The Farmer Takes a Wife (1953)

Memorable, crazy movie

best movie i've ever seen.

Absolutely Fantastic

A movie that not only functions as a solid scarefest but a razor-sharp satire.

The one thing you'll no doubt notice when this film begins is that Betty is clearly older. She's 37 and playing a part designed for a teenager or perhaps a woman of 20...plus she simply looks older than 37. She also apparently had far less clout by 1953, as she was cast along with Dale Robertson--not exactly a household name. RObertson wasn't bad in the film, mind you...but he was a big comedown from folks like Don Ameche or Victor Mature in the 30s or 40s. Studio veterans John Carroll and Thelma Ritter are on hand to lend support. This loss in popularity also might help to explain why the once big star was forced to do a remake of a completely unremarkable film. The 1935 version was only fair and here almost two decades later it's essentially the same film but with music and Technicolor. This remake is certainly no better due to the miscasting of Grable, a few very unremarkable songs and a plot that just seemed to drag. Not a bad film but one that clearly showed that Grable's days as a star were nearly passed. Watch it if you'd like but it's only a time- passer and nothing more.

It's sad that The Farmer Takes A Wife was owned by 20th Century Fox instead of Warner Brothers. Had Jack Warner been in charge he had the right person for the female lead in Doris Day. As it is this musical adaption of the Frank Elsner-Marc Connelly play has a most miscast Betty Grable doing a part that had Doris stamped all over it. When Betty says 'Uticky' it doesn't quite come out right.The original play ran for 104 performances in the 1934-35 season and was the vehicle that made Henry Fonda a star. In fact producer Walter Wanger took the highly unusual step in bringing Fonda to Hollywood to star in the role that made him. Playing the parts that Betty Grable and John Carroll have in this version are Janet Gaynor and Charles Bickford.Of course with this being changed to a musical and the billing reflecting it, the emphasis was changed from the male to the female lead. Seeing Dale Robertson as Dan Harrow though, he makes an admirable substitute for Fonda. Too bad that Harold Arlen and Dorothy Fields didn't write anything memorable in the score. And for the life of me I can't figure why John Carroll who does sing well, wasn't given more to do musically.The story is an old fashioned rustic one set during the final days of the Erie Canal. Everyone but Betty seems to realize the railroad will eventually put the canal out of business as the major venue of transportation. Still she and soft spoken farmer Robertson do eventually come together as Robertson wins her over Carroll who is a real lout in this film. I can readily see Charles Bickford in that part in the first film version. At the same time Betty was doing this, Doris Day was doing Calamity Jane over at Warner Brothers in a similar role with much better songs. Maybe with a better score, The Farmer Takes A Wife would have been more memorable.Still I think it would have needed Doris Day.

"The Farmer Takes a Wife" is so disappointing that it could serve as an example of "the last gasp of the Hollywood musical." It's hard to believe that the marvelous "Seven Brides for Seven Brothers" came out the following year. To start with, none of the songs are memorable, and the production numbers are so stylized and overstuffed with flounces, ruffles and ribbons that they are effectively deadened. Grable herself looks slightly overblown in this context and John Carroll who has a very pleasing voice and good presence, is not allowed to sing at all other than humming a few bars. Dale Robertson, who is not a singer and probably had his singing dubbed, is given one of the best songs to sing while taking a bath in a rain barrel...and is repeatedly shown apparently scrubbing at his crotch while performing the song! Viewers are well advised to skip this one, which is for extreme Grable and/or Carroll fans only. Even they will have a hard time tolerating it.

A career-killing movie for Betty Grable, who is wasted, along with everyone except Eddie Foy Jr. in this prettified musical version of the movie that made Henry Fonda a star. Dale Robertson plays the farmer, who is a moron, Thelma Ritter is wasted and some fake-looking scenery still leaves one mystified at how people can live in riverfront saloons and on farms and know nothing at all of the facts of life or the baser side of human nature -- it must be those perfectly maintained canal boats with red-striped awnings they travel in. The songs are also pretty poor, including an ode to Schenectady that did not make Rodgers and Hammerstein jealous.While none of Gable's starring musicals are likely to make any top-100 lists, most of them have fairly good musical numbers and enough plot and comedy relief to get you from one standard to the next. This one doesn't.