The Pink Telephone (1975)

Load of rubbish!!

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

Blistering performances.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

'Le telephone rose' (= French for 'the pink telephone') is a very 1970-s French ...... comedy. Or whatever you may label it.Anyway, lighthearted is the bottom line here - although it doesn't show at the surface. In this respect 'La telephone rose' surely makes a cleverly acted film. The more so, because its actors and actresses are hardly able to derive support from its thin plot - located in business-circles.Yes, acting makes 'La telephone rose' to a fine film. High quality by all its participants throughout. Mireille Darc does not stand out, but nevertheless adds an extra touch by her radiating appearance.

Strange comedy with a a really weird political slant. The main character is the owner of a small enterprise in the southwest of France. An American corporation plans a take over. In order to smoothen the negotiations they invite the guy to Paris and wine and dine him. Furthermore he is introduced to the "niece of the PR director" who in reality is a hooker they rented for the occasion. The guy goes to bed with her almost at once, falls for the really stale "niece" story and kinda falls in love with her. Some dingle dangle ensues and in the end the guy follows the hooker to Milan where she has a "business appointment", is insulted by the hooker while boarding the plane, stomps away over the tarmac and is followed by the (pleading?) hooker. The end.Somehow the movie makes the statement that American corporations are bad because they corrupt honest to god provincial French entrepreneurs. But as a matter of fact this entrepreneur is a stupid BEEP. He lies and cheats to his wive who is not only attractive but supports him actively and loyally in his business dealings. And he tries to ingratiate himself to the workers (who are unruly in any case) in a sickening way, making them feel he is one of them. He is clearly not more likable than the real baddies in their corporate glass tower in Paris. This makes it difficult to feel any fondness for the main character and his predicament, which seems to be required if one ought to take an interest in the story. Therefore the movie fails to carry a message and is only a succession of gags which, I gladly admit, are not all bad.The cast is much better than the script. Mireille Darc does her usual thing (her part is essentially the same as in The Tall Blond Man with One Black Shoe). I also watched this because Daniel Ceccaldi is in it (as the PR executive), in my opinion one of the most underrated French character actors of his generation. So watching this was not entirely time wasted.