Wife Wanted (1946)

So much average

Sadly Over-hyped

People are voting emotionally.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Copyright 14 October 1946 by Monogram Pictures Corp. No recorded New York opening. U.S. release: 2 November 1946. U.K. release through Pathé: 1 September 1947. Australian release through British Empire Films: 17 July 1947. 8 reels. 6,634 feet. 73 minutes.U.K. release title: SHADOW OF BLACKMAIL.SYNOPSIS: A lonely hearts club is used as a front for extortion and blackmail.NOTES: Kay Francis retired permanently from the screen after this one, though she did appear in two TV episodes in the early 50's. She died in 1968. COMMENT: Produced by Miss Francis herself and Jeffrey Bernerd, Wife Wanted is a lively, well-produced programmer with a top-rate cast, including Paul Cavanagh who renders an especially edgy and forceful performance as a very smooth and totally unscrupulous villain. On the other hand, Robert Shayne seems a bit strained as the romantic lead. Phil Karlson's direction always comes over as admirably slick and the film itself has a surface gloss usually missing in Monogram productions (thanks no doubt to the extra cash provided by Miss Francis). The script maintains interest well, although the conclusion remains disappointingly tame.

Kay Francis (Carole) is an actress who is getting no parts and is persuaded to invest in real estate by Paul Cavanagh (Caldwell) so that he can use her wealthy connections. However, she is soon drawn into his other side-racket which involves blackmailing wealthy clients as they join a dating agency. Francis has no option as Cavanagh has set her up as the guilty party in the murder of Barton Yarborough (Walter Desmond) and he holds this over her. Journalist Robert Shayne (Bill Tyler) is suspicious and joins the agency to solve the mystery of the dead man and meets with Francis.The film is rushed in parts, for example, the ending just happens all of a sudden. That's that. The film is also, sadly, a bit boring. It starts well but then just gets a bit confusing and dull. The best of the cast is evil Veda Ann Borg (Nola) who plays Cavanagh's partner and heads the dating agency racket. We needed far more from her and far less from Teala Loring (Mildred), a victim of the agency scam, who is appalling. This woman can not act. And it's great when she falls down the stairs. The story has an interesting premise that could have been so much better.

Not bad at all for a "Poverty Row" production. Have always wanted to see one of Kay Francis' "Monogram Trio". Fairly good story line involving a dating agency she invests in and which leads to all sorts of complications. Also, plenty of familiar faces in support - the faces you know but can't put a name to. Kay looks as ravishing as in her heyday and plays her part in a mostly beautifully subdued way. Unfortunately the print I have is not very good, but, considering she was 47 at the time, this may even compliment her. Not a single wrinkle to be seen!! Well worth watching if you're a Kay Francis fan. A real collector's item.

The last of Kay Francis' "Monogram Trilogy" WIFE WANTED is an absorbing film that holds your attention throughout. The film has atmosphere, with dark edges and a mildly convoluted plot. Francis plays a "fading star" (a better title for the film) who dabbles in real estate. She then discovers she's been duped and co-erced into a lonely-hearts club rackett(after a murder that could implicate her takes place). Francis produced the film and acquired the talents of former co-stars Paul Cavanaugh (from 1931's TRANSGRESSION)and Veda Ann Borg (from 1937's CONFESSION), among others. Teala Loring (Debra Paget's sister), as a duped, down-and-out actress, overplays her part to the extreme, which had the audience howling at a recent showing of the film in San Francisco (11/7/01). Francis looks quite chic and lovely in many scenes, especially in a nightclub sequence, bejeweled and in an amazing white fur. A great musical selection by jazz pianist Edgar Hayes as he maneuvers through a cocktail lounge on wheels is a film highlight. One has to admire Francis' guts and performances in her Monogram films. She underplays to great effect, especially in ALLOTMENT WIVES and this long lost "gem" WIFE WANTED.