Walking on Water (2002)

That was an excellent one.

Surprisingly incoherent and boring

A waste of 90 minutes of my life

It is not only a funny movie, but it allows a great amount of joy for anyone who watches it.

Australian film "Walking on Water" is one of the most original films about homosexual characters.The best thing about it is that unlike other gay films it does not glorify homosexuality and gay people.It shows gay people as perfectly normal ordinary mortals whose joys and sorrows are same as that of straight people.This film's director Tony Aires started his career in 1999 with a documentary called "Sadness". His feature film debut "Walking on Water" is about tough choices one has to make in life.It is said that life assumes a different meaning altogether when people are confronted with death.This is something which happens in this film as a gay character dies after waging a valiant war against his illness.This film revolves around a group of friends who cope with an inevitable grief arising out of their friend's death.Their presence highlights the fact that a slow death is more brutal than Euthanasia.As a tale of human emotions and their implications on ordinary people,Walking on Water shows that friends are always around when one is abandoned by family.This is one of the best rewarding reasons for watching this film.

WALKING ON WATER is disturbing in the best sense of the word: it calls forth a sense of identification with each of the major characters in this story and makes us uncomfortable while providing avenues for insight and change. Were that all movies had the emotional and spiritual impact of this fine film written by Roger Monk and directed newcomer Tony Ayres.The setting is Sydney, Australia and the mood is established by cinematographer Robert Humphreys' panoramas of the ocean and inlets and coastlines surrounding this city. Gavin (David Bonney) is dying with AIDS and has been attended in his home by his friend and business partner Anna (Maria Theodorakis) and caregiver Charlie (Vince Colosimo) and Charlie's lover Frank (Nicholas Bishop). It is Gavin's wish to die with dignity and when the time comes for the assisted suicide, the designated doctor Dr Simms (Timothy Jones) administers IV morphine while Gavin is surrounded by his extended family as well as his brother Simon (Nathaniel Dean) and wife Kate (Anna Lisa Phillips) and his mother (Judi Farr). The euthanasia does not seem to be working and in desperation Charlie places a plastic bag over Gavin's head to hasten the requested death - a deed that will haunt Charlie and the rest at the bedside.Anna remains apparently calm in the immediate aftermath, tending to the 'funeral' arrangements according to Gavin's requests. Gavin's mother appears to want to make up for years of distance by interceding in the plans and the will, but Anna is strong and the service goes as planned. After the funeral the mother and Simon's wife leave to return to their home away form Sydney, leaving Simon to remain until Gavin's ashes are ready for transport. In this 'home' things begin to disintegrate: Charlie attempts to evade his guilt about his final assistance by anesthetizing himself with morphine elixir, cocaine, alcohol and barhopping. His behavior further distances his lover Frank and the latter ends the relationship. Anna finds emotional outlet in placing demands on Charlie and eventually sublimates her loss by escaping into physical encounters with Simon, taking him to bed and to bars and to drugs all of which eventually awaken Simon to his infidelity to Kate and results in his leaving the 'home'.The climax of the film is the confrontation of those who were closest to Gavin - Anna and Charlie - who in despair vent their rage so intimately associated with the death of a loved one and search for a path of recovery. It is this means of healing that comprises the ending of this richly tender film.Actors Vince Colosimo and Maria Theodorakis are exceptionally fine in their roles and the supporting cast is homogeneously fine. Judi Farr gives one of those cameos that breathes 'best supporting actress'! The concept of how extended families intertwine with genetic families in times of stress is as well shown in this film as any in memory. One criticism: much of the excellent script is lost to poor sound editing, to the good but overly loud music, and most important to the lack of English subtitles for those of us who are not intimately familiar with the varying Australian accents! Watch this film twice and with trained ears you'll appreciate it even more. Grady Harp

Tony Ayers shows great promise as a director and I will be keen to see what he does next but this film was riddled with cliches. It was a film where I think the characters needed to be developed more fully at a script stage. It was an attempt to show a gay relationship in a different way but really it fails satisfy.

Walking On Water is about the way people deal with grief. It's also about death with dignity, in that attempting to provide just that for a friend is what causes most grief for the main characters.When Gavin has lived as long as he can in relative dignity with HIV/AIDS, his live-in friends call for his family to come from South Australia to be at his bedside in Sydney.A traumatic, rather than peaceful death adds to the stress of the surviving friends and family as they try to sort out their lives after enduring 18 months of increasingly intense pressure.Charles and Anna are long time friends of Gavin. Charles has been working as full-time carer and fellow housemate Anna was also Gavin's business partner.Judi Farr is rock solid and very impressive as the loving mum who lost her son to far off Sydney many years earlier. She has as much need to grieve as the others but is being distanced by Anna.Charles struggles to maintain his sense of purpose and his relationship with boyfriend Frank, while Anna takes full advantage of opportunities to feel wanted.It's an intense and beautiful film with a superb soundtrack and real life characters. There is ample dark humour to add relief and overall it is definitely more food for thought than depressing, as we follow the characters' search for resolution.We will all have to learn to deal with grief. Hopefully we can take up the offer made at the start of the film: `Does anyone need counseling?'