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Killer Tomatoes Eat France!

Killer Tomatoes Eat France! (1992)

November. 18,1992
|
3.8
|
PG
| Horror Comedy Science Fiction

After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.

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Reviews

AniInterview
1992/11/18

Sorry, this movie sucks

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Odelecol
1992/11/19

Pretty good movie overall. First half was nothing special but it got better as it went along.

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Bob
1992/11/20

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Darin
1992/11/21

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

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Coventry
1992/11/22

"Killer Tomatoes Eat France", which is the fourth and final installment in John DeBello's vegetable quadrilogy, is only my first acquaintance with the series. I love horror and I love comedy, but I'm usually very skeptical about a combination of both; especially when the storyline revolves on giant murderous tomatoes. But I watched this thing together with some friends and whilst heavily intoxicated and, you know, under these circumstances the silly premise isn't even half that bad. Typically, the French stereotypes and jokes are the funniest aspect in this film and actually often downright hilarious. The French are all peasants that live in really low-built houses and only consider fat women to be attractive. They read "Ze Times" and weave bread. The women are all called Marie and they're ready to have sex for free with every stranger that passes by. The story centers once more on the malignant Professor Mortimer Gangrene (John Astin having a blast again) and his killer tomatoes trying to take over the world. After he escaped from prison with the help of his loyal tomatoes, Gangrene entrenches himself in France in a really big castle (appropriately called Igor's really big castle) and kidnap a famous and furry tomato singer for one of his diabolical plans. It's entirely up to a random American tourist and a sexy French maid to save the world. There's also a sub plot stating that the war against the tomatoes will bring forward the new King of France, which makes this film actually a fairly witty parody on "The Man in the Iron Mask". According to most people who have seen the other three previous installments, unlike myself, this "fourth part in the trilogy" isn't as funny in comparison and the franchise is turning more and more children friendly. I can't really judge the other three films, but I did think this was reasonably funny and entertaining.

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Elliot Kern
1992/11/23

This is not "so bad that it is good," it is purely good! For those who don't understand why, you have the intellect of a four year old (in response to a certain comment...) Anyways, Killer Tomatoes Eat France is a parody of itself, a parody of you, and a parody of me. It is the single most genius text in cinematic history. I have it and the three prequels sitting on my DVD rack next to Herzog and Kurosawa. It embodies the recognition of absurdity and undermines all that you or me call standard. I write scripts and this movie single-handedly opened up a genre of comedy for me, the likes of which we have never seen. It can only be taken in portions... its sort of exploitive... by now I'm just trying to take up the ten line minimum. My comment ended a while ago. Hopefully it works when I submit it now.

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Lady-of-Rohan
1992/11/24

I'm one of those people who enjoy bad movies. I rent them on a weekend and give in to the insanity of terrible cinema. At this point, I have respect for every single bad movie I have seen in the past because I CAN'T TAKE THIS ANYMORE! EVERY MOVIE I SEE KEEPS GETTING WORSE AND WORSE! I've have done reviews of films like A Crack in the Floor and Campfire Stories but I am 100% confident that they will seem like Tolstoy compared to this. The plot is jaw dropping. A young man and his girlfriend try to unravel a mystery and a daring rescue of TJ, (or something like that, who cares) a rock star tomato who is kidnapped by an evil professor and his vegetable minions who desire the rise of the new king of France and complete world domination. The plot is clearly crafted by Shakespeare himself!While some might argue that this film is trying to be intensionally funny, the film makers obviously diddn't care if the film was of any kind of real quality. And by extension, neither was the director when the camera man CLEARLY TRIPS OVER THE STAIRS WHILE FILMING. The plot is clearly a kind of parody from the previous tomato films but the level of absurdity still forced me to take 5 minute breaks every 15 minutes.I've sacrificed 2 hours of my life that I will never ever get back. I have never seen tomatoes this ugly, a plot this terrible, or jokes this awful. God speed.Grade: 1/10

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David Edward Martin
1992/11/25

This is a great example of a good, dumb movie. No, it is not high art by any means. Nor is the script anywhere close to a Woody Allen or Mel Brooks. BUT SO WHAT! The Killer Tomatoes series (four movies and a cartoon series) are basically good-natured romps gleefully trampling on the kind of territory the Zuckers ruled before they switched to making serious flicks.As the title suggests, this fourth installment of the Killer Tomatoes trilogy deals with the Killer Tomatoes plot against France. In this case, Professor Gangrene (John Astin's 3rd time in the role) has a plan to rule France through an ancient prophecy about the return of the rightful King of France. Steve Lundquist returns as Igor, a humanoid tomato who wants to be a sportscaster and who just happens to be a dead ringer for the long-lost true King of France. Obviously he also plays the aforementioned l-l t K of F, happily skewering the French language.Opposing them is the fearless Fuzzy Tomato (like the others, FT was introduced in the second film and would be a main character in the cartoon) and his human allies. Mark Price, recently unemployed as a result of the conclusion of the FAMILY TIES series, plays a thinly disguised version of himself, passing himself as "Michael J Fox" as a way to win the girl of his dreams. And Angela Visser is a dream as Marie, gleefully bouncing between unabashed virginal sexuality and borderline psychosis. Oh that the former Miss Netherlands had had more of a film career! Another returning member of the Killer Tomatoes stock company is Rick Rockwell (now best known as the hapless title subject of "Who Wants to Marry a Millionaire?"). Like co-creator John De Bello, Rockwell works both in front of and behind the camera in this series.What can you say about Jon De Bello? Not much, really, except that he had a singular vision and managed to pull it off and, having done that, has apparently dropped into obscurity. John, if you ever see this, thanks for giving us the Killer Tomatoes.The script is heavily but not obnoxiously aware that this is just a movie. Like RETURN OF THE KILLER TOMATOES, the action occasionally veers off the set and into the middle of the film crew. And Mark Price has a funny forum to complain about his own lack of success compared to his former costar Michael J Fox. This is the biggest budgeted of all the Killer Tomatoes flicks and is a nice send-off to the series. Okay, the show then moved to Fox Kids as a cartoon series (which was also quite clever), but cartoons just aren't the same.

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