The Brain (1964)
A millionaire businessman's brain is kept alive after a fatal accident, and communicates clues to a doctor on the trail of the killer
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Overrated
The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
This movie feels like it was made purely to piss off people who want good shows
A stodgy retelling of the classic sci-fi novel, DONOVAN'S BRAIN. Disembodied brains were all the rage when this film was made, with the likes of THE BRAIN THAT WOULDN'T DIE and various Hammer Frankenstein movies playing with the possibility of life after death. However, this being a UK/West Germany co-production, the narrative actually has far more in common with the German krimi genre than a typical sci-fi movie.The narrative sees a millionaire being blown up in a plane crash, and it soon transpires that there was a bomb on board. Novelty value comes from the millionaire's brain being used to hunt down the culprits responsible, and he does so by possessing the body of the man (Peter van Eyck) keeping him alive.The sci-fi elements are kept to a minimum here, with the emphasis instead on the murder mystery genre. As with many krimi films, stark black and white photography is the order of the day, with the cast populated by criminals, detectives and femme fatales. Director Freddie Francis contributes atmosphere to the narrative but this is one of his lesser pieces.The story just doesn't have much in the way of oomph or excitement to it, even though there are a handful of decent moments. There are a couple of familiar faces in the cast, including Miles Malleson and Bernard Lee, but no performances here to get excited about. Definitely a potboiler, this one, and not a decent one either.
With a stellar cast of British character actors I was looking forward to seeing this film.Alas I was very disappointed.There are certain similarities to The Scorcerers but they are all invidious.The problem with this film was that it didn't seem to know what it really wanted to be.A thriller or sci fi or mad doctor,and as a result it fell between all of them and quite frankly was both boring and silly.In any event the idea of being able to reclaim the living brain of someone who has died in an aircraft explosion is a bit fantastic.Good to see the likes of Cecil Parker,Miles Malleson and Bernard Lee but otherwise not much else to keep your attention.
Freddy Francis directs another retelling of Donovan's Brain.This is the story of a rich SOB industrialist who is killed, however his brain is saved. As scientists try to study the still living organ the personality of the "dead" man begins to exert itself on those around the brain tank.Good, with expressive black and white photography, this too is a bit unremarkable and slightly dull, which is odd considering Francis' films tend to have a bit more life in them, even when they are poor.Interesting to see Bernard Lee (M from the early Bonds) in a different sort of role. Not bad but not really the gripping drama I wanted at 2am to keep me awake...it put me out.
Not having seen any of the previous versions of this story, the film this one reminded me more of is Lucio Fulci's (!!) 1990 shocker "Voices from Beyond". The plotlines are different but still share some similarities, as they both involve revenge from beyond the grave, rich families with hidden secrets, a murder investigation carried out on behalf of the murdered man himself, etc. Unfortunately, "The Brain" takes an interesting sci-fi concept and turns it into a forgettable murder mystery; you won't exactly be on the edge of your seat trying to figure out "who-did-it". What's more, the chintzy production makes the movie look as if it were made in the 40s. (**)