Dark Blood (2012)

Such a frustrating disappointment

Powerful

Good story, Not enough for a whole film

Fantastic!

Judy Davis was horrible to River and made his life hell on set. He took the drugs that night to try to forget how awful he felt after enduring her abhorrent behaviour. Even the director couldn't stand her and how she was treating River. If she has a conscience (which I highly doubt) then she shouldn't be able to live with herself. Here she is continuing to work, meanwhile, an incredible actor and person is long dead. It's just not right.

George Sluizer's Dark Blood is one of the many oddities in the film world. Shot about eighty percent of the way in 1993, but put in an abandonment because of the death of its lead actor River Phoenix at age twenty-three, Dark Blood managed to be edited, reworked, and released at several film festivals in 2012, marking an end in the saga to one of the curious wonders of cinema. In 1999, the film was almost burned by the insurance company, who was sick of storing it in a vault without a plan for years on end, and would've been gone for good had Sluizer not taken action and stolen the film back in a period of forty-eight hours.River Phoenix died as a result of mixed drugs entering his system at Johnny Depp's club The Viper Room in 1993, closing the book on a young, ambitious life so early and abruptly after doing a handful of acclaimed picture. Watching Dark Blood in 2014, when Phoenix has sadly escaped the minds of many, one could see that the talent he possessed and the emotions he managed to convey were natural and believable. It's too bad that even with Dark Blood managing to get some sort of release, it will still be desperately short of attracting an audience it deserves.The film focuses on an older couple named Harry (Jonathan Pryce) and Buffy (Judy Davis), who are traveling through the desert on a second honeymoon, hoping to pick up the pieces to their crumbling marriage. When their car breaks down in the middle of the desert, they meet a young widower who calls himself "Boy" (River Phoenix), who lives on his own, with his loyal mutt, following his wife's death from radiation. The radiation was caused by nuclear tests conducted close in proximity to Boy's ramshackle home in the middle of the desert. Now, the only thing he anticipates is the apocalypse (and the occasional passersby).Initially, Boy seems gentle and grateful for the company, but Harry discovers long before Buffy does that he wants some sort of a romantic relationship with his wife. Boy longs for female companionship due to the loneliness and isolation that exists in the desert, and throughout the film, we see Boy's anger and hostility escalate, which eventually leads to him kidnapping Harry and Buffy and keeping them in his confines.Being that only about four-fifths of the film is complete, director George Sluizer tacks on narration during the scenes that were never completed (some of which being very significant chunks of the film), describing the scene and reciting the dialog. Even before the film is a minute-long narration about how after Phoenix died, it left everyone shell-shocked to the point where no one really wanted to complete the film without his participation. Sluizer states that upon become very ill he wanted to edit and compile the clips of the film into something before it was too late.Being that Sluizer managed to complete a project that many felt would never see the light of day, and that he has done such a great job on many different aspects, it seems harsh to critique it any way. Saying the film is fragmentary, and sometimes a bit choppy, is a pretty demeaning and stupid point of criticism seeing there was little Sluizer could do to prevent that in post-production. Rather than nitpicking elements that probably unsatisfied Sluizer in addition, let's focus on what the film really excels at, which is giving its lead actor a sendoff and bearing some great scenes of tension and excitement.Consider the scene where Harry manages to momentarily break free from Boy's clutches, or when both head for the hills in their pickup truck. Scenes like this are given unexpected leverage thanks not only do the performances, but Sluizer's editing work, which still works to give old footage fresh vibes of suspense. Had Sluizer not taken the film seriously in terms of continuity and story, all seriousness and respect for the project would've dwindled to nothing, but thanks to the competent work orchestrated, Dark Blood manages to easily win more than just cinephiles over.Starring: River Phoenix, Jonathan Pryce, and Judy Davis. Directed by: George Sluizer.

... still very compelling. And a showcase of why River Phoenix was considered one the best amongst his peers. I hadn't read or heard too much about the troubled production of the movie. But I did talk to a few people and the magazine of the Berlin International Festival did have a few things to say about it too. But at the beginning of the movie you will get an introduction from the director explaining the situation and telling you, what you are about to see. And the fact, that there will be quite some amount of voice over.While the voice over (telling us what would happen if the scenes were shot) is good, it never can fully compensate the impact moving pictures would have had. And it still is compelling, which all boils down to the performances of the actors involved. It's great they actually finished the movie and showed it. While not a masterpiece (couldn't be expected), it is there for people to see and enjoy.

I've been crazy about movies ever since i was eleven (this was in 1985) and at the time of his death really liked Phoenix as an actor in The Mosquito Coast, Running on Empty and (especially) Stand by me. I remember thinking it such a loss when i heard he had died and being really curious about this film. Not only his last film but also made by a fellow Dutchman. A director responsible for making one of the only classics in Dutch cinema (Spoorloos a.k.a The vanishing). So, cut to the present, i was extremely curious to see this unfinished film and very happy to get the chance to attend the premiere. The fact that there were (crucial) scene's missing didn't bother me. I can still love a film for it's great parts (like a lot of Brian DePalma's movies). So i was hoping for a few memorable moments either in acting, writing, plot or in the use of visuals. But, unfortunately, those moments never came! I was bored from the first frame to the last. It never is a badly made film but it also never becomes anything special or interesting. If this film had been finished to completion before River's death, it would (i my estimation) have been forgotten about by now. I never cared about River's last films ("even cowgirls get the blues, the thing called love, silent tongue") and this film, sadly, doesn't change that...