The Black Dakotas (1954)

Best movie of this year hands down!

The Worst Film Ever

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

When you come right down to it, there aren't a lot of good guys here. The only one that comes to mind is moderate Mike Daugherty (John Bromfield) as the head of a stage line company. Everyone else, and that includes fiancée Ruth Lawrence (Wanda Hendrix), had at least a little bit of larceny in their heart which leads to the undoing of more or less everybody in the picture.The premise is laid out in the opening screen narrative that states how Southern sympathizers aided the Confederacy during the Civil War by fomenting trouble in remote parts of the country to draw away Union forces from the main areas of battle. Interestingly, there really aren't any direct confrontations between the Blue and the Gray in the story, what we have is the old double cross perpetrated by a Southern Reb (Gary Merrill) who we eventually learn has loyalty to neither side. He's in it for himself.What's really troubling is when you drill down to the motives of the Southern sympathizers led by the short lived John Lawrence (Fay Roope). He and his bunch were quite willing to deceive the nearby Sioux Indian tribe led by Chief War Cloud (John War Eagle, love that name) with a government peace treaty and a promise of a hundred thousand dollars in gold. Intending all along to steal the gold for the Confederate cause, this betrayal would have led to the Sioux massacre of the entire nearby town. That takes a special kind of villainy that isn't found in your usual old time Western fare.Nice to see some familiar faces in unfamiliar territory here. Jay Silverheels steps off the set of 'The Lone Ranger' TV show to portray the war hawk of his tribe, Black Buffalo, while Clayton Moore makes a couple of spot appearances as henchman Stone, one of the Lawrence gang. A puzzler is the role Noah Beery Jr. has, he's a Southern loyalist with that friendly good guy persona who takes out the town marshal (Robert F. Simon) and judge (Howard Wendell) by bushwhacking them through the jail-house window. As mentioned earlier, he would have been one of the guys who wouldn't have had a problem if the Sioux wiped out his fellow citizens as a means to an end.In the finale, level headed Mike Daugherty makes the save by taking down Brock Marsh (Merrill) following an outlaw shoot out with the stage carrying the gold shipment. If you take note of that battle, you'd have to agree there's a fair degree of marksmanship on both sides as stage guards and bandits routinely pick each other off as they seek cover behind boulders and other protection. It didn't make a whole lot of sense to me, but it was getting time to wrap things up.

Ray Nazarro directs from a screenplay written by Ray Buffum and DeVallon Scott. It stars Gary Merrill, Wanda Hendrix, John Bromfield, Noah Beery Junior, Jay Silverheels, Fay Roope and Howard Wendell. Music is by Mischa Bakaleinikoff and Technicolor cinematography is by Ellis W. Carter."During the Civil War, Southern sympathisers made desperate efforts to aid the Confederacy by inciting Indian uprisings against defenceless towns along the Western frontier. The objective was to force large withdrawals of Northern troops from the main battlefronts, leaving them more vulnerable to Southern attack. This is the story of one such attempt that took place in Dakota territory in the year 1864."A colourful and brisk picture that finds the efficient Nazarro cramming as much Oater styled fun as he can into just over an hour of film. The core basics of the story is full of intrigue, with undercover Confederate operatives moving amongst Union denizens as the Sioux argue amongst themselves about the viability of Abe Lincoln's offer of peace. There's a bit of thought gone into the screenplay, even offering up one or two genuine surprises, while it's nice to find that the lead female role played by Hendrix gives us a feisty femme of substance as opposed to the many other dressage characterisations that so dominated other 50s Oaters. California location landscapes a bonus, as is Beery Junior's commitment to his role, and Nazarro knows his way around a violent action scene.Fun enough while it's on without ever breaking out of its very basic "B" Western worth, The Black Dakotas is regardless above average and worth some viewing time by fans of such high spirited dusters. 6/10

Complex B-western with shifting loyalties and a few surprises. In the Dakotas, it's Civil War southerners conspiring against northerners for possession of big money, with the Sioux nation as a wild card. Needless to say, you may need a scorecard to keep track. Nonetheless, the screenplay is offbeat and generally unpredictable, always a plus for a western. There's also some surprisingly graphic violence on-screen, without the usual cut-aways to spare viewer feelings. Merrill's not a typical western lead, but then he's not playing a cowboy. Instead, he's an agent from Washington, but of uncertain loyalty. Watch for Noah Beery Jr. as Gimpy, bringing his usual down-home color to the role. All in all, it's an offbeat little western with some pleasant LA area scenery, which is enough for most of us.

This color western from the 1950's is most notable for a rare, non-Lone Ranger appearance by Clayton Moore (unbilled) and Jay Silverheels. The story is engaging but most of the cast seems detached from their performances.Jay Silverheels stands out in a great role as the Native-American leader. Gary Merrill does the best with the script given him. the action scenes are well-staged and help move the average script along.The storyline is a familiar one, but the top-notch production value makes this one worth checking out This is not a great western, but there are worse ways to kill an hour of your free time.