Maharathi (2008)

Powerful

I don't have all the words right now but this film is a work of art.

It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

This movie has everything; lot of turns and twists in the plot to keep you in nail-biting and the best thing is your mood will be pleasant all the way even a tragic accident is filmed in such a way that you don't feel unpleasant. You go in the hall on Friday afternoon, enjoy 2h and 18m and come out with a mood full of joy. Now the question is why people did not notice this movie? I would say the name of the movie. Even when I saw the name I thought it is a stunt movie.

Whilst searching around online to try and answer a question which had been asked on the IMDb Film Noir board,("Is there a movie based on the Hadley Chase novel There's Always a Price Tag?")I was very happy to find that there was a 2008 Bollywood adaptation of the novel,due to having searched for a good while to find a Bollywood Noir,which I hoped to use as an introduction to the genre for a friend,who is a pretty big fan of Bollywood films. The plot:Whilst driving back home,washed-up film producer Jaisingh Adenwalla suddenly crashes his car.Luckally for him,a man called Subhash Sharma is near by.Sharma,realising that the car could blow up at any moment,bravely pulls Adenwalla safely away from the wreckage.As Adenwalla begins to regain consciousness,he tells Subhash that he has been completely taken aback,by how much a total stranger was willing to risk his own life to save another's.To show his gratitude for Subash, (who has been attempting to become a film star for the last 10 years) Adenwalla pushes Sharma into excepting a job offer of being his private driver,whose wages he will pay for himself.Sadly,this does not go down too well with Adenwalla's "trophy wife" Mallika,who is constantly trying to get money out of him,to repay some of the debt from his box office disasters-ten years ago.Although his wife tries to get Subhash fried,by playing some very nasty games,Adenwalla stubbornly refuses to fire him,partly because he sees in Sharma someone who he would have pushed into the spotlight,during his heyday.Shortly after the argument over the hiring,Mallika becomes extremely angry,when she is told by Adenwalla that all her cheques will now permanently bounce,due to him having cancelled all the transfers of his cash going into her account.Hearing this,Mallika ends up throwing Jaisingh's breathalyser away,during a horrible asthma attack.Thankfully,Subhash is near by,and he is able to get hold of the breathalyser in time.Being distraught over the treatment from his wife,Adenwalla gathers Subhash,to secretly give him a letter,which he orders to be delivered to his lawyer the next day.Later on that same day,Jaisingh tells Mallika and Sharma to come and sit with him,so he can announce something to both of them.To Mallika's shock,Adenwalla tells her that he has changed his will,so that she would be unable to collect any of his money if he commits suicide.Jaisingh then tells Sharma that he asked him to be here,so that he would not be set up as a murderer.Suddenly,Adenwalla pulls out a gun,and kills himself!Whilst they both try to gather there thoughts,Subhash decides to open the letter that Adenwalla had left for his lawyer.To his amazement,Subash discovers that the will has been changed for him to be the main benefactor.As he gets to the end of the letter,Subash realises that Adenwalla had written the letter,so that Sharma would also not be able to get the money if he commits suicide. Quickly realising that if he and Mallika make it look for a few days that Adenwalla is still alive,they would be able to convince people that Adenwalla has actually been murdered,Subash stops Mallika from phoning the police,and tells her that if she wants to get hold of any of her husbands money,then she must follow his plan...View on the film:The first people who I feel should be really praised for giving the film a great Noir mood are the wonderful cast,with Naseeruddin Shah delivering a scene-stealing performance as the boozed-up movie producer,who whilst softening to Subhash,still has a very crusty,bitter side.For the role of his trophy wife,Neha Dhupia has Mallika be someone who attempts to dig her nails deep into her husbands bank account,hoping that nothing will cause her to lose her grip.Playing the main character who devises the cunning plan to cover Adenwalla's suicide,Paresh Rawal excellently shows the cunning,darker side of Subhash gradually creep in,with Subhash being shown to strongly believe that,if,he and Mallika are able to convince people that a murder has taken place,he will at last be able to get hold of all of the riches,that Subhash has been trying to grip on to,since attempting to break into the film industry. With the very good directing of the film,director Shivam Nair wisely leaves out any songs,until the end credits.Instead,he unexpectedly gives the film a David Fincher look,with some stunning shoots in the film,being ones that would not be out of place in Finchers under- appreciated 2002 thriller Panic Room.Nair also cleverly keeps Mallika in distance shoots,until the suicide of her husband,leads her to "crossing the floor" and grudgingly talking to Subhash.Sadly,the praise the can be given to the excellent cast and great directing can not be given to the screenplay by Uttam Gada.After having done well to build up to Adenwalla's suicide in the first half Gada. Sadly gets the film to full into a hole,which it is never able to completely escape from,with the death of a major character in the middle section of the film,giving a huge opportunity for the film to end on a Noirish,moody note.Shockingly,Gada decides to handle the death of the character as badly as possible,with no explanation being offered,and any possible hint of the other characters having a motive for the killing,being swiftly brushed under the carpet. Final view on the film:A very well directed,overlooked Bollywood Film Noir,with great performances from the excellent cast,let down by an unexpectedly tangled screenplay.

Seldom are movies made from a play... & this one goes the right way! The last theater i can remember off hand was AANKHEN... A Bachan & Paresh Rawal.. The movie wasn't quite catchy, but one could imagine the kind of theatrical performances it must have delivered..Today, i saw an actual performance, only difference being, I saw it on the screen.. The way the movie was done, one felt the characters were alive on a stage in front of me!!!The plot of the movie is very good. But the performances are mind blowing! One couldn't have set a better cast, & while the ladies need to do much better, the quartet of Boman, Paresh, Naseer & Om Puri swept me off my feet!While Paresh Raval dominates the movie completely, it is Boman's sharp performance that draws the curtain! I couldn't have spent my Friday night better.It is a movie worth treasuring... Please have a look!

Shivam Nair's film Maharathi is a suspense thriller that keeps many questions unanswered till the end. The film comes with some of the finest performance of lead actors but that doesn't make up for the flaws in the script. The film is about how a common man gets the property money of his employer and the legal aspect of making a will is not convincingly clarified..Adapted from a very popular Gujarati play by the same name, Maharathi makes for an interesting watch solely for the performance of almost all its lead actors. But what keeps on striking the viewer constantly are the limitations of a play being adapted to the big screen. Firstly, for a thriller, the plot appears far too stretched, especially in the first half. Then once the first major twist in the plot takes place, what follows is at times, a matter of convenience. OK even if you are willing to forgive some cinematic liberties, what really comes out is not only predictable but also raises many questions..If you want a taste of a desi version of Sleuth, Peter Shaffer's spellbinding play-turned-film, go watch Maharathi. The story may be different, the edge of danger is almost similar.