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Night Creature

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Night Creature (1978)

June. 01,1978
|
3.5
|
PG
| Adventure Horror Thriller
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A big-game hunter brings a killer leopard to his private island and turns it loose so he can hunt it down. However, unexpected visitors arrive at the island and interrupt his hunt. Meanwhile, the leopard begins to hunt the inhabitants of the island.

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Reviews

FeistyUpper
1978/06/01

If you don't like this, we can't be friends.

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Phonearl
1978/06/02

Good start, but then it gets ruined

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GazerRise
1978/06/03

Fantastic!

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Ella-May O'Brien
1978/06/04

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

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Coventry
1978/06/05

The information I gathered together beforehand, from reading reviews and listening to people's opinions, unmistakably taught me to keep my expectations towards "Night Creature" very minimal. Everybody agrees that this is a non-worthwhile late 70's killer animal movie with incredibly poor production values and a whole lot of preposterously unnecessary padding footage. Still I was stubborn enough to continue tracking down a copy of this movie. The concept of a macho hunter obsessed with the combat-to-the-death against an invincible animal predator, taking place on a remote and inescapable island, is undeniably intriguing and potentially very suspenseful. Particularly because the legendary Donald Pleasance ("Halloween", "The Flesh and the Fiends") plays the obsessive hunter, and because the guy in the director's seat is Lee Madden ("The Night God Screamed", "Unchained Angels"), I literally ignored all the negative warning signs and nevertheless hoped to have stumbled upon a genuine hidden. Well, I was wrong … again! "Night Creature" truly is a failure of a film, and neither Donald Pleasance nor the bloodthirsty looking black leopard could do anything to avoid that. The film is irredeemably boring and repetitive sub plots are endlessly prolonged in order to reach the 80 minutes of playtime. Perhaps the formula could have worked as a short film, or an episode in some type of TV-show, but it's too confined for a long feature film and all of Madden's attempts to broaden the concept (like adding a dumb love story or insinuating a psychological ordeal) look just plain ridiculous. Millionaire Axel MacGregor is a self-made man who already achieved many things in widely versatile areas of expertise. Now he decided for himself that he would be the one slaughtering the ferocious Black Panther that already killed several people in a remote Thai area. When the animal nearly kills him instead of vice versa, MacGregor feels like a loser and offended in his manhood. He orders to capture the animal alive and ship it to his own private island, where he intends to continue the showdown. Unfortunately, however, MaGregor's estranged family just planned a surprise visit to the island at the exact same time. I still firmly believe the above could form a fantastic starting point for an exhilarating and suspenseful Man Vs. Animal thriller, but far too many things went wrong here. For some incomprehensible reason, Lee Madden loves to shoot all the action sequences in slow-motion. This annoying little gimmick does not only interrupt the pacing and tension; it's also very pointless because the wildlife footage is unclear & fuzzy anyway. The fake love story between Pleasance's geeky daughter and a chauvinist tour guide is uninteresting and the film is full of illogical twists. The often repeated simulations where Pleasance stoic face transforms in the muzzle of the leopard are completely retarded. Judging by his uninspired performance, Donald Pleasance wasn't the least bit interested in putting energy into this film, so why should we.

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ferbs54
1978/06/06

Perhaps I should explain that I am one of those people who are willing to sit through the most egregious crap, just to be able to hear Nancy Kwan's charming Hong Kong accent and see her fabulous zygomatic bones. But even for me, 1978's "Night Creature" was tough to get through. In this one, Nancy and a few others pick the wrong time to pop in on her dad, big-game hunter Donald Pleasence, at his private Thai island in the River Kwai. Donald has just released a preternaturally cunning and spitefully ferocious black leopard to hunt and engage in a battle of wits; a creature that wastes little time going after Nancy's half sister... Anyway, this movie is basically junk. Ineptly lensed and directed, with a weak story and little in the way of suspense, it surely doesn't offer much to the casual viewer. And the DVD in question here doesn't help. The picture is fuzzy and scuzzy, revealing a crummy and scummy 16mm print source, and the sound quality is very poor. Still, somehow, a viewing of "Night Creature" does have its compensations. Pleasence's acting is fun to watch, ranging as it does from hypermaniacal to catatonic. The film is atmospheric in parts, the Thai scenery looks nice, and Nancy Kwan looks even nicer. She is 39 in this film--18 years past her yummy Suzie Wong debut--and still looks very beautiful. Heck, she's still a looker TODAY, at 68! But even those zygomatic bones aren't enough to redeem "Night Creature." This is surely a film for Nancy Kwan completists only. Like me

