Norwood (1970)

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

People are voting emotionally.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

The movie really just wants to entertain people.

Hillbilly comedy casts Glen Campbell as Norwood, a U.S. Marine returned home from service, who finds life changed--and not for the better--in his Texas hometown. He has his sights on playing guitar and singing country music for a program called the Louisiana Hayride, and travels cross-country to New York City for an audition (this section of the movie, with Norwood in a cowboy hat walking the big city streets, feels like a G-rated version of "Midnight Cowboy"). The details in this scrubbed-clean scenario aren't rich and the characters Norwood meets on his journey aren't vividly drawn. Feature film debut for director Jack Haley, Jr. has warmth and a big heart, but no substance. Campbell keeps his face slack (like a rube) and his manners polite, and he's appealing if fidgety. Producer Hal B. Wallis reunites Campbell with his "True Grit" co-star Kim Darby, and the two have a warm rapport (especially in the scene at the food counter). Football star Joe Namath makes his acting debut as a soldier, Billy Curtis is fun as a little person who becomes Norwood's traveling companion, and there's also a college-educated chicken (don't ask). Adapted from a novel by Charles Portis (the author of "True Grit") from "Grit"'s screenwriter, Marguerite Roberts; however, there's nothing gritty about this yokel fantasy, which is completely out-of-touch with reality and presented only as escapist fare. ** from ****

A romantic comedy tailored for Glen Campbell and Kim Darby, at the time popular co-stars of TRUE GRIT. Darby is the better actor of the two, but gets the worst lines and her character is unbelievable; Campbell is barely adequate in an undemanding role of a would be country and western singer who criss crosses the country chasing $70 that Joe Namath owes him. Namath's film debut is forgettable and negligible. In fact, the whole movie drips away from the memory as it plays out. A few good moments, with fun cameos appearances by Pat Hingle and a deliciously foul mouthed Carol Lynley. Meredith McRae provides the appropriate attitude of bubbly fun that seems lost on the other players, and director Jack Haley Jr. just lets the movie putter out. Jack Haley Sr. appears in a few scenes in his final movie role. A few decent pop tunes were written by Mac Davis. Campbell stopped making movies after this, thank goodness.

The only reason I'm aware of Norwood is that I graduated high school in NC in 1970. Our senior class was traditionally treated to a movie on a school morning in the week of commencement. The newfangled Park Theater (long since closed) on the east side of Burlington (now a Hispanic colony) was showing Norwood by night, so that's what we sat and watched. I appreciate the few details other posters made about the Vietnam war and Kim Darby's unwed motherhood. The movie almost sounds interesting, but it wasn't. Glen Campbell was a good musician but a joke as an actor. Broadway Joe looked great, of course, but aside from an occasional cameo on the Love Boat . . . Well, he was an even better quarterback than Campbell was a guitarist. Where'd Kim Darby go? She might have been Molly Ringwald's mother.

Glen Campbell and Joe Nameth, both in their career primes, give surprisingly creditable acting performances about two Marines just back from the Viet-Nam War finding their places back in society. The theme of this film is somewhat out-dated, yet with the current war in Iraq raging on, maybe it's not as out-dated as I think. Campbell is Norwood and has the major role, while Joe Nameth has more like a guest staring part. Campbell embarks on a road trip and meets a host of different people. Trish Sterling looks beautiful, but is really wasted here. Coogan's Bluff still rates as her best on-screen role. I saw this film as a young teenager at the Cinema Theater on Miami Beach. I remember liking it a lot and sort of wondering if I would one day be living this type of experience myself. With the draft and the war, this film was very realistic for the times, now not so much. Yet, it's an enjoyable film on the same take as Bus Riley's Back in Town.