Ash Wednesday (1973)

Wow! Such a good movie.

Redundant and unnecessary.

Just what I expected

The film never slows down or bores, plunging from one harrowing sequence to the next.

"Ash Wednesday" from l973 marked Elizabeth Taylor's last glamour movie. After winning her Oscar for "Who's Afraid of Virginia Woolfe", Taylor was urged by new husband, Richard Burton, to take on more quirky roles that downplayed, and thus damaged, her phenomenal movie career as a legendary beauty. When she accepted the role of Barbara, an aging middle-aged socialite who goes to Switzerland to have a body lift, Burton was enraged that she would take such a "dumb" role. We have to laugh. Burton by now was notorious for picking roles that resulted in box office bombs, like "Exorcist II," "Bluebeard," "Under Milkwood", "Staircase," etc. "Ash Wednesday" was filmed at the luxurious resort village of Cortina d'Ampezzo in Italy. Here we see a stunning Elizabeth Taylor--at last--clothed in knockout fashions from the hands of Edith Head. Beautiful gowns, robes of velvet, furs galore, hairstyles from Alexandre of Paris, rapturous photography by Ennio Guarnieri and best of all a one-of-a-kind white ermine costume to wear at the movie's mardi gras. Taylor's co-star was nearly as beautiful as she: Helmut Berger. Burton was convinced the two were having a real affair. Everyone laughed because it was known that the gorgeous Berger was the lover of Italian movie director Luchino Visconti. Taylor looks phenomenal throughout, with numerous loving closeups that show why the world had fallen in love with her. We have a beautiful musical score by Maurice Jarre but the biggest casting error is a glum, grim Henry Fonda who portrays her dull-as-dishwater husband. That male beauty, Rod Taylor of the '70s, would have been ideal. Producer Dominick Dunne wrote in his memoirs that there was more drama behind the scenes of this movie than in front it. Taylor and Burton had operatic confrontations over who was sleeping with who. He tried to physically prevent her from appearing on the set. The actress was often late, sometimes never showed up for work, overdosed several times--yet, none of this shows up on screen. "Ash Wednesday" is a movie to be treasured by Taylor fans--and we are in the millions--or anyone else who wants to see a fabulous beauty making her swan song to old-style glamour. She would never appear so uncannily beautiful again.

"Ash Wednesday" opens with a series of sepia-toned, fabricated photographs putting a young, glamorous Elizabeth Taylor together with a lean, dark-haired Henry Fonda; it's a great credits-sequence, well pulled off, until we find out that all this fancy living has taken its toll on poor Liz, portraying a lawyer's wife from Detroit (couldn't they aim higher than that?). Figuring plastic surgery is the only way to win back her estranged husband's love, Taylor checks into a Swiss medical resort and receives a full-body lift, later trading in her gauze and bandages for Valentino wraps and elaborate fur ensembles for a vacation at the local chalet. There's nothing remotely engaging about this scenario, except to see La Liz in a series of delectable wardrobe changes. We know that when Fonda arrives and sees her, nothing will be different (this is telegraphed far in advance). The picture was probably ahead of its time in depicting the vanity in men as well as in women, but Taylor and Fonda have a tough time creating actual characters (the writing being hardly more than a sketch). Liz has a nice moment asking Fonda to sing with her as they walk home, also a strong scene arguing with her daughter (Margaret Blye, who is well-cast; her eyes are almost as beautiful as Taylor's). But this fairy-tale-that-isn't hasn't much to offer aside from its surface attributes, which are photographed in a maddening series of subdued colors. ** from ****

Elizabeth Taylor is truly stunningly beautiful in Ash Wednesday. Her character Barbara Sawyer goes through the sheer hell of plastic surgery in an effort to win back her philandering rotten husband Mark, played by Henry Fonda. I must admit I didn't realise what a terrible actor Henry Fonda was until I saw him up against the magnificent Elizabeth Taylor. Helmut Berger puts in an appearance as Barbara's young lover. The scenery around Cortina is absolutely exquisite and Elizabeth Taylor's costumes and hair styling are superb. This film is entertaining as it exposes the dangers of thinking that surgery will right problems that no knife can successfully cut away. This film is pure escapism. Enjoy it for what it is. It is an interesting look at lifestyles of the rich in the early 1970s in Europe. Elizabeth Taylor has some great lines.

Ash Wednesday (1973) Costarring Henry Fonda, Taylor plays your typical depressed, run-of-the-mill, middle-aged housewife who in an attempt to win back her divorce-seeking husband, goes to a Swiss spa to undergo plastic surgery and regain her youthful beauty. Well, not only is the operation a success, she comes out of it looking like, well Elizabeth Taylor. Dominick Dunne produced this movie before he went on to novel writing fame and fortune. It's considered a really bad movie. I consider it high seventies camp at its best. Most definitely a thumbs up. Watch it in college with your friends over vodka tonics.