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Pray for Death

Pray for Death (1985)

January. 11,1985
|
5.7
|
R
| Action

Akira Saito, a Japanese businessman lives in Tokyo with his Japanese-American wife Aiko and their children, Takeshi and Tomoya. When the family has a chance to move to the United States so that Aiko can teach the children about their American heritage, they pack up and head for Houston, Texas and run a restaurant. This is where the trouble begins....

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Reviews

Colibel
1985/01/11

Terrible acting, screenplay and direction.

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Pluskylang
1985/01/12

Great Film overall

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Intcatinfo
1985/01/13

A Masterpiece!

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Roxie
1985/01/14

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

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gavin6942
1985/01/15

After a peace loving Japanese immigrant (Sho Kosugi) and his family become victims of a crime syndicate, a master ninja emerges.Director Gordon Hessler had a great run going into the 1970s, working with Vincent Price, AIP and all those talented folks. Look at this three film run: "The Oblong Box" (1969), "Scream and Scream Again" (1970) and "Cry of the Banshee" (1970). Unfortunately, it seems to have been downhill after that, or at the very least, he was behind films that did not quite get the attention of these three.Then comes 1985, where we have this unusual gem. A Japanese ninja film, set in America and directed by a Brit. It is quite an unusual blend, something you might expect from Cannon. Or perhaps Transworld, which would be correct.This sort of over-the-top movie is despised by most critics (with good reason), but embraced by those in the horror and cult community. Joe Bob Briggs praised star Sho Kosugi as "the best kung fu man since Bruce Lee" and ranked the film high on his 10-best list for 1986. Briggs is my kind of reviewer, who knows good cheese when he smells it. Kosugi really was the defining ninja of the 1980s (with all due respect to a certain group of turtles).Arrow Films has released the film on blu-ray, and have done a very fine job of it. We have a 1080p presentation from a transfer of original elements by MGM of the unrated version. yes, the unrated version, which means more of that wonderful scene with the burning elderly man! We have a brand new interview with Sho Kosugi, as well as an archive interview and Ninjitsu demonstration with Kosugi from the film's New York premiere.I would love to have seen a an audio commentary from Kosugi, or perhaps something from Hessler, but he likely passed before Arrow got the rights. All in all, this is a great release and anyone who loves the days of renting action films based on their cover is going to appreciate what this gem has to offer.

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Comeuppance Reviews
1985/01/16

Pray for Death is awesome! It's certainly the best Sho movie we've seen to date.Herein, the Sho-master plays Akira Saito, a man who has a nice, calm life in Japan working as an executive for Yokohama foods. He has a pretty wife, Aiko (Benz) and two cute kids, Takeshi and Tomoya (Shane and Kane, regulars in their dad's movies). Yep, the dude has a pretty sweet setup. Apparently bored by all the serenity, Aiko, whose father was American, convinces Akira to move to the U.S. Once there, they begin refurbishing an old, run-down eatery called the Sabine Street Restaurant. They later rename it Aiko's. They get the property from a kindly elderly man, Sam Green (Parley Baer). Even though the newly-transplanted Japanese family in the U.S. throws themselves into turning the restaurant around, a dark secret lurks...It seems the local gangsters have been using an all-but-abandoned back room at the Sabine Street Restaurant as a drop off and pick up for various illegal goods. When the highly valuable Van Atta necklace goes missing, naturally these dumb-dumb gangsters think it is the new immigrant in town, Akira. So they start making his life a living hell, tormenting him in many ways. It eventually escalates to the point when half the family is in the hospital. The ringleader of all this awfulness happening to the Saito family is one Limehouse Willie (Booth). While his name seems more suited to hobo boxing matches in the railyards, the diabolical man uses every possible underhanded tactic at his disposal to try to eliminate Saito. He just didn't reckon with one thing - Saito is a secret Ninja! So when Aiko takes a turn for the worse, the mild-mannered man during the day goes on a no-holds-barred Ninja revenge mission against the evil bastards that have ruined his life! Radical! Sporting a fast pace, a high-quality look, top-notch action sequences (the boat scene is a standout), and great music, including the Pat Benatar-like theme song "Back to the Shadows" by Peggy Abernathy, Pray for Death doesn't disappoint. Director Gordon Hessler, a well-known drive-in guy, pulls all the correct elements together in just the right mix. He downplays the minor negatives, such as the fact that Sho's accent is so strong it's basically impossible to tell what he's saying, and accentuates the strengths, such as the Ninja-based action sequences and revenge plot. It truly is a recipe for success more directors would be wise to follow.Of course, a great action movie needs a super-evil bad guy, and James Booth as Limehouse Willie fills the bill in spades. Yes, his name is silly, but that's just a distraction, as you will cheer for the moment when Sho exacts his revenge on one of the ultimate jerks in 80's filmdom. Add to that the elements of corrupt (and not-so-corrupt) cops involved in this gangster/ninja war, and the subplots of the temple setting where we learn why Akira knows what he knows. In the good guy department, Parley Baer does a good job as the kindly, sympathetic Sam Green, while Kane and Shane do some pint-sized karate moves of their own (and they have the best bike since Pee Wee Herman). They also like to watch something called "The Black Ninja" on TV.This is an actual NINJA MOVIE, unlike the trowel-jobs of Godfrey Ho. This is a coherent, good production. Featuring yet another excellent opening credit sequence featuring Sho, and produced by TransWorld entertainment (the big-box VHS was released on USA video, how appropriate to the storyline), please don't hesitate to check out this "Sho"-stopper.For more insanity, please visit: comeuppancereviews.com

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lastliberal
1985/01/17

A man wants to leave his country behind and start a new life in America.Unfortunately, he runs into gangsters that thought he stole a necklace from them. His family is in danger, and he reverts to his true calling - a ninja - to get justice.Shô Kosugi gives us a great martial arts/revenge flick. His acting isn't the greatest, but his fists speak loudly.He warned them, and now, they will pray for death.Gangsters, crooked cops, and the most dangerous man in California are no match. Even the kid (Kane Kosugi) is dangerous with nun-chucks and darts.They had to really stretch credulity at the end as he fought James Booth. He sliced thought a dozen men, but they stretched this battle out.

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HaemovoreRex
1985/01/18

Sho Kosugi dons particularly cool looking ninja togs in this fair martial arts actioner from 1985.The plot (of sorts) more or less resembles exactly that of Kosugi's earlier, superior 'Revenge Of The Ninja'.Similarly (and infuriatingly!!!) just as in the aforementioned film, Sho is yet again incredibly reluctant to get into his full ninja gear and whoop ass even after repeated attempts on his families life by the movies villains.However, inevitably and true to that staple cliché in these types of films, at least one of his family MUST be killed off thus prompting our hero to swear the obligatory oath of revenge. The bad news is that it takes until well over the hour mark before our man Sho actually gets his full ninja act together to get stuck in proper.Still, to be fair, the resulting action makes it worth the long wait and the villains invariably buy it in style at Sho's deadly hands and feet.The climatic battle between Sho's character and the evil (but ridiculously named) Limehouse Willy (played by none other than James Booth!) proves to be surprisingly evenly matched (a chainsaw being ostensibly a weapon that ninja are not specifically trained to defend against) but of course, such a repulsive low down, low life miscreant can only meet a suitably grisly end here and Sho certainly makes sure that he does!Whilst this isn't my personal favourite of Sho's movies, it's still a fairly enjoyable romp. If you're at all into the 80's ninja film craze then you could do a lot worse than to check this out.After all, nobody embodies the ninja better on screen than Sho does.

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