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Sunset Boulevard

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Sunset Boulevard (1950)

August. 10,1950
|
8.4
|
PG
| Drama
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A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

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Scanialara
1950/08/10

You won't be disappointed!

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UnowPriceless
1950/08/11

hyped garbage

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Aneesa Wardle
1950/08/12

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

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Candida
1950/08/13

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

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Eric266
1950/08/14

They don't make movies like this anymore. Great dialogue, well-rounded characters, excellent direction, a nice pace, and fantastic acting. I've never really followed Holden's career and I've never seen Swanson before in a movie, but these two are phenomenal.Holden is a hack writer, Joe Gillis, who literally stumbles upon washed up actress Norma Desmond (Gloria Swanson) in her creepy mansion. They form a bond borne of both desperation and neediness. He needs money, she needs attention. Along the way, Joe meets Norma's butler/companion, Max, a fellow writer, Betty (Nancy Olson), and Joe's buddy, Artie (a pre-Dragnet Jack Webb).At first Joe sees this as a great way to get some money (his car is about to be repossessed). But as Norma slowly descends into madness, she starts pulling Joe with her. Ultimately, Norma completely loses her senses and Joe suffers for it. Holden and Swanson make the slow, painful descent completely believable. I'm sure there are other actors/actresses out there who could have pulled off these roles, but its hard to think of any. Holden is a smart aleck who makes jokes and writes dialogue with equal talent. Swanson is downright scary as the actress Hollywood wants to forget, but she refuses to let them off easy. She reminded me of that girlfriend who you break up with, but she refuses to accept it.I really loved the dialogue. Joe narrating the proceedings is an interesting quirk if you know the beginning of the movie (everything is told in flashbacks). The banter between the two is sometimes caring, sweet, and loving. Other times its harsh, angry and downright ugly. They both need each other, but being together is the worst thing for them.Hollywood has made some really great movies over the years. However, CGI, sex, and explosions have taken the place of great plots, dialogue and acting. Even though I was not born until 1966, I love these old movies. You just can't fake this kind of talent.

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elizabethdawson-78805
1950/08/15

I don't have to talk about Sunset Boulevard as the film is highly rated as it is. This is a great noir film, brilliantly lit and acted. The premise is simple: A Hollywood screenwriter chances upon an aging actress who orders him to rework a screenplay. He is relocated to her mansion- which is as much as a character as she is, and soon he realizes that not only is he trapped, but that the mysterious aging actress is a loose nut. Billy Wilder's film was a massive success upon release and its reputation has only grown since. William Holden is well cast as the tragic young scriptwriter and Gloria Swanson is magical as the elusive silent screen siren. This is dark comedy of the highest order.

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Yashua Kimbrough (jimniexperience)
1950/08/16

Classic Hollywood Tale of Insanity: A struggling writer is hiding out from insurance collectors when he stumbles upon an abandoned mansion. The mansion belongs to Norma Desmond , an aged Hollywood starlet 0 years out of her prime. She's hold up in the mansion with her housekeeper, who keeps her in a delusional world of fake fan letters and false praise. She sits around and watches movies or herself and host card games with other retired actors.They hold Joe hostage to complete Norma's script she wants sent to Paramount Studios. Paramount, who's been moved on, bans Norma from the property but her housekeeper (secretly her first husband and director), keeps her in la la land.Joe falls in love with a young aspiring writer, which drives Norma more insane Joe is out creeping on her. She puts some bullets in his back and gets ready for her close-upOnce again excellent storywriting from Billy Wilder, and excellent use of lighting and cinematography

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findingnino117
1950/08/17

This is GREAT FILM,You have old Hollywood and new Hollywood at that time all in one film.

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