Tell-Tale (2009)

Excellent, Without a doubt!!

As Good As It Gets

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

This film is so real. It treats its characters with so much care and sensitivity.

This one feels disconnected and rambling at times and at other times it is a rather effective Horror Movie with enough interest to keep things pumping along. The exposition is the trouble in this sometimes disturbing display that could have been cooked up by an early David Cronenberg.Things are a bit unclear at times and some more clarity and explanations are called for as the separation between the Audience and the Film oscillates drawing one with a caring for the Characters but motivations and situations are frustratingly vague.The transplanted Heart beneath the chest-boards of the Protagonist is the Paranormal tie to Poe, but that is inconsequential here and only matters in an off-handed Title and that's where it stays, unless you count the thump-thump-thump-thump. By itself, this is grizzly enough for Gore-Hounds and the Physical Maladies of the Father-Daughter are both empathetic and unsettling.Worth a View for Fans of the Horrific and the Creepy, but those looking for tight Crime elements and want more definition to the proceedings may be disappointed.

There's something uniquely frustrating about this film. Bad movies are a certain kind of disappointment. Good movies that go bad are another. Tell Tale aims at and successfully achieves a complacent mediocrity and then just as it suggests it might become something better, it goes right in the toilet. Being lulled into a resigned acceptance, only to have your hopes raised and then instantly dashed is an aggravating emotional whiplash. I usually wish that movies had been better. I would have preferred this one to be worse, sparing me those few bitter moments of futile hope.Based loosely, and I mean very loosely, on Edgar Allen Poe's "The Tell-Tale Heart", this motion picture is about Terry Bernard (Josh Lucas). He's a recent heart transplant recipient trying to get his life back in order. He's got a young daughter named Angela (Beatrice Miller) with a terminal genetic disorder and Angela has a beautiful doctor named Liz (Lena Headey) who's also pretty fond of Terry. I'd like to tell you more about these characters but they don't have any distinct personalities. If you smushed all their defining character traits together you still wouldn't have anything resembling a three dimensional human being.Terry starts having these episodes where he hears his heart thundering in his ears and sees strange images of people milling about in a dark room. These episodes eventually lead to Terry killing people and with the help of a jaded detective (Brian Cox), he learns that his victims are the people who killed the person whose heart now beats in Terry's chest. And that demanding, magical organ isn't gong to let Terry stop killing.Now, let me give you an example of what I mean by Tell Tale being mediocre. A pretty big deal is made of Angela's genetic disorder, to the point where there's an entire scene built around it. Terry having a sick daughter, though, let alone one with a very rare and heart-breaking condition, never goes anywhere or amounts to anything. It doesn't play any role in the plot. It's not connected to anything else in the story. Angela's disease doesn't mirror Terry's condition or link up with it thematically somehow. You could make Angela healthy and Liz her math tutor without changing anything significant in this film. And that's what I mean by mediocre. Tell Tale isn't bad, there's simply no depth or complexity or sophistication to any of it.Which is okay. A mediocre movie is better than a bad one, but then this flick has to go and suddenly get smart. It begins to suggest that the heart isn't only using Terry for vengeance. The heart may be changing Terry into its original owner, setting up a second and more intriguing conflict. The heart isn't only taking revenge…it's also taking Terry's identity. But as that concept starts to emerge from the mire, the film abruptly turns stupid and falls into an overly melodramatic ending that only works because Tell Tale violates its central premise. All of the supernatural powers the heart has demonstrated throughout the story are pounded away by the Almighty Plot Hammer and Terry is left a helpless victim before his enemies because writer David Callaham apparently couldn't figure out a way to write a climax that didn't involve one cliché after another.All of the actors here do good work, with Josh Lucas exceeding the barren script to create believable relationships for Terry with both Angela and Liz. Lena Headey admirably soldiers through a typically thankless girlfriend role and looks amazing. Brian Cox is possibly the best thing in the production as a cynical, defeated cop given new hope by the unbelievable until he's betrayed by a crushingly trite motivation. And director Michael Cuesta does a perfectly acceptable job.It's dispiriting turn at the end leaves Tell Tale a sub-mediocre 90 minute movie that could have been a worthwhile 2 hour flick if it had followed through on its potential. It didn't, so it's not worth your while

After watching a lot of movies shot in Canada for the tax credit, I thought this was another one of them. Providence is a strange looking place, and except for the capitol building, it looked like Canada to me. I am glad to have gotten to see what it looks like. It's kind of disappointing that it turns out to look like some place not so much different from Quebec, down to the French business names. A movie about vigilantism usually gets its tension from the conflict between the morality of the vigilante's actions and the prudence of having and using a legal system. This movie tends to minimize even the imprudence of vigilante action, which waters down his desperation and the tension in the film. The continuity of this movie is noticeably off. The protagonist's hair style is noticeably different between one scene and the next one in continuity. Josh Lucas's performance is narrow in range. So is Brian Cox's, but that may be attributable to the murkiness of his motivation in the script. Lena Hedley's performance is spellbinding. She's a convincing medical expert, always dignified and caring, but a passionate lover. Beatrice Miller's a cute kid and a good actor.

It wasn't awful in the Ed Wood sense of the word awful. It just draaaagged-- as if the actors had taken some very strong downers. The dialog was unintentionally funny, because it was so predictable and not too well written--plus, the lead actor who played the single dad named Terry, had this "I'm scared" look on his face throughout at least 75% of this film. For the remaining 25% of the movie, he looked like as though he was always about to burst into tears.Loosley (an understatement) based story on Poe's The Tell Tale Heart. This is a prime example of ruining a literary masterpiece of horror. Poe,(if alive)would've driven a stake through the screenwriter's heart, then buried him under the floor boards. The flick portrayed the story as kind of a horror, suspense, action mish mosh. Unfortunately, there was little of any horror, suspense or action. It had the overall feel of some "made for TV" mega flop. In the film, there was a surprise here and there, but no big deal. We've seen 'em before in other movies. Nothing seemed to gel here, it was like eating runny jello in it's early cooling stages before it firms up. It's all sloppy and difficult to get on a spoon to eat. Too frustrating and not worth the effort. Watch this movie only if you are on Quaaludes.