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Daddy's Gone A-Hunting

Daddy's Gone A-Hunting (1969)

May. 13,1969
|
6.2
| Drama Thriller

A mentally disturbed man stalks a woman who had once aborted the child he had fathered.

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Cubussoli
1969/05/13

Very very predictable, including the post credit scene !!!

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ShangLuda
1969/05/14

Admirable film.

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Afouotos
1969/05/15

Although it has its amusing moments, in eneral the plot does not convince.

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Borserie
1969/05/16

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

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PWNYCNY
1969/05/17

This movie could have been made today; it withstands the test of time. It's about a man who wants to take revenge on a woman who aborted their child. The movie is also about the hypocrisy of the woman who is living a lie, trying to conceal a past which includes illicit sex, pregnancy, and abortion, the latter so that she could get end the relationship with the guy who wants the baby and wants to marry her. After she dumps him she marries a local up and coming politician and gets pregnant and this time gives birth. The movie is about how the first guy cleverly re-injects himself into her life through her husband and then plots to get her to kill her own baby which to him is perfectly logical because if she could kill his baby, then why not her husband's? Of course, problems ensue as the tension between the guy and the woman becomes obvious and soon she has to confess her past to her husband and the husband is loving and supportive and it's just a matter of time before the guy gets his just deserts, which is quick and violent. The movie's premise works because the guy does have cause to be angry and the story is set before Roe v. Wade, when getting an abortion was (and still is) a serious matter, not only morally but legally, and when the right of a woman to control her reproductive options was not yet fully established as a matter of law. Hence she really had no one to turn to with which to discuss her issues, especially the police, since abortion was a criminal act. As for the guy, he has no one to turn to for support either, knowing what his ex-girl friend had done. This movie dramatizes why the decision to have an an abortion has to be treated entirely as a medical matter. The alternative, to treat it as a criminal matter, just creates more problems, especially in the area of conflict resolution. Carol White gives a powerful performance as the woman and Scott Hyland's performance is compelling as the guy whose mind becomes twisted by righteous indignation, with tragic consequences.

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Sugarbehr1967
1969/05/18

The premise of the movie is simple enough..Cathy, a young, beautiful girl arrives in America to find work, meets Kenneth, a handsome young photographer, they fall in love, but it turns out the young man isn't all he seems to be, and when she learns she's pregnant, she decides she doesn't want him-or the baby and has an abortion, and he decides to seek revenge.The setting is San Francisco, and the visuals are well played out in the city, along with a taut, tense script by Lorenzo Semple and Larry Cohen, with sure footed direction by Mark Robson, fresh off of his smash hit 'Valley of the Dolls' two years earlier. The cast includes Mala Powers as a sympathetic coworker of Cathy's who talks her into the abortion, Paul Burke (fresh off of his work as Lyon Burke in 'Valley') as Cathy's new husband, a senator wanna be, and of course, Scott Hylands, who as Kenneth, brings a creepiness to his role, but at the same time, you do feel for him as the spurned lover who wants revenge for the abortion that Cathy decides to get.The only weak link in this movie is Carol White as Cathy. Beautiful as the young Brit who arrives to seek work and becomes involved in a nightmare, is harsh, childish, and for most of the movie, a total bitch. You never feel how Paul Burke's character fell for her, suddenly they are wedded, and there is very little passion between them in their scenes. She comes across shrill, completely obnoxious, and downright hateful. You wonder if she really wanted to have a baby in the first place with the way she acts. For the most part, this movie is a fine addition to the 'damsel in distress' genre, but having a heroine that is more sympathetic might have worked much better.

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capkronos
1969/05/19

In my opinion, this is a much better film than some people on here are giving it credit for. Young Brit Cathy Palmer (Carol White) has just arrived stateside and is looking to make a fresh start in San Francisco. Almost immediately upon arriving, she runs across handsome Kenneth Daly (Scott Hylands), a charmer whose idea of making a good first impression involves nailing her in the back of the head with a snowball. Ken shows her around, takes her to dinner and uses his connections to help her land a good job at an ad agency. Eventually, the two are living together, but various red flags are making Cathy question their relationship. Ken is immature, aimless, can't seem to hold onto a job (and can't decide whether he wants to be an actor or a photographer) and is cruel to her pet cat. Aside from that, she senses there's something else not quite right about him. Fed up, Cathy decides to end the relationship. One problem; she's pregnant. Her co-worker Meg (Mala Powers) helps her arrange an abortion through gynecologist Dr. Parkington (Dennis Patrick). Things go off without a hitch, except Cathy decided to go through with the procedure without informing Ken.After he slaps her across the face in a crowded restaurant, Cathy moves on with her life and wants to put the whole experience behind her. She meets and eventually marries Jack Byrnes (Paul Burke), a successful and wealthy lawyer who's well on his way to becoming a powerful (conservative) politician. Cathy becomes pregnant with Jack's child. Just when things are looking up for her, Ken comes back into the picture, a little unhinged and looking for revenge... He stalks her, blackmails her and weasels his way into her new home, kills the doctor who performed the abortion and otherwise makes her life a living hell. After she gives birth, he demands she kill her new baby to make up for the fact she "murdered" his. When this doesn't happen, he kidnaps the baby and tries to manipulate Cathy into killing it using various clever and sadistic methods than will startle even modern viewers.Some people seem to think this film is pushing a certain agenda, and maybe it is to a degree. Oddly, some see it taking a Pro Life stance, while others see a Pro Choice stance, which is a testament to how well made the film actually is. Both sides of the abortion debate are touched on and they're covered in a realistic and matter-of-fact way thanks to the intriguing and non-preachy screenplay from horror master Larry Cohen (IT'S ALIVE) and Lorenzo Semple, Jr. (PRETTY POISON). When Cathy goes to get her abortion it's done secretly, but not in some grimy back alley like you usually see, but a brightly lit clinic by a respectable doctor. Cathy seems somewhat haunted by her decision and hesitant to tell the truth about it for fear of the social stigma surrounding her decision. She's also afraid of being thrown out by her politico husband, but her husband turns out to be completely supportive and non-judgmental about it when she's forced to reveal the truth. The only one coming down on her and labeling her a "murderer" is Ken himself, and he's out of his mind. Make what you want of that.The film was made four years before the landmark Roe vs. Wade Supreme Court decision (in 1973), so the subject matter was probably quite risqué for the time. Some of the psychological torment Ken puts Cathy through is also pretty strong stuff for 1969, especially to people who hate seeing defenseless infants put in harm's way. Be forewarned that it's slow to get started, but when it finally picks up about half-an-hour in it's shocking, very suspenseful, somewhat horrific and even thought-provoking. In my opinion, it's good enough to deserve a decent DVD release from a respectable company and good enough to deserve a reevaluation from critics, mystery/thriller fans and horror film buffs. Many of its themes even pre-date the highly influential PLAY MISTY FOR ME (1971), which went on to influence such films as FATAL ATTACTION (1987) and BASIC INSTINCT (1992). If you can find it, I definitely recommend a watch.

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scottydog2
1969/05/20

It would've been better if the character,'catherine' had been more sympathetic. I apologize,but I was rooting for 'ken' to get away with it all. The story is different,though.A boyfriend terrorizing his ex-girlfriend because she aborted his child...it really could've been done better.

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