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Along the Great Divide

Along the Great Divide (1951)

June. 02,1951
|
6.8
|
NR
| Western

US marshal Len Merrick saves Tim Keith from lynching at the hands of the Roden clan, and hopes to get him to Santa Loma for trial. Vindictive Ned Roden, whose son Ed was killed, still wants personal revenge, and Tim would like to escape before Ned catches up with him again. Can the marshal make it across the desert with Tim and his daughter? Even if he makes it, will justice be served?

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Lovesusti
1951/06/02

The Worst Film Ever

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SpuffyWeb
1951/06/03

Sadly Over-hyped

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Konterr
1951/06/04

Brilliant and touching

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Kien Navarro
1951/06/05

Exactly the movie you think it is, but not the movie you want it to be.

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SmallClanger
1951/06/06

I happened across this film whilst idly channel flipping. Although the film contains its fair share of Western clichés, it's quite a decent adventure, and Kirk Douglas turns in one of his reliable portrayals of iron-jawed integrity. The film opens with an attempted lynching, foiled by Douglas' US Marshal, and is notable for its cheering emphasis on the rule of law in the wildest of settings (compare the opening sequence of HBO's "Deadwood", pilot episode). This renders the film worthy of mention alongside rather better movies such as the original 3.10 to Yuma, and a number of John Ford Westerns. The tension between the rugged (and armed) self reliance of the frontier, and the development of civil society in (then) uncivil regions adds an interesting element to the familiar ingredients of an arduous journey, gun-play, and a predictable love story. Worth a look.

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alexandre michel liberman (tmwest)
1951/06/07

This was Kirk Douglas' first western and he did so well, that he could not stop making them after. Virginia Mayo, who used to be just another pretty woman, here, as in Colorado Territory, has a chance to show her talent and does very well, she still looks modern, when you see the film today. The story is about Kirk saving Walter Brennan from a lynch mob, and trying to get him to the nearest town without being caught by the mob. He chooses to go through the desert and falls in love with Brennan's daughter(Mayo). Raoul Walsh feels at home directing this film, he is as good as always. What I did not like about the film is the song that Douglas does not want to hear, and Brennan keeps singing, it's too sentimental and just one step from being ridiculous. Apart from that, this is an above average western

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gue_gg_ila
1951/06/08

It is a quite dated film, but that is not exactly it's problem! It is far from the best film ever. Quite out off reality. Terrible script, which lead to bad performances. Kirk Douglas manages to look credible, but the rest of the cast doesn't achieve what this great actor could in this film. This film proves that bad movies have been made since way before the 90s! Although it has good things, it is dated in almost every way, and it is full of too many flaws! Also, the film is quite predictable, but it has a good scenery and fails to deliver emotion. They make the character of Virginia Mayo very annoying too, and she fails as an actress!TERRIBLE! That forces me to give the film a 5/10, but because Kirk tried to make it better, I would actually rank it with a lower grade!

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dbdumonteil
1951/06/09

This is the western Walsh made after "Colorado territory"("White heat" which is "Colorado'"s follow up is a masterpiece but not a western- and it nearly matches its brilliance.A rather short movie,it's an action-packed story which never loses momentum.Beginning with a very tense situation (a lynching) it remains suspenseful and absorbing all along the great divide.The characters are wonderfully depicted and any of them could be the subject of a movie.This is like" Colorado 's territory" or "pursued" ,an intellectual western.The hero,Merrick ,carries the weight of his father's death.Kirk Douglas gives a fine performance ,being in turn nice or unpleasant.What's really fascinating is that his tragedy is about to happen again:his prisoner may be innocent and he will have another fault on his conscience.Pop Keith (Walter Brennan) and his daughter Ann (Virginia Mayo who was at the time Walsh's favorite actress:she's in the two movies I mention above as well) are an endearing couple:the girl is a strong personality -the part was tailor-made for Mayo-while his papa is a resigned old man,whose favorite weapon is nothing but a ditty which he knows reminds Merrick of his past he cannot forget.One can go as far as saying that Merrick sees Keith as a father who returned from the grave.Another relationship father/son is also featured: Roden who demands Keith's head because he thinks that he killed his son Ed-"I buried my heart in the grave" he says- and his second son ,the ugly duckling.Roden speaks of his late offspring as a perfect boy .Walsh's movie raises many questions .Sometimes we wonder where justice really is and who is on the right side of the law.This exciting western deserves to be upgraded

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