The Wind in the Willows (2006)

Better Late Then Never

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Exactly the movie you think it is, but not the movie you want it to be.

The movie begins with a brilliant idea that previous versions of Kenneth Grahame's book missed: animated animals are cartoons, not people. Grahame wrote his book with his main characters called by names of animals, living like animals (in the ground) sometimes, and living apart from humans (like animals). But they're humans . . . up to and including having their own god ("Piper at the Gates of Dawn.") This version fixed the ridiculousness of animation by having human beings in the roles, who had slight make-up like animals and some behavioral quirks like animals, but otherwise interacted like HUMANS. Thus, the script began with a brilliant improvement. It was so well done that one could forgive editorial decisions for time constraints ("Dulce Domum" is truncated, as is the seminal "Piper at the Gates of Dawn" (no search for otter's pup, no poem explaining why they don't remember, no Pink Floyd.) The THEME of the book is friendship: Mole leaves his burrow and instantly strikes up and maintains a friendship with Rat. Rat is both generous and gracious with Mole, who supports Rat (in most things.) They give to each other because that's what friends do. Toad is merely the biggest friend who is also the most needy. Mole, Rat, and Badger work to rein in Toad for his own good and ultimately succeed by making painfully clear to Toad that their friendship requires his good behavior. AND TOAD AGREES. The book ends with the 4 animals being the closest companions and Toad is humble, self-effacing, and moves attention to others BECAUSE THEY'RE HIS FRIENDS. This movie waits until (literally) the last minute to undo and re-write all of that. Toad was going to be a fair and humble Toad . . . until he sees an airplane. Then he goes right back to being a selfish, destructive jerk. Rat and Badger and Mole leave in disgust. All that brilliance betrayed in 60 seconds. I want my time back.

I've already seen three different film versions of Kenneth Grahame's lovely story and I saw this version on Watch (a digital TV channel in the UK)on Christmas Eve 2009.The only people I've heard of were Bob Hoskins (Badger), Imelda Staunton (the barge lady) and Matt Lucas (Toad). Some parts reminded me of the 1983 stop-motion version, the 2D animated version from around 1995 and an abridged version of the story (retold by Lesley Sims), but this is probably the most unique version of them all. Matt Lucas and Bob Hoskins played a convincing Toad and Badger respectively, but I didn't know the majority of actors in this film at all.Matt's performance as Toad was the funniest thing in this film and it was well-acted by everyone else too. It's just a shame that there was no focus on Rat and Mole's riverside picnic. 9/10

When I first saw the advert at Christmas, I was obviously attracted by Little Britain's Matt Lucas and the great Bob Hoskins starring, but also I was attracted to see another live action version, the other was Terry Jones's 1997 film. You probably know the story already, although I didn't know Mole (The Street's Lee Ingleby) and Rat (The League of Gentlemen's Mark Gatiss) didn't know each other already when they met. They meet Toad (Lucas) who takes them on a caravan, and then gets obsessed with motor cars. Rat and Mole then meet Badger (Hoskins) in the Wild Wood, and the three of them try to rehabilitate Toad. They fail and he goes to prison, but escapes as a washer woman, and then they have the Battle of Toad Hall. Phew! Also starring Jim Carter as Engine driver, Theodor Danetti as Otter, Radu Andrei Micu as Chief Weasel, Imelda Staunton as Barge Lady and Tom Baker as Judge's voice. Worth watching!

A quintessentially British classic, brought back for a new generation. It's a pleasure to watch a new children's movie without dead parents or body fluid slapstick. The film is surprisingly close to the book, with saturated colours director Talalay seems to have been denied with her TV work. Most of the casting is superb; standouts are Mark Gatiss as Ratty, Bob Hoskins as growly Badger and Oscar-nominee Imelda Staunton as the Barge Lady, with some surprisingly attractive Romanian weasels and underrated Canadian Mary Walsh as the unattractive bosom-rearranging washerwoman. Little Britain's Matt Lucas is a scenery-chewing disappointment as Toad, driving down the stars from 8 to 7; whenever he's on screen, despite his good music-hall turns with the songs, he jars us back to the 21st century. Like most great stories, 'Willows' survives beyond its period-piece setting with a moral for young and old. Whether you subscribe to the id/ego/superego trio, or the class structure of the stupid rich Toad, proper Rat and afraid-but-brave homebody Mole, there's more to the tale than Toad's latest toy. Children younger than 6 likely won't stand more than a few minutes of this, but nostalgic adults will enjoy watching this with school-age children who hopefully will ask for the whole story.