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The Canary Murder Case

The Canary Murder Case (1929)

February. 16,1929
|
5.9
|
NR
| Crime Mystery

A beautiful showgirl, name "the Canary" is a scheming nightclub singer. Blackmailing is her game and with that she ends up dead. But who killed "the Canary". All the suspects knew and were used by her and everyone had a motive to see her dead. The only witness to the crime has also been 'rubbed out'. Only one man, the keen, fascinating, debonair detective Philo Vance, would be able to figure out who is the killer. Written by Tony Fontana

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Tedfoldol
1929/02/16

everything you have heard about this movie is true.

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Sameer Callahan
1929/02/17

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Verity Robins
1929/02/18

Great movie. Not sure what people expected but I found it highly entertaining.

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Fatma Suarez
1929/02/19

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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gridoon2018
1929/02/20

Watching "The Canary Murder Case" is like watching (film) history being written: this is probably the first traditional talkie whodunit to appear on the screen. I don't mind the thoroughly unrestored print, or the fact that some actors (thankfully, not William Powell as Philo Vance) take an eternity to finish their sentences; these things give the movie a certain vintage charm. But the killer is extremely easy to spot early on, turning the movie into a waiting process until all the obvious red herrings are eliminated. Even so, the use of a poker game (right inside the police station!) to determine the psychology of the suspects was certainly an unusual idea. Jean Arthur, who is second-billed, has a very small role (she speaks with a cute Minnie Mouse-like voice). **1/2 out of 4.

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bensonmum2
1929/02/21

Philo Vance (William Powell) is on the case of a showgirl named "The Canary" who was murdered in her locked apartment. The suspect list includes a number of men The Canary was blackmailing and all were in the vicinity of her apartment the night she died.Unfortunately, the backstory behind the making of The Canary Murder Case is much more interesting than the movie. Originally, The Canary Murder Case was to be a silent picture. But at the last minute, the studio decided to turn it into a talkie. Scenes had to be re-shot and lines had to be dubbed. But one of the film's stars, Louise Brooks, refused to participate. The studio hired another woman who resembled Brooks, shot her from the back, and used her voice for some of the worst dubbing I've ever heard. It's really an interesting story. The result of all this effort, however, is a very uneven film that often feels cobbled together.Getting past the backstory, The Canary Murder Case is dull. It's an early talkie and it shows. They just didn't know how to shot sound. The plot has a reasonably interesting twist near the end, but it is telegraphed so far in advance that it shouldn't come as a surprise to anyone. Watching William Powell in this early Philo Vance effort, it's hard to believe this is the same man who would go on to play the absurdly (and I mean that in a good way) animated Nick Charles. Finally, the final reveal is so poorly shot that it's actually one of the duller moments of the film. What should have been the highlight is anything but.Overall, a 4/10 from me.

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kidboots
1929/02/22

In "Paramount on Parade" William Powell essayed a spot on parody of Philo Vance, an intellectual man-about-town amateur detective, and when he was shot Inspector Heath (Eugene Palette) happily congratulated Fu Manchu. S.S. Van Dine had written his first Vance book in 1926 - "The Benson Murder Case", and it was a huge success. Philo Vance was independently wealthy and was always called into the cases by Heath when the police had given up - of course he always solved the crime!! In 1929 Paramount acquired the film rights to the first three Van Dine books and the first to roll out was "The Canary Murder Case". William Powell who had excelled in villainous roles was a brilliant choice for Vance. He played up the suavity and intellectualism but eliminated the stuffiness and pretentiousness that was quickly turning a lot of readers off!!Louise Brooks in feathers was enough to make this movie memorable, even though you didn't hear her distinctive throbby voice. She played "The Canary", a beautiful blackmailing showgirl who has set her sights on marrying into society and has her claws into Jimmy (James Hall) who in turn has patched things up with fellow show- girl Alice (for all Jean Arthur's top billing she has two small scenes).Definitely not as interesting as "The Greene Murder Case", once Brooks departed (she was the victim) after 15 minutes, there were no more ladies to brighten up proceedings. The plot was then propelled by a group of suspects - most of them older men whom the Canary was blackmailing. The climax came with a poker game, staged by the insufferable Mr. Vance, in an effort to use psychology to flush out the murderer. Until then chief suspect is young Jimmy but in a twist the murderer is killed and Philo Vance then takes centre stage to explain just how the murder had been done. Most interesting character is good old Ned Sparks as, believe it or not, Louise's husband back from "up the river" and eager to get his hands on some of her ill gotten loot!!The film was caught in the middle of the talkie change over. Initially filmed as a silent in 1928 it was extensively re-shot to make it a 1929 all talkie, which explains Louise Brook's reluctance to return for dialogue dubbing. The studio got their revenge by substituting the "dese, dems and dose" voice of Margaret Livingston - you just couldn't imagine that voice issuing from Louise's fair lips.

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dbborroughs
1929/02/23

Philo Vance (William Powell) aids the police in running down the killer of the Canary (Louise Brooks, looking good but obviously dubbed) a show girl who was planning on blackmailing the son of a rich banker into marrying her. There are an odd assortment of suspects, including a young Jean Arthur (who's not very good) but only one real choice. This was always held out by people I've known to be the best of the Philo Vances, edging out the Kennel Murder Case. I don't think anyone who's said that had seen the film in years because I don't know when the last time this was run on TV. Actually its a slow (you could trim about 15 minutes out of this), dated (there is no music and many scenes were shot silent and sound added later) but still enjoyable little thriller. Its an okay mystery that actually becomes more a how was it done rather than who done it. Is it the best of the Vances? No. Kennel is really good and probably better, and probably some of the others as well, but that doesn't mean you won't have a good time watching it.

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