Pizza (2005)

Save your money for something good and enjoyable

One of my all time favorites.

Excellent but underrated film

As Good As It Gets

I must say, I really mean it, I must! say! it is one of the worst and most pathetic pieces of movie that I ever saw. I tried, God knows I tried to appreciate it! Just so you know, I survived things such as Force-T, The Russian Specialist, Arena and Solo Voyage so it's not bad will. My original goal was to spend a good evening watching this movie. But further and further the minutes advanced, more and more the scenes followed each other, I knew that it was establishing new standards in boringness. I watched it until the end alright, which makes it one hundredth of a star above the movie Le Golem de Montreal: one of the rare films I've ever stopped watching (I should say suffering) because it was awfully unbearable.Such bad movies as the ones I previously named (exept Le Golem) have one advantage : being bad in a way that makes them funny. Pizza is just bad in a way that makes it pathetic. Makes one wonder how could time, energy, talent and material be wasted to create such a thing. Above all, makes one wonder how to give less than 1 out of 10 to a movie that doesn't even deserve this lowest score.I won't waste any time talking about things like the acting, the screenplay or directing. I'll just say they're awful, very awful, overall.If you're looking for a teenage story in the likes of Napoleon Dynamite, forget Pizza. I would rather suggest Harold, which is far from being a masterpiece but still enjoyable and way better than this one.

Seven years after his ambitious attempt at depicting the high life of the mid-70's Manhattan disco scene in "54", writer-director Mark Christopher has come back most modestly with this elliptical low-budget 2005 coming-of-age comedy that seems to be a cross between a 1980's John Hughes movie and "Napoleon Dynamite". It actually plays out a bit like a teen version of Martin Scorsese's "After Hours" as it follows two disparate characters on an all-night adventure hinging on a series of pizza deliveries. The focus is on a lonely overweight girl, Cara-Ethyl (obscurely named after Irene Cara and Ethel Mertz from "I Love Lucy"). A social outcast forced to make up an imaginary friend to appease her temporarily blinded mother, Cara-Ethyl celebrates her 18th birthday with lots of food but no one to share in the festivities.Enter Matt Firenze, a thirty-year old failed political activist with his own pizza delivery truck and a prolific track record with women but little else to show for himself. He feels sorry for her plight and invites her on his runs for the night. While Matt attempts to give her lessons on self-acceptance, Cara-Ethyl inevitably experiences deeper feelings that lead to revelations about both their lives. The idea is sound if rather unoriginal, but Christopher's off-kilter, episodic approach feels contrived for all the wrong reasons in spite of a smattering of well-earned laughs. Kylie Sparks certainly gets all of Cara-Ethyl's eccentricities and precociousness down pat, but her character is conceived in ill-fitting clichés over how an awkward, friendless teen finds her identity. As Matt, a cast-against-type Ethan Embry has moments of resonance, but he mainly appears to be channeling Matthew McConaughey's laconic slacker in "Dazed and Confused". The two leads never seem to gel since the contrivance of the situation is too overwhelming.Familiar faces show up in the supporting cast - Julie Hagerty with her eyes excessively bandaged as Cara-Ethyl's not-so-clueless mom, Marylouise Burke (Paul Giamatti's drunken mother in "Sideways") as Aunt Grandma, and Alexis Dziena (Sharon Stone's oversexed daughter in "Broken Flowers") as a hairball-producing tart. The film clips by quickly at eighty minutes, and I have to admit some of the music used was entertaining - a karaoke number from "Bye Bye Birdie", Lulu's throaty voice on "To Sir With Love" in a strangely disco-oriented club, and Embry's plaintive guitar number. With middling picture quality due to the digital filming, the 2006 DVD has a few extras worth noting. With some help from producer Howard Gertler, Christopher provides unobtrusive commentary on an alternate track and on an eight-minute featurette about some of the scenes.

"Pizza" is full of fun surprises. I felt a steady stream of laughter throughout, even though there were moments that broke my heart. You can't help but fall in love with the 2 main characters, as well a number of the minor ones. I think that anyone who sees this movie will see a bit of themselves in them. It seems to me that the plus-size young actress who plays CaraEthyl (Kylie Sparks)should take great pride in her performance. I understand she is new on the movie scene, but oh so convincing. You can't help but love her. The music is great, takes you on quite a ride all the way to the end of the credits. Its a must see.

Pizza was publicly screened for the first time at the Los Angeles Film Festival on the 21st.It's no overstatement that this is a film I've been hoping for ever since I first sat down and watched "The Breakfast Club," all those years ago. Like master teen storyteller John Hughes himself, Pizza bring Teen cinema to a height that few are aware it can achieve. It's not a bunch of teens wandering around, pretending to cry, trying to have sex with each other. It's not an excuse to show off a pair of breasts.It's just an honestly honest movie.Pseudo-hunk Ethan Embry delivers with power I had no clue he had in him. Honestly, watching Ethan Embry in Sweet Home Alabama and watching Ethan Embry in Pizza, they look the same, but you get the feeling you're looking at the NOT evil twin. Newcomer Kylie Sparks (who was, very humbly, at the screening I attended) shines wonderfully as the overweight, mal-adjusted, teetering on the brink of adulthood lead, like Ricki Lake before her. Actually, I take that back, she's BETTER than Ricki Lake.Pizza remains fresh and entertaining throughout. If perhaps it does fall into the "I love you, I hate you, I love you, I hate you" thing a little too much, it manages to tell a story of love and finding yourself without getting preachy, without copping out.At the screening, writer/director Mark Christopher mentioned current plans to do a horror flick and a family/farm flick next, but if we're lucky, he'll come the way of teenybopper angst just one more time before he gives it up completely.If it gets distribution, which it should, I'll definitely see it again.9/10