The Haunted Castle (1921)

Excellent but underrated film

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Exactly the movie you think it is, but not the movie you want it to be.

In this film, a man shows up. He is accused, though never convicted of the murder of a man. The man's widow comes on the scene and is torn apart with distress. There is all kinds of endless gnashing of teeth. One man is so afraid that he leaves after an anxiety attack. There is no haunting and there is no castle, just lots of nondescript characters sitting around worrying. The final part of the film is reasonably entertaining, as a priest comes on the scene. This is probably Murnau experimenting with cinema. Had he put out another movie like this one, there may not have been any more. Most of the dialogue is presented in boxes that seem to lack any soul at all.

"The Haunted Castle" is one of the lesser known and rather unpopular – judging by the other user comments – earliest accomplishments by the great visual artist F.W. Murnau ("Nosferatu", "Faust", "Der Januskopf"). Personally I fail to comprehend why it's so obscure and neglected, because I watched an ambitious and even convoluted whodunit/mystery thriller with eerily atmospheric set pieces, intriguing characters and a few nicely elaborated moments of suspense. Okay, first and foremost, the English title is misleading and even downright irrelevant. The titular caste isn't haunted or besieged by ghosts whatsoever. It's merely the gathering place of a selected clique of prominent aristocrats on the evening before they go fox-hunting. The cozy ambiance is disturbed when the uncanny Count Oetsch shows up at the castle uninvited. Oetsch is accused, especially by the widow, of murdering his own brother. His former sister-in-law arrives later at the party, together with her new husband, and tension rises among the group. The countess goes to confession with another guest, namely the honorable Father Faramünd from Rome. When he mysteriously vanishes as well, Count Oetsch is suddenly suspected of two murders, especially since he behaves so arrogantly and strange. "The Haunted Castle" certainly isn't the visually astounding and hypnotizing expressionist masterpiece that "Nosferatu" was. It's more of a straightforward thriller relying on plot instead of Gothic atmosphere and experimental choreography. This movie is, in fact, released one whole decade sooner than it should have been released. The script is overly "talkative" and contains more interruptions to display dialog and descriptions than any other silent movie from that era I have seen. And then still it seems as if Murnau needed more opportunities for text, as too many sequences show characters talking without their conversations being translated in writing. I really think that F.W. Murnau craved for sound technology here, more half a decade before it became possible, to let his characters express themselves and to generate the apt mood. Nevertheless, a more than interesting and warmly recommended piece of antique for cinema fanatics to check out.

One character has a dream of a ghoulish hand abducting him, but otherwise, the gobs of eye makeup on the actors, typical then, is as haunting as this film, "The Haunted Castle" (which isn't a literal translation, anyhow), gets. It's more of a mystery picture--a whodunit, fundamentally.This is an early offering in F.W. Murnau's film-making career, and none of the brilliance of his later films ("Nosferatu", "The Last Laugh", "Faust", "Sunrise") is evident here. "The Haunted Castle" is prosaically filmed, despite the assistance of two competent cinematographers, László Schäffer ("Berlin: Symphony of a Great City") and Fritz Arno Wagner ("Nosferatu" and several of Fritz Lang and G.W. Pabst's films). Additionally, Hermann Warm ("Caligari") was the production designer. The castle interiors are rather rich, at least. But, the miniature used for the exterior views of the castle, as a transition effect, is overused and ineffective. I don't care for the iris openings and closings, either; they're usually too obtrusive for transition editing.Anyhow, there were some surprises in the plot for me, but that didn't make it worthwhile. Despite having another giant of Weimer cinema, Carl Mayer ("Caligari", "The Last Laugh"), as one of the screenwriters, the plot is slow-paced and never evolves to anything higher than a whodunit--and not even a good one at that. The acting is too obvious and overdone, as well. The talent involved did much better work elsewhere.

This very personal movie from Murnau sets the precedent for the author´s most notorious movie: Nosferatu the vampire.Murnau demonstrates his superb command of the camera and the illumination while setting the bases of the expressionism.The suspense distilled in Haunted Castle is well worth a Hitchcock´s movie and the plot is surprisingly complex for a silent.Do make sure that you see it in a winter stormy night