Brimstone (1949)

Absolutely Fantastic

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

This one would have gone over well with the under 12 crowd, many years ago. For you young folk, once upon a time movie theaters had matinees for kids every Saturday morning. Starting times varied - ours started at 10:00 am, and consisted of some cartoons, a serial, maybe a comedy short, and then a (fair-to-middling) western feature film. "Brimstone" would have filled the bill for one of these, and if I were 11 I would have rated it higher."Brimstone" is a typical two-dimensional western devoid of rational thought and motivation, the type produced by the carload by Poverty Row studios in the 40's. It has lots of action, with fistfights and shoot-outs and hombres talking tough. This one has stalwart Rod Cameron as a US Marshal trying to apprehend some stage robbers, in fact a family of them. The family is headed by Walter Brennan in iron-fisted fashion as a cantankerous old rancher, and he makes the most out of his chance to carry a movie. He is like Moe and his sons like the other Stooges, aided by some unintentionally funny dialogue and knockabout comedy, as the British would say. (Of course,this is supposed to be deadly serious stuff).There are the usual plot dead ends and unresolved loose ends which I always find annoying, but at the age of 11, who would notice? There is enough action to fire up the young audience, and cause the matron to descend on us and order all concerned to be quiet, flashlight in hand.

Almost all of Rod Cameron's westerns ("Salome Where she Danced" an exception) were a full package: good western stories, always a bit too much for the time the movie ran, you had to concentrate otherwise you would miss; plenty of action scenes, shootouts, fistfights, horse and stagecoach chases, you left the movie theater satisfied. In "Brimstone" we have Brimstone "Pop" Courteen and his sons, played by Walter Brennan, the same character as in "My Darling Clementine", who gives life to the movie. Brennan and family are the masked robbers, who are robbed by another masked robber, that's the best part of the film. Good comic scenes of Brennan with an idiotic son, which he barely tolerates. The film would be better in black and white, colors are artificial and ugly. Resuming, this is a typical Cameron western, not as good as "Ride the Man Down", "Panhandle" or "San Antone", but still satisfactory for western lovers.

Basically, this Republic western from the late 1940's is Walter Brennan all the way with admirable support from two of his sons in the film, Jim Davis and Jack Lambert. The so-called star of the show, Rod Cameron, is only so-so and the rest of the cast mainly plod through their lines without much inspiration; this includes the likes of Forrest Tucker, Jack Holt, and "Big Boy" Williams, three screen stalwarts who usually did much better in the acting department. Walter Brennan as the title character, Brimstone, reprises his Old Man Clanton role from "My Darling Clementine," which he parodied twenty years later (still an old man) in the magnificent "Support Your Local Sheriff!" Jack Lambert as the dullard son, Luke (reprised by Bruce Dern in "Support Your Local Sheriff!"), has one of the best lines in the film. Pop Brimstone uses the expression, "...Just as sure as the world is round." Surprised by his dad's revelation, Luke blurts out, "Round?" Later, Luke is still puzzled and tries to convince his dad otherwise. "I've been thinking, Pop. The world can't be round...cause if it was, the people down in China would be standing on their heads." Luke comments while distorting his face and body to indicate the predicament of those living on the bottom of the earth. Why Jack Lambert never received his just deserts for his acting talents remains a mystery.The story is a bit lopsided and in places seems made-up as the film progresses. Generally, it's about the Courteen family of ranchers led by the old man who refuses to accept the end of the open range. He continues to fight a war against homesteaders, nesters, squatters, and the like by robbing stagecoaches of loot being transported for the interlopers. Suddenly, a mysterious stranger appears on the scene to begin robbing the robbers. The mysterious stranger teams up with the local sheriff to ferret out the real thieves. In the process he becomes involved in a split within the Courteen family concerning the youngest son, Bud (James Brown), in love with a nester, Molly Bannister (Adrian Booth). Bud finds himself in trouble with the law and with his own father. Unraveling the twisted plot is not easy but by the end of the show a satisfactory resolution takes place with a few surprises along the way.Keeping with its reputation for delivering plenty of action, Republic makes sure there are fisticuffs and chases. The studio would possibly have been better off shooting "Brimstone" in black and white. The color leaves much to be desired with a few tinted black and white inserts. This may have been a bigger budget film for Republic, but cost cutting is still obvious with rear projections and backdrops clearly visible in several "outdoor" scenes. "Brimstone" is still a pleasing shoot-'em-up for fans of the genre.

*Stagecoach* used to be my favorite Western, but *Brimstone* may supplant it. Brimstone has no intellectual pretensions, but it's a perfect distillation of all cowboy movies. Every line is a great cliche.