Brotherly Love (1970)

Very best movie i ever watch

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

This movie was a rather odd viewing experience. The movie is obviously based on a play. Now I'm sure that everything in this movie works out just fine in a play but for in a movie it just doesn't feel terribly interesting enough to watch. The movie is way too 'stagey' and they didn't even bothered to change some of the dialog to make it more fitting for a movie. Instead what is presented now is an almost literally re-filming of a stage-play, with over-the-top characters and staged dialog. Because of all this the storyline really doesn't work out and the movie becomes an almost complete bore- and obsolete viewing experience.It takes a while before you figure out that this is a comedy you're watching. At first you think its a drama you're watching, with quirky characters in it but as the movie progresses you'll notice that the movie is more a tragicomedy, that leans really more toward the comedy genre, rather than the drama genre.The characters and dialog are really the things that make this movie a quirky and over-the-top one that at times really become unwatchable. Sure, the actors are great; Peter O'Toole and Susannah York, amongst others but they don't really uplift the movie to a level of 'watchable enough'.The story feels totally disorientated. Basicaly the story is about nothing and just mainly focuses on the brother/sister characters played by Peter O'Toole and Susannah York. But what exactly is the story even about? The movie feels like a pointless and obsolete one that has very little to offer. Like I said before; I'm sure the story is good and interesting to watch on stage but as a movie it really isn't fitting and simply doesn't work out.The editing is simply dreadful and times and it becomes even laughable bad in certain sequences. More was to expect from director J. Lee Thompson, who has obviously done far better movies than this rather failed, stage-play translated to screen, project.Really not worth your time.4/10http://bobafett1138.blogspot.com/

Peter O'Toole is a treat to watch in roles where the lines he speaks are good and offer a chance for him to swagger in drunken stupor. The lovely Susannah York provides a good foil for O'Toole's dramatic presence.The film alludes to incest--without a single explicit scene--but it is able to entertain the viewer in its raucous social commentary. Though this is not major film by any reckoning, it will be remembered for its entertaining performances. Even York, signing the papers at the end, is a treat to watch, exuding tragedy silently. The possible weakness here is Thompson's laid-back direction. But the film floats because of the actors and the script.I saw the film twice over a period of 20 years--on both occasions with the name "Brotherly love". "Country dance" is a rather farcical and inappropriate title for this movie, wherever it was released as such.

Contains spoilers. The British director J. Lee Thompson made some excellent films, notably 'Ice Cold in Alex' and 'Cape Fear', but 'Country Dance' is one of his more curious offerings. The story is set among the upper classes of rural Scotland, and details the strange triangular relationship between Sir Charles Ferguson, an eccentric aristocratic landowner, his sister Hilary, and Hilary's estranged husband Douglas, who is hoping for a reconciliation with her. We learn that during his career as an Army officer, Charles was regarded as having 'low moral fibre'. This appears to have been an accurate diagnosis of his condition; throughout the film he displays an attitude of gloomy disillusionment with the world, and his main sources of emotional support seem to be Hilary and his whisky bottle. The film ends with his committal to an upper-class lunatic asylum. Peter O'Toole was, when he was at his best as in 'Lawrence of Arabia', one of Britain's leading actors, but the quality of his work was very uneven, and 'Country Dance' is not one of his better films. He overacts frantically, making Charles into a caricature of the useless inbred aristocrat, as though he were auditioning for a part in the Monty Python 'Upper-Class Twit of the Year' sketch. Susannah York as Hilary and Michael Craig as Douglas are rather better, but there is no really outstanding acting performance in the film. There is also little in the way of coherent plot, beyond the tale of Charles's inexorable downward slide.The main problem with the film, however, is neither the acting nor the plot, but rather that of the Theme That Dare Not Speak Its Name. There are half-hearted hints of an incestuous relationship between Charles and Hilary, or at least of an incestuous attraction towards her on his part, and that his dislike of Douglas is motivated by sexual jealousy. Unfortunately, even in the swinging sixties and early seventies (the date of the film is variously given as either 1969 or 1970) there was a limit to what the British Board of Film Censors was willing to allow, and a film with an explicitly incestuous theme was definitely off-limits. (The American title for the film was 'Brotherly Love', but this was not used in Britain; was it too suggestive for the liking of the BBFC?) These hints are therefore never developed and we never get to see what motivates Charles or what has caused his moral collapse, resulting in a hollow film with a hole at its centre. 4/10

A somewhat typical bit of filmmaking from this era. Obviously, It was first conceived into this world for the stage, but nonetheless a very good film from beginning to end. Peter O'Toole and Susannah York get to do their stage performance act for the silver screen and both do it effectively. There is very little in the way of story and anyone not familiar with this type of off beat character study may be a little put off by it. All in all, though, A good film in which Peter O'Toole and Susannah York get to overact.