The Curse of King Tut's Tomb (1980)

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

It's an amazing and heartbreaking story.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It is amazing how curses get locked up into a second rate drama at best. This TV movie is pretty savage. If King Tut had relics like this, I should stop going to my neighbors garage sale. Positive I saw some of these items there.It is interesting how this film abuses Eva Marie Saint and Raymond Burr, or maybe I should say cloaks them in mystery in a sub-standard script. Considering this is 1980, this film could have been made in the 1950's in color, the 40's if it were black and white. In fact, it reminded me a a Three Stooges short film, "We Want Our Mummy" only without the humor.The curse appears to be more a series of coincidences and an asp snake. Oh, lordy, the melodrama is thick enough to cut with a soap opera. Even sadder, all the characters seem to be made out of cardboard pizza boxes. I watched it for the casting of Burr and Saint. The mummy got me, and I am now cursed too.

Back in the early Twenties the discovery of this intact tomb of an minor (in both senses of the word)Egyptian king was the headline of the day. It was the end of a lifetime of work for Howard Carter who like so many in the field dreamed of hitting the big strike. He hit the biggest one of them all.Financed by Lord Carnarvon, this was almost a 20 year process, interrupted by World War I for Carter. The usual curses as prescribed by the ancient religion of the Egyptians were in place here for all the other tombs violated by grave robbers over the ages. In this film the curses were having some very human help from villain Raymond Burr who has a good idea what's there and wants it for himself.Robin Ellis is Howard Carter and Harry Andrews is Lord Carnarvon who dies almost immediately after the discovery of the tomb. Eva Marie Saint is well cast as the journalist who gets the big scoop, as valuable in her profession as the discovery itself in Carter's.The treasures unearthed in the tomb of Tutankhamen are in many of the world's museums though primarily in the British museum in London and the museum in Cairo. They maybe even on exhibit in a museum nearer where you live.This is a pulp fiction version of the story, still it's decent viewing and a far cry from those Mummy's curse movies we all know.

OK, I don't know how many movies there have been about some idiot archaeologist deciding that being a rich white guy makes it alright to dig up other cultures' kings, thereby incurring the spirits' wrath; as it is, this premise sounds like the forbear of the rules for surviving horror movies as laid out in "Scream". "The Curse of King Tut's Tomb" is yet another addition in the genre, specifically focusing on Howard Carter (Robin Ellis), famous for finding Tutankhamen's burial site.I could pretty much predict the sorts of things that were going to happen. This seems like the kind of movie that they made because there was absolutely nothing else to do. Probably the strangest aspect was that they gave Eva Marie Saint and Raymond Burr these supporting roles; having starred in Alfred Hitchcock movies - hell, Eva Marie Saint has won an Oscar - they deserve better than this.Is it a terrible movie? Well, I wouldn't go so far as to say that (after dreck like "My Dream Is Yours", "Baryshnya-Krestyanka" and "Everyone Says I Love You", almost anything seems at least tolerable). The acting passes. It's just that the whole let's-see-what-happens-when-we-dig-up-the-mummy routine got old a long time ago (in the past year, I've also seen the Egypt-set horror flicks "The Awakening" and "Sphinx"). So don't make it your first choice. Also starring Tom Baker and narrated by Paul Scofield.

The fictitious King Tut curse has long had an appeal for nearly everyone, but it's never been adapted to film in any effective way. Despite it's fairy-tale status, or possibly because of, it's a tailor-made story for the screen, big or little, but this TV-movie is a complete failure. The cast, mostly effective and the best thing about the production, does as good of a job as they can with the dreadful script and complete lack of effective location filming. If they truly did film this in Egypt and England, the director should be shot because of the lackluster scenery he chose. Except for a few scenes, it looks like it was done on a backlot. This story is filled with good dramatic potential, but the scriptwriters took advantage of none of that, or the history behind Carter and his years in Egypt, nothing that could have elevated this beyond the usual TV dreck. Robin Ellis is a good enough actor, but he had no business being cast as Howard Carter. That is one of the major flaws; he is simply unbelievable as Carter since he doesn't seem to care one way or another about the tomb. Harry Andrews does better as Carnarvon; he exudes the correct air of privilege. Eva Marie Saint is completely wasted and also completely unnecessary to the story, and seriously gets in the way. Tom Baker plays an Egyptian in his usual compelling manner, and could be called the standout of the cast. That's not saying much since the mummy case is a better actor than most of the cast; perhaps the director could only identify with a slab of wood.The single worst aspect of this film are the artifacts themselves. If they were going to do this, they should have made quality copies. The priceless treasures from the tomb are important to the story and you can't make bad copies; it shows too glaringly that they ARE copies. The propman must have gone out to a kindergarten class and had them do the papier mache' work; for 5 year-olds it would have been good, but for a production studio to manufacture something that bad is beyond belief or explanation.If you must watch something on the Curse of King Tutankhamen's Tomb, find the "In Search of..." episode that deals with it; it's not great, but at least it's shorter.