Dear God No! (2011)

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

This film is so real. It treats its characters with so much care and sensitivity.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The movie really just wants to entertain people.

DEAR GOD NO is a very fun film, Get a buzz on, Get some friends together and have a blast with this one!!! Shot on real film!!! Real Effects!!! and Real Breasts!!!!! This film has it all and its the closest you will get to ''REAL'' Grindhouse, This film has that trashy 70's biker sleazy feel! You can tell James Bickert put his all in this film and it shows, Not sure why there is so much negative hype about this film, I would love to see these people who put it down try to do better! One of the best films i have watched in a long time forget about all these wanna be Grindhouse type films that really try to hard to be something they are not, This film is the real deal, This is low budget fun that works on many levels,Don't expect Hollywood but expect one hell of a ride!!!DRUGS! GORE! GUN SHOTS! and BIGFOOT what more can you ask for!! Cheers to all who made this film!! Cant wait for the next!

You might get it. You might not. I'm not surprised this has low and divided ratings. You see, there are those hipsters who think they know grindhouse based on the more popular films available on DVD and then there are the rest of us bad cinema junkies who collect VHS and live for The Swinging Barmaids, Rape Squad, Ghetto Freaks and The Tomcats. If you fall in this category of trash lover,than this film is pure gold. It nails it. Bad acting, ridiculous dialog, convoluted plot, jump cuts, psychedelia, monster suits, blatant nudity, etc. Shot on beautiful film and full of head scratching moments. The closest I've run across to real 70s 42nd street crap. Very entertaining and not a dull moment.

It is what is, and Dear God No isn't Sunday morning sermonette. The opening few minutes are filled with bloody carnage at the hands of some very nasty looking bikers in leather jackets riding Harleys. Murder and mayhem are practiced quite efficiently by the easy riders.Switch to a house in the woods occupied by a science professor and his teenage daughter who carries a carcass to a padlocked basement. We then visit a strip bar with unattractive dancers; one even wearing a Richard Nixon mask. Miss Nixon is very handy with a Thompson submachine gun. The gang enjoy a short and unpleasant stay at the club.Meanwhile, the prof is researching some sort of creature living nearby and two of his college students stop by for a friendly visit. Uh oh, can you say home invasion; here come the hell's angels and it's party time for Mr. science and his offspring. It turns Charles Manson for a while, and beware of a reenactment of an urban legend based on Sharon Tate's killing in 1969; the infamous Helter Skelter case.Now for a special appearance by Bigfoot in a pay back mode for all the bad deeds by the iron horse invaders. Dear God No is a low budget, badly acted and yet funny and entertaining, bloody good time.

Over the past few years, and largely thanks to Tarantino/Rodriguez, there has been a welcome revival in Grindhouse. Movies like Planet Terror, Death Proof and Machete have reminded us just how much fun it was to recoil in horror and laugh out loud all in the same scene. Movie trends vary. We are coming to the end of the reign of the zombie flick but during its tenure we were treated to such gems as Zack Snyder's 'Dawn of the Dead', The Ford Brothers 'The Dead' and, to a lesser degree, the hugely successful Ruben Fleischer 'Zombieland'. With the revival of Grindhouse we are, once again, trawling the net for the next talking point of modern cinema. Well, look no further folks. 'Dear God No!' is 21st century Grindhouse at its most shocking and its insanely fun. James Bickert has managed, on no-doubt a very limited budget, to create a movie that is 'The Devils Rejects meets Doctor Moreau' with an originality that is stunning in itself. It is a movie that will stay with me and that is the hallmark of a fine film maker. It was a film that I expected to hate but, as the final credits rolled, I was struggling to pick out a moment that didn't work perfectly. The movie is over the top so far that I'd expect to find mist on the DVD cover. The central cast push their characters to the the limits of debauchery and there are moments in the movie where I almost felt guilty enjoying but this mix of Grindhouse and Powerhouse simply wont let you rest. A huge achievement and I trust that this gem of a film will have CULT stamped all over it when it hits the shelves. See it once, talk about it many many times. Congratulations to all involved.