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Steve Nyland (Squonkamatic)
1978/06/07

Like many I was suckered into watching this film thinking it was a horror opus with some sort of demonic black panther (leopard?) stalking scantily clad buxom B movie bombshells through the jungles near strategically photographed Angkor-esquire ruins of Thailand. It is but it isn't, and while NIGHT CREATURE isn't a "bad" movie -- there is some camp value to be had here amongst all of the conversations, and one really good extended cat attack scene -- it doesn't have much to recommend it, aside from Donald Pleasence. Like Peter Cushing or Basil Rathbone he elevates the film beyond the dreck level just by appearing in it.Dr. Loomis plays a novelist and great white hunter drawn to equatorial Southeast Asia who takes up the challenge to track down a rogue panther that is mauling local villagers on some sort of island/peninsula/water bound isolated location. Predictably, he freezes up at the last moment of truth when confronting the beast and is maimed for life. "Crippled" is the non-politically correct expression. Other round-eyed Caucasian relatives drop by to visit, there is intrigue and romance under the jungle canopy and next to the photogenic ruins, and at some point the panther emerges from the teeming forests to claim the only white woman in the cast. The creature must be stopped lest it ruin the local tourism business, and Dr. Loomis gets really intense, sits around glowering like a madman while knocking back the native booze & gabbering about the past, and finally lures the panther to go mano-a-mano with his wits, slamming the doors at the last second ... and then skarkers. The film concludes with the surviving Americans getting onto a boat and leaving the natives to their doom, which would have been my suggestion from day one.Filmed in 1978, this is actually one of the "When Animals Attack" vein of thrillers made after the success of crowd-pleasers like JAWS, FOOD OF THE GODS and GRIZZLY. Here the menace is in the form of a sexy trained panther, which means only one thing: Animal rights activists will be offended by how the animal was coerced into performing for the camera. If the movie had been made today the cat would be a computer animation and Ralph Feinnes would have played the Donald Pleasence role, so we can be thankful that the movie was made when it was & by who bothered to show up: It is a forgettable little bit of 70s Saturday afternoon idiocy. It's also funny how the pivotal scenes in the film all seem to involve action being staged with the Angkor-esquire ruins looming in the background. They serve only as a set decoration, whatever relationship the panther has with the ancient traditions that erected the monuments is never delved into, and essentially this is a PG rated (made for cable?) Jungal Trash exploitation film about white people going to the jungles and having all sorts of fascinating adventures while the natives carry the luggage.What the film needed was some sort of lurid angle that would have produced bared breasts or better yet a blasphemous native sexual rite combined with a supernatural kicker. As mentioned above there's one great scene where the cat stalks a woman amidst the ruins, the final images of Dr. Loomis sitting in the boat with the face of the panther superimposed on him were perhaps the most evocative moments in the production ... aside from an excellent monsoon sequence filmed during an actual monsoon. If it sounds like I am just not getting into the spirit of things here you are correct, the film is plodding, unimaginatively staged, derivative, cheap, and has little to recommend it aside from another unhinged Donald Pleasence performance. Perhaps the most compelling reason to acquire a copy and subject yourself to watching it is that it's completely obscure, out of print, and with no anti-animal exploitation disclaimer at the end, likely to stay that way.4/10; Worth a look for Animal Attack fans, otherwise you might want to try NIGHT OF THE SORCERERS, at least that one has some breasts.

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John Seal
1978/06/08

The major problem with Night Creature is that the 'creature' is actually a very cuddly looking black panther who clearly was quite well-behaved throughout production. Though he's supposed to be a powerful and deadly force of nature, he actually comes across as a rather dopey circus creature who wouldn't hurt a fly. Axel MacGregor (twitchy Donald Pleasance) is a big game hunter who brings the animal to his private island, where it proceeds to terrorize Socrates, the family Scotty Dog, distaff daughters Georgia and Leslie (Jennifer Rhodes and Nancy Kwan), granddaughter Peggy (Lesly Fine),and macho tour guide Ross (Ross Hagen). The film lacks suspense or chills, and an over reliance on slow motion, point of view shots, and narrative voice-over results in a technically inept final product. To date, this is the penultimate feature from director Lee Madden, whose next film, Ghost Fever, was even worse.

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