The Big Steal (1949)

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The movie really just wants to entertain people.

The chase is on when an Army officer trying to clear his name tracks a payroll thief with a suitcase full of money to Mexico. The thief is also wanted by his jilted fiancée, who partners with the officer, who originally approached her impersonating an Army captain--the same one who's now in pursuit of the couple. Fast, lean film noir in the daylight, given no-nonsense direction by Don Siegel. Screenwriters Geoffrey Homes and Gerald Drayson Adams, adapting Richard Wormser's short story "The Road to Carmichael's", provide pages of amusingly salty dialogue, delivered with seasoned panache by a terrific cast. *** from ****

I got this movie in a supposed film noir collection, but besides being the colourised version, it's also a long way away from the mean streets and boulevards of broken dreams of the hard-boiled men and femme-fatales of my experience. What it is though, is a road caper or even a buddy movie, with the twist being that the couple who are simultaneously chasing and being chased are indeed a couple, namely Robert Mitchum and Jane Greer.Set in Mexico, in happily realistic-looking exterior locations, the film is essentially one long car chase and as such, necessarily episodic as the flung-together twosome habitually get out of one scrape only to fall into another. There's some agreeable grown-up humour between the two, plenty of good fight scenes, where you actually see the protagonists sweat and bleed, an early example of an extended car chase and a decent twist at the end; as you can tell, it certainly packs a lot into its brief 71 minute running time.Mitchum and Greer are great together, William Bendix offers his usual solid support and the young Don Siegel directs with verve and energy. This is a great little movie, highly entertaining and so recommended.

Robert Mitchum (Duke Halliday) is chasing Patric Knowles (Fiske) who stole an army payroll of $300,000.00 from him. In turn, William Bendix (Captain Blake) is hot on the heels of Mitchum whom he believes has taken off with the money himself. Knowles has also stolen $2,000.00 from girlfriend Jane Greer (Joan) who has caught up with him and wants her money back. Everyone arrives in Mexico and the chase is on.This film is basically one long car chase and the cast all play their parts just fine. Mitchum was arrested in a drugs bust and spent some time in jail during this film and so it's understandable that he wants to get his hands back on the loot so that he can make a nice investment in some Mexican marijuana.The version that I watched was, alarmingly, a colourized version. This was simple enough to fix, ie, just turn the colour right down on the TV, but that is not the point. Film-making in black and white is a completely different process in terms of lighting consideration, materials and textures used to provide an effective contrast between different shades of grey, how to make things sparkle, etc. For someone to come along and start colouring in these black and white films is utterly moronic, illustrates a complete lack of understanding of how the medium of film works, and annoys the viewer.Unfortunately, there is just not a lot going on in this film. Everyone meets up in the end and the film pans out exactly as you would expect it to. In fact, the role of William Bendix makes little sense once you get to the end of the film. Whilst the film is OK to pass the time, I've no idea why such a distinguished cast bothered with it. It did have one purpose though - it must have inspired ABBA to write their hit song "Chiquitita".

Wow--talk about a strange but likable combination. This film is sort of like a mixture of film noir, and adventure film, a comedy and it's all set in Mexico. While this unusual melange might seem to make no sense, it actually works very well and it supremely watchable. Much of the reason for this was the excellent script that provided enough twists to keep a simple idea humming and another were the likable leads, Robert Mitchum and Jane Greer.The film begins with Robert Mitchum being confronted by William Bendix on a cruise ship. Bendix has a gun on Mitchum and you aren't sure what the context is for this. Who is the good guy and who is the bad and what has happened up until this time? Instead of making this clear, the film deliberately keeps this all rather vague--a very good choice in hindsight. Since Mitchum is the studly male lead, you aren't particularly surprised when he manages to overpower Bendix and escape.Once Mitchum escapes, he goes looking for a man (Patric Knowles) and apparently Jane Greer is also looking for the same con man. However, again and again, Knowles slips through their hands and the film consists of a road trip across Mexico to get their hands on Knowles. He evidently stole something--but what? And what about Bendix? Tune in and find out for yourself.As I mentioned above, the story works well due to the writing and acting. Greer and Mitchum are a good pair and their dialog is actually quite snappy and funny. I also appreciated how the Mexicans were portrayed--they were normal folks--something unusual for 1940s Hollywood.Overall, an exciting and fun film from start to finish and a next followup from their last film together, OUT OF THE PAST. However, according to the accompanying featurette (a DVD extra), Greer was not the first choice but Lizbeth Scott refused to star in the film with Mitchum following his arrest for marijuana possession.