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Revolt of the Zombies

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Revolt of the Zombies (1936)

June. 04,1936
|
3.4
|
NR
| Horror
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The story is set in Cambodia in the years following WWI. An evil count has come into possession of the secret methods by which men can be transformed into walking zombies and uses these unholy powers to create a race of slave laborers. An expedition is sent to the ruins of Angkor Wat, in hopes of ending the count's activities once and for all. Unfortunately, one of the members of the expedition has his own agenda.

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Reviews

Hellen
1936/06/04

I like the storyline of this show,it attract me so much

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BlazeLime
1936/06/05

Strong and Moving!

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WillSushyMedia
1936/06/06

This movie was so-so. It had it's moments, but wasn't the greatest.

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Lucia Ayala
1936/06/07

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

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Leofwine_draca
1936/06/08

Victor Halperin's WHITE ZOMBIE (1932) was a decent example of the undead movie, the first zombie film and featuring a great performance from Bela Lugosi as an evil black magician. This semi-sequel, blatantly cashing in on that movie's success, has neither Lugosi nor zombies, other than in a one-minute sequence at the film's opening. This scene, set during an unspecified war, sees foreign soldiers, under mind control, overwhelming their enemies. In one classic moment, bullets riddle a man's chest and don't even slow him down. I loved this moment when I saw it, and I was all ready to love the rest of the movie...but after a while I realised that was all the horror we were getting.Instead this film goes along the lines of melodrama, with a half-baked love triangle exacerbated by the lead's transformation from love-struck guy to total madman. Along the way he puts plenty of people under mind control; somehow clapping a fist to his forehead achieves this (pretty cheap, I know). Halperin desperately tries to add atmosphere to the proceedings by using close-up shots of Bela Lugosi's eyes, ripped from WHITE ZOMBIE, but this is nothing other than a cheap gimmick. The mildly exciting revolt of the title happens in the last couple of minutes but comes as too little, too late. Dean Jagger, familiar from his later turns in such fare as X THE UNKNOWN and GAME OF DEATH, appears here as the madman in what is a wooden performance. All talk and no action, REVOLT OF THE ZOMBIES is a real bore, a clichéd cash-in with little to recommend it.

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BobforTrish
1936/06/09

In cinematic language 'sequel to' and 'follows' are frequently very loose - often ambiguous - terms. This is the case with Revolt of the Zombies which supposedly 'follows' the far superior 'White Zombie' of 1932. The tenuous connections in this case are that both films were made by the Halperin Brothers and both feature zombies. An even more tenuous connection is that the great Bela Lugosi starred in the first film whilst here only his eyes intermittently appear on screen as the zombies of the title are created.The gist of the story is that a Cambodian priest has the power to turn men into zombies, aptly demonstrated at the beginning by having them battle against the enemy in the First World War. Unfortunately the allied commanders are so appalled by the threat of zombies taking over the world that when he refuses to reveal his secrets they imprison him. After his murder an expedition is launched to Cambodia in order to find and destroy the means of zombification.The plot becomes more complicated with the development of a love triangle between our three main protagonists. Our hero Armand Lougue (Dean Jagger) is a man of honour and integrity, his brash friend Clifford Grayson (Robert Noland) has a philosophy of taking what he wants at any cost and their love interest Claire Duval (Dorothy Stone) is a manipulative two-timer quite willing to play both men off against each other.Our hero and heroine become engaged only for her to break it off citing her love for his friend. Disillusioned, he embarks on a lone but successful crusade to find the secret. As the story develops his metamorphosis into a madman intent on ruling the world with a zombie army is matched by the change in both his friend and the heroine who sacrifice their mutual love in order to ensure each others' survival.Amazingly, this is all packed into slightly over one hour - and this would seem to be where the problem lies. The short running length does not justify the complicated plot structures nor does it give time for proper character development. Other cast members, despite their importance to plot, seem to be peripheral - Roy D'Arcy for instance as the villainous Mazovia. Whilst Dean Jagger had a long Hollywood history, Claire Duval appeared in only six productions and this was Robert Noland's only film appearance. Stock footage and some rather shoddy sets along with rather inapt musical accompaniment certainly do not help. Despite this there are good moments to be had although anybody expecting a classic zombie film will feel disappointed which probably goes some way to explaining the low overall vote.Other than some rather old-fashioned - almost as if it were a silent film - acting, I, like other reviewers noted that there seemed to be some editing issues where scenes were cut almost before completion. Whilst there is no production information available it is possible that the original version of this film was cut down for some reason prior to release. We can but wait in expectation and hope...

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Woodyanders
1936/06/10

Wimpy stuffed shirt Armand Louque (blandly played by veteran character actor Dean Jagger in a rare lead role) joins a group of researchers who want to find and destroy the secret technique of creating zombies. Armand falls for the lovely Claire Duval (fetching blonde Dorothy Stone), who uses the meek sap to get Armand's colleague Clifford Grayson (the hopelessly wooden Robert Noland) to marry her. Furious over being used and spurned by Claire, Armand uses his knowledge of voodoo to get revenge. Sound exciting? Well, it sure ain't. For starters, Victor Halperin's static (non)direction lets the meandering and uneventful talk-ridden story plod along at an excruciatingly slow pace. Worse yet, Halperin crucially fails to bring any tension, atmosphere and momentum to the hideously tedious proceedings. The mostly blah acting from a largely insipid cast doesn't help matters any; only George Cleveland as the hearty General Duval and E. Alyn Warren as the irascible Dr. Trevissant manage to enliven things a bit with their welcome and refreshing hammy histrionics. The drippy stock film library score, the painfully obvious stagebound sets, and the crude cinematography are pretty lousy and unimpressive as well. In fact, this feeble excuse for a fright feature is so crummy that not even the uncredited starkly staring eyes of the great Bela Lugosi can alleviate the brain-numbing boredom. A dismally dull dud.

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mirosuionitsaki2
1936/06/11

After going to Best Buy to buy the 50 Movie Pack Horror Classics 12-DVD Collection, I decided that the first movie to watch was this. This was just a random selection, and I didn't really know what this movie would be about except that it would contain zombies and an army. Well, this is incorrect. This movie is far from being about war, although you may see people in military uniforms. This movie is mostly a love story, and contains the plot of a mad man trying to win his girlfriend.This movie was very confusing, mainly because the plot switches continuously and the story doesn't stick with one character. You see the story of many characters, and that's too hard to shove in your brain. If this movie seems easy for whoever watches it, go right ahead. But, I just thought that there were too many characters.The acting is quite alright. Actually, it's excellent. This is quite hard to find in movies of this era. Well, not really.I don't really recommend this movie unless you are really bored.

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