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Novel Romance

Novel Romance (2006)

October. 08,2006
|
5.2
| Comedy Romance

Book editor Max Normane can perfect anyone’s story apart from her own. Highly successful but highly single, she comes up with a novel plan: a publication in exchange for a sperm donation. But will she get her happy ending?

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Reviews

Ehirerapp
2006/10/08

Waste of time

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Dynamixor
2006/10/09

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

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Guillelmina
2006/10/10

The film's masterful storytelling did its job. The message was clear. No need to overdo.

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Haven Kaycee
2006/10/11

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

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Michael Ledo
2006/10/12

Let's call it what it really is: a chick flick. This is the first movie where I can say Traci Lords was credible as an actress. While not her most entertaining role, she did play it better than I had expected, perhaps a bit over done at times. Maybe she was just playing herself, with a capital "B." Once you get past the plot, i.e. please let me have your seed and I will publish your novel, the movie becomes entertaining as Traci Lords and Paul Johansson pull off some good chemistry

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rkmaxine
2006/10/13

Novel Romance is a witty, clever romantic comedy that was a huge crowd-pleaser at the LaFemme Film Festival in Los Angeles. It tackles contemporary issues of career/marriage/childbearing and parenting with an original twist. Can Max Normane find fulfillment both as a successful professional woman and as a single mother? And how is she to accomplish that when men and sex have taken backseat roles in this driven and zany woman's life? Traci Lords shows wonderful comedic ability as Max, and Paul Johanssen's sex-appeal oozes through the disheveled facade of character Jake Buckley, aka unsuccessful writer--starving, but too proud to "compromise" his talents. Where have Lords and Johanssen been until now? Their chemistry lights up the screen. Great supporting performances by Sherilynn Fenn and Mariette Hartley. Writer/director/producer Emily Skopov has accomplished an enormous feat in her very first feature film. She has gone beyond cliché to present real people with real needs in our very complex society where modern choices do not always trump age-old instincts of human behavior.

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