character in "About Last Night" but with a more violent twist. And you can't forget Allen Garfield, terrific guy. But, this film will merely exists. Don't over emphasize the meaning of this film based merely on the existence of Quentin Tarantino. Only Quentin knows why he did this terrible movie, don't try and rationalize Quentin. This film is an example of Quentin's personality. He does whatever the hell he wants to.

...I mean I loved the movie, just like I love every other movie which includes Quentin Tarantino. Besides if not anything else he had a really great nam and the music's pretty good too. I just want to say that I think It should get more that 5.something. Well maybe it's such a low average because it has so few people who've seen it. People check it out is what I say.