The Silver Bullet (1942)
A cowboy heads for the town where his father was murdered to find out who was responsible.
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Good start, but then it gets ruined
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.
Better than average little oater, thanks mainly to several offbeat touches by cult director Joseph H. Lewis. Known later for such noir classics as Gun Crazy (1949), he livens up the screen here with some good action. Note the several punches thrown at the camera that had me ducking, or the imaginative overhead angles on the barroom brawl, or the surprising stage holdup to start the movie. Such small clever touches show an engaged approach even for a matinée programmer.The supporting cast is better than average as Silver (Brown) searches in the middle of a town election for the man who backshot his father. All he knows is the shooter has a scar on his arm. I especially like Grace Lenard's dance hall girl Queenie. She's got real personality. Also, Brown makes for a likable cowboy hero, while Knight's comedy relief doesn't annoy. All in all, it's a pleasant glimpse of the Old West as we might like it to be.(In passing—catch songstress Nora Lou Martin. She manages some falsetto trilling the likes of which I've never heard.)