Applause (2009)

Admirable film.

By the time the dramatic fireworks start popping off, each one feels earned.

Blistering performances.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

Having seen a number of leading female bravura performances this past year, I thought I had sealed shut my choices for best actress. I then had the pleasure of seeing the independent Danish film, 'Applause,' and Steen, without hesitation, became my favorite performance of the year (even vis-a-vis Portman as the fragile yet delusional Nina in 'Black Swan').Although, on its face, the storyline may come across as another hackneyed portrayal of a melodramatic woman coping with alcoholism, Steen's performance brings forth such a raw and entrancing glimpse into the mind of Thea that you can't help but also feel her frustration and helplessness. Nevertheless, even though you see Thea at her lowest, you can still sense some maternal substance in her, which offers levity to an otherwise bleak ending.An absolute tour de force performance that is a must-see!

This is a memorable and moving Danish movie. It tells a story that in the world which we live, different people have different lives. In this film, Paprika Steen (playing Thea Barfoed) is a stage performer, used to be an alcoholic after she had suffered divorce and lost her children. When people face to the different circumstances of life, some people are the strong and optimistic, and others are weak and negative.She had some psychological barriers, she didn't know how to love her family, her sons and husband the right way because she didn't even know how to love herself. So her husband divorced her and got the two boys. After a period of psychological treatment, her life is on to the right track. But she needs to face her faults and mistakes she made before. She loves her sons and she wants to spend time and live with them sometimes, but her ex-husband doesn't trust her and he is afraid the boys will be hurt again. She is very desperate and sad. I think Paprika's performance is superb, and she expresses her emotions very well. Her performance is very natural. The film tells people how to face the mistakes of the past, and how to change her life for the better. Everybody needs salvation; While Thea looks for forgiveness from others, she must also forgive herself.

I saw Applause from Hamptons International Film Festival. Mother-child concerns are the main story in Appause. Thea has strong career but she is an alcoholic and a divorced women who lost custody of her kids. Thea loves her kids, she tries to stay on the wagon. She tried to get the custody at first, she gave up in the end. How great the character of the mother is. She loves her kids so much, she really wants to stay with them, and her kids love her also, she realizes that she is not able to stay with them. That's the most difficult decision her character has to make. I like the ending, because there is no clear answer to her situation. Thea keeps trying and gets the custody of her kids, but I don't think she can always be a good mom. To stop drinking for an alcoholic is a very long and difficult process, and whenever she drinks and gets drunk, the kids are gonna have a hard time. I love this movie because the character of the mom is great, and she knows herself, and the ending sparked my imagination: can she stay sober successfully, or will she just give up and turn back to be an alcoholic?

I loved this film. Is the plot unique? No. Is the cinematography revolutionary? No. Is the portrayal of this mid-aged recovering alcoholic actress executed well? YES.The previous reviewer mentioned something along the lines of how the hand-held shaky cam was just a copy cat gimmick of older indie films and how this is just another drab danish film to do the exact same crap yet again. Tell you the truth, that sounds like the rantings of an A-list film snob.Granted that the hand-held method, 3D, CGI, and dozens of other cinematography related methods are very frequently used purely just as gimmicks and very often don't add anything to the actual film, it still is a legitimate tool for cinematographers to use, and can be used to support the nature of the film. I think we're bombarded with these gimmicks so often, and so often get nothing out of it, that many people just start associated that visual tool with being distracting and pointless, even if used properly.Also, I think there was a mention about Michael Falch, and how this Comedian turned serious actor wasn't any good because he was trying too hard and overacting, and to be fair, I think that observation was due to a preconceived notion about the actor because the reviewer was familiar with him. I never heard of Michael Falch and have no idea who he is (before the film at least) and thought nothing of the acting in a negative way. I would've never guessed that he was a comedian. He was very good in the film and very convincing and obviously a natural born actor.Anyways, back to the film. Like the title says, this is a slice of life sorta movie. It is not a mapped out plot that goes from point A to point B, but rather the Director just lets us into this woman's life and gives us permission to observe her most intimate and personal moments. Thanks to the amazing (Merryl Streep Level) acting of Paprika Steen, this observation is fascinating, and it's so convincing, that you often feel very uncomfortable and filled with anxiety because like in real life, when we are faced with adversity, we often struggle to find a path to walk on, and we often do things that surprise even ourselves, and find ourselves in situations that we never planned on being in, and suddenly realize we have no idea how to escape. You just can't help but relate to the situations in this real-life reconstruction. This is only supported by the hand-held cinematography.The truth is, almost every story out there has been told at least 100 times in some form or another, but how many of those attempts are successful? Maybe 1 or 2? Sometimes never. We see so many crap movies about recovering alcoholics and people battling with their inner demons/children/careers that it's just not interesting to see anymore, so that's why we need 200 million dollars movies just to catch our eye and hold our attention. With it's simple formula, Applaus does what the majority of films out there cannot, and that is holding your attention firmly. It doesn't do this with big bells and whistles, but with a very careful and caring attention to detail that keeps you in a constant state of uneasiness that dips and rises from sadness, to suspense to moments of simple joy throughout the entire runtime.If for nothing else, see this film for the amazing and refreshing acting of Paprika Steen who is actually being nominated for Best Actress I believe.