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The Taqwacores

The Taqwacores (2010)

January. 24,2010
|
5.9
| Drama Action Comedy Music

Yusef, a first-generation Pakistani engineering student, moves off-campus with a group of Muslim punks in Buffalo, New York. His new "un-orthodox" housemates soon introduce him to Taqwacore: a hardcore, Muslim punk-rock scene that only exists out west. As the seasons change, Taqwacore influences the house more and more. The living room becomes a mosque during the day, while it continues to host punk parties at night. Ultimately, Yusef is influenced by Taqwacore too, as he begins to challenge his own faith and ideologies. 'The Taqwacores' deals with the complexities of being young and Muslim in modern-day America.

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Mjeteconer
2010/01/24

Just perfect...

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RipDelight
2010/01/25

This is a tender, generous movie that likes its characters and presents them as real people, full of flaws and strengths.

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Voxitype
2010/01/26

Good films always raise compelling questions, whether the format is fiction or documentary fact.

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InformationRap
2010/01/27

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

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losindiscretoscine
2010/01/28

Even though Muslim punk exists since the beginning of the 80s, it was only in 2003 that this movement was known thanks to Michael Muhammad Knight's book. « The Taqwacores » is therefore based on this book and it was premiered seven years later. Even if the goal of the film is clear, that is showing the existence of this Muslim punk movement in the USA and the trouble in getting in, it hides some surprises and interrogations. Since the characters and the movie do not rebel without any reason, although the violence shown is sometimes too much, it is the consequence of an essential questioning of Islam. The power of the film lies in the director's decision of not taking the same path as other films dealing with religion. « The Taqwacores » does not only go against the flow, but it gives some food for thought: can we worship just a part of the Koran? That is, can we not just take all that is said for granted but also apply our critical sense in order to build our own faith? Can we reverse religious symbols and use them as we please? The film does not give any distinct answers and it does not mean to, but, thanks to some clever realistic dialogues and scenes, it suggests some ideas. And, at the end of the day, we do not ask for more but some ideas to encourage our thinking about a matter that should be better known. Full review on our blog Los Indiscretos : https://losindiscretos.org/2016/12/30/the-taqwacores-2010-eyad-zahra/

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sildarmillion
2010/01/29

Every other film (of not many) I've watched which deals with Muslim identity conflict issues, there is this tendency to try to be politically correct so that you're not alienating non-Muslims or liberals while at the same not offending the more conservatives. In the end it leaves neither party satisfied. I liked how this film unashamedly didn't try to find the middle ground. It told it like it is. Okay, I don't know what it is like. I know nothing of the Muslim punk rock scene or any other punk rock scene. But really, nothing about this movie felt pretentious. (Most of) these punk rockers really push the ideals of don't be who your parents want you to be or who society wants you to be or what the Qur'an tells you to be - be who you want to be. That's kind of cliché. I've seen that way too many times. But the film does keep it fresh by having the Taqwacores rebel in unorthodox ways. Like Rabiya who wears a full burqa covering every inch of her body down to her fingers. She doesn't do it out of devotion to Allah or Islam. She does it to make a statement. I could (sort of) relate to that. If you meet someone who doesn't drink or smoke, or someone who's still a virgin, you might assume they're a "good girl / good boy" who is a goody-two-shoes and plays it straight and doesn't dare to embrace who they want to be inside. But isn't it possible they've made a conscious choice - not because they think this is wrong - but because they think they don't need to? Because they're secure in their decisions? Don't get me wrong, I don't think the Taqwacores are secure in their decisions. In fact, beneath all that confident protesting against societal norms, there is a highly veiled layer of deep insecurity. At least that's what I felt. I got that vibe especially from Jehangir. And did I love that character to shreds! I love the message he sends out at the end - who are the Taqwacores to exclude Taqwacores who are "different" when Taqwacores themselves are excluded by other punks because they are "different". People always have the tendency to segregate and to exclude those who are "different". Even those who are excluded themselves. For example, homosexuals might be more accepted by the wider population these days, but bisexuals and asexuals are still weird and even homosexuals find them weird. This might be a bit of a generalization and I may not have a large enough sample to make these generalizations. I liked that this film led me to think outside the scope of the film, but I kind of wish it did address some of these ideas on its own.

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John Seal
2010/01/30

The Taqwacores is, at heart, a fairly typical indie ensemble piece, but with enough new wrinkles to earn it a thumbs-up from yours truly. Based on Michael Muhammad Knight's novel of the same name, it's the story of a group of Buffalo-based Muslim punk rockers rebelling against the strictures of their religion. (There really is a Muslim punk scene, but the bands in the film — Osama's Tunnel Diggers, Bilal's Boulder, and Boxcutter Surprise — are fictional).The film is crudely made, the screenplay a tad stodgy and predictable, and there's not enough music, but the characters — including Rabeya (Noureen DeWulf), the burka-clad 'riot girl' who crosses out the bits of the Qu'ran that she finds misogynistic, and wide-eyed innocent Yusuf (Bobby Naderi), who stumbles into the scene while apartment-hunting — are endearing enough to keep you watching.

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stupidknight
2010/01/31

Interesting concept. Must acknowledge that films like these are the reason why Sundance will always be special. The camera work was refreshing and must commend the efforts of the cast. Every small detail was well handled, the punk burkha for example, I've never imagined those black-bland clothes would ever get a creative touch, something I would envy if I were a fashion designer.Yusef, this was a character that found its alter-ego in Jehangir and struggles to acknowledge that Jehangir is who he always wanted to be. Yusef will always be that person who reminded you that wanting to have fun and being pious need not always be two different things.I really enjoyed watching those tiny clips with a couch, a person and a TV. We are a nation of people who believe in liberty but will it ever be possible for Jehangir to wear the crescent and star although he is in no way connected with his religion. I seriously doubt it, but yes, we give Jehagir this ability in our films. Applaud the efforts.

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