Salomé (2002)

Truly Dreadful Film

A story that's too fascinating to pass by...

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

"Salome" contains a documentary "Making of" part ; this is better than average, giving genuine insight in a creative thought process and in the development and staging of a dance performance. However, it is the dance part which deserves the laurels by bringing vivid, vibrant life to the Biblical story.Dance, music and acting complement each other beautifully, although it should be said that the work is better at portraying the decadent hothouse atmosphere of Herod's court than at portraying religious conviction or intimate contemplation. The costumes and make-up deserve special mention, both for their charm and for their aptness. One only needs to look at Herodias, for instance, in order to grasp her backstory : a middle-aged woman, once a great beauty, who doesn't love her straying husband anymore, but clings to him like ivy because he feeds her pride and provides her with riches and power. Here she's allowing - nay, encouraging - her husband to ogle her young daughter ; there is no doubt that she would have thrown him her young son, if that would have been more to his liking.(By the way : Herodias' headdress, somewhere between an crown and a comb, is both original and gorgeous. Ladies with sufficient amounts of beautifully thick and long hair might want to try out the effect for themselves.) The living heart of the ballet is an unbalanced but intelligent and majestic Salome, ably played by Aida Gomez. Her veil dance is not only superbly sensual, it is also deeply chilling. Music and choreography evoke some kind of innocent ancestral dance celebrating love and fertility, such as a dance for a bridal feast, hijacked and subverted into something entirely different. (Watch out for the gaily clapping hands, reminiscent of folk dances and pastoral entertainment.) Thus the dance becomes perverted, in the more literal meaning of the word - it is led astray and leads astray.Well worth watching.

The film includes a brief intro to the actors/dancers playing the characters and some rehearsal scenes, and then we go to the show itself. The actors are amazing in this, especially Aída Gómez, who's an amazing dancer and can express Salome's thoughts and emotions flawlessly and passionately. The rest of the cast are also excellent. The production design is stunning, and perfect for the source material.

I'm getting really into these Saura dance movies. This one, however, I didn't much care for. It's pretty much just straight ballet, which as I've said before is a form that doesn't speak to me at all. I find it a very ineffective method of storytelling. I kind of get what people are doing and how they feel, but the "why" eludes me. I can't decode it, my brain just doesn't work that way. I need some narrative glue between the dances, or I need the dance to be more dynamic and exciting. However, I did enjoy the behind-the-scenes stuff in the first part, with dancers working out their moves, the "director" (actually an actor) giving guidance, the discussions of the music and staging. And the film is quite lovely, again utilizing a very spare soundstage and gorgeous lighting. It's just that ballet is so dull to me.

I am always amazed by Saura's ability in catching the essence of things and doubly (triply) stress them: a) as beauty (images, color, music: Bodas de Sangre, Carmen, El Amor Brujo, Salomé, Goya); b) as metaphors (Ana y los Lobos, for instance); c) as a concerned view of social problems and facts (Ana y los Lobos; El Dorado; Mamá cumple 100 años; Goya; Tango...). He has the impressive quality of presenting, at the same time, deep political and sociological analysis, illuminated overviews of Spanish culture (don't forget this!), additionally being able to show them in the highest terms of aesthetics... Spanish culture is one of the richest in Europe and the world. Through the perception of his own cultural heritage, Saura contributes brilliantly to make it universal. My family is of Spanish origin. Saura has made evident to me many roots of Latin American history and culture ("where am I?"; "where do I come from?"... "WHAT am I?").