Widow's Kiss (1996)

Story: It's very simple but honestly that is fine.

The acting in this movie is really good.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

One of the worst ways to make a cult movie is to set out to make a cult movie.

"Widow's Kiss" is a well-crafted film-noir thriller with a steamy performance from Beverly D'Angelo as a woman who lives off the avails of rich, lonely men. The film is well directed by Peter Foldy and delivers some strong production values. Mackenzie Astin (brother of Sean and son of Patty Duke) is great as the boy who suddenly inherits D'Angelo as his seductive stepmom. Bruce Davison is solid as Astin's dad and Dennis Haysbert gives a grounded performance as a down on his luck detective hired to solve a murder. At the end of the day, it is Ms. D'Angelo who carries the film as the cold-hearted Vivian. She bares all here and was at the top of her game when she made this film.Though some of the dialogue may sound a bit on the money, "Widow's Kiss" is a great little film that should have gotten much more attention. It was an HBO World Premier back in the mid-90s and it's still a fun, sexy ride 20 years later. Would be nice to see this re-released on Blue Ray or DVD with a director's commentary.

The most underrated actress, Beverly D'Angelo, is given a role that she can sink her teeth into. Her portrayal of the professional widow Vivian Fairchild was magnificent. Ms. D'Angelo captures the deceit of a career scam-artist perfectly, with sensual cunning and craftiness.Mackenzie Astin does a fine job as well, portraying a young man who has now lost both of his parents tragically.People should find much to like about this film. The jazz soundtrack was first rate as well as the sets. Leslie Horan is an ethereal beauty that should be seen more often.This film belongs to Beverly D'Angelo, although more screen time is given to Astin and his private detective, Dennis Haysbert(Major League's Serrano). She hasn't lost a bit of appeal over the years, and continues to amaze me by the depth she brings to her characters.

Harmless enough with zero originality and a hardly believable string of events with some very soft porn thrown in for good measure. The characters are inconsistent and unrealistic. The token Brit lawyer is hilarious to any British person as a typical American stereotype of anyone British and it is strangely late 80's for a mid 90's film in both fashion and originality. The best line is when the world weary private detective explains why he has lost his enthusiasm for the job -'I woke up one morning and realised I wasn't 25 anymore and it p****d me off'. Watch only if you have no other options and leave all senses of reasoning.

As soon as I was subjected to the incredibly irritating music over the opening credits I should have stopped watching this film. Instead I persevered and wasted 103 minutes of my life, hoping in vain that the situation would improve - it never did. In fact thinking back, the opening music was the film's highpoint.I'm usually a fan of these semi-erotic Made-for-TV thrillers despite all their cheesiness, but 'Widow's Kiss' has absolutely nothing going for it. For what it's worth the story has a lawyer, played by Bruce Davison ( remember him in the title role of 'Willard' back in 1971 ), falling for a recently widowed dyed-blonde. Before you can blink and say 'Somebody shoot the script-writer', they have had a whirlwind affair and are married in Las Vegas. She moves in to the family home, where the lawyers son is suspicious of his new step-mom and her wardrobe of see-thru nighties .Anyway, blah-blah-blah-blah - everything is Grade-Z, but what really grates is that no-one in the whole sorry affair seems to even make any effort. The people responsible for this turkey should suffer career freefall - Beverly D'Angelo next starred in 'Pterodactyl Woman from Beverly Hills'(1994), so maybe there is some justice in the world.