The Battle of the Sexes (1960)

Pretty Good

Fantastic!

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

The film may be flawed, but its message is not.

The Battle of the Sexes is directed by Charles Crichton (The Lavender Hill Mob/ The Titfield Thunderbolt) and it stars Peter Sellers, Robert Morley & Constance Cummings. It's based on the short story The Catbird Seat written by James Thurber, with the script written by Monja Danischewsky.The grand House of MacPherson in Scotland has been supplying genuine Scottish tweeds for many years. Tho Woven out in the sticks by the professionals, the tweeds are sold out of the Macpherson HQ in Edinburgh. When Old MacPherson (Ernest Thesiger) dies, his son, Young MacPherson (Morley), takes over but is hardly blessed with business acumen. Things start to get dicey when he brings in Angela Barrows (Cummings) as an efficiency expert, an American lady he met on the train. The ageing staff, led by Mr. Martin (Sellers), is horrified as she starts updating the methods of running a business. To their minds a woman is for making the tea and cleaning up, not for doing away with hundreds of years of tradition with new fangled contraptions and ideas. However, Mr. Martin hatches a plan to rid the company of this meddlesome modern tyrant.Something of an unknown British comedy featuring the great Peter Sellers, The Battle of The Sexes sees him teamed with Crichton to deliver a smart and very funny piece. The film is dealing in cultural clashes and the battle is not just of the sexes, but also a poignant conflict between the advent of time and its impact on business'. Arcane traditionalists versus the forward thinking modern capitalist: or if you like? British custom versus American progress. Both played superbly by Sellers; as the calm and unhurried Mr. Martin; and Cummings as the get up and at em quickly Angela Barrows. Danischewsky's script is very impressive given that the source was very slight, and Crichton has done wonders to not let the film descend into slapstick or out of place screwball. Much like Mr. Martin, the comedy is very sedate, unhurried or forced. There's some farce in there, with one chase sequence in Angela's apartment wonderfully constructed, but the film never gets out of control and it's all the better for it. As the two rivals try to outwit each other, this brings Morley's (great as usual) oblivious Young Mac into play. The result is a three pronged character piece deserving of a bigger audience. 8/10

Contrary to what IMDb shows at the upper-right corner of its page for this movie, there IS a DVD of this film available, in the UK. I recently purchased it from Amazon, there, for 6 pounds. With high hopes, I inserted it into my DVD player and found that the quality of the film-to- digital transfer is nothing short of abysmal. Most of the film's scenes appear almost entirely black on the TV screen, with only a few details, like well-lit faces, shining through. This is a sorry re-release of this movie, which I had read such good things about here and there. From all I can tell, it is a delightful movie, full of wit and good acting and clever dialog. The story centers on a female business consultant from the US trying to whip an old-line tweed making company in Scotland into shape - another post-war British film concerned with the onslaught of American values and speedy lifestyle. (Another example that comes to mind is Ealing Studio's The Maggie, which is happily out on DVD in an optically splendid rendition.) The star, here, is a somewhat mousy Peter Sellers who is, of course, worth watching in almost any movie - especially when you can actually see him! Robert Morley, too, is worth the price of admission - one of my favorite British actors.

This well-cast adaptation of a classic James Thurber story relocates the action to Edinburgh and offers Peter Sellers one of his best roles as a timid bureaucrat who turns into a man of action when the crusty family firm he works for is threatened by an "efficiency expert" (and a female one at that!). His bumbling attempts to resolve the situation at the climax are a delight whilst co-star Robert Morley is perfect in the sort of role that he was born to play.There's some fine location work, beautifully shot in black-and-white by Oscar-winning cinematographer Freddie Francis and a late screen appearance by "Doctor Praetorius" himself, the sepulchral Ernest Thesiger.

Peter Sellers could do just about anything and this film helped to prove that fact. With some white hair, a moustache, and spectacles, you thoroughly believe his transformation into Mr. Martin, a character at least twenty-five years older than the actor was at the time.Although the title sounds like a sex romp, that's not the right description of this clever comedy with a somewhat dark theme. But BATTLE OF THE SEXES is about a power struggle between a man and woman. Martin is the faithful manager at the House of MacPherson, a Scottish firm that's been turning out tweed the same way for decades. When the new heir (Robert Morley) takes over, he brings in a domineering efficiency expert (Constance Cummings), an American no less, whose ideas threaten to ruin the company.Martin is forced to act. While he seems like a quiet and unassuming sort, he actually has a lot of guile and cunning beneath his mild-mannered exterior. First he tries to get her fired, but when that doesn't work he decides that more drastic measures are called for - like murder. Martin comes up with what he believes is the perfect plan, and all he has to do is carry it out.Do yourself a favor and watch it all unfold. Entertaining from start to finish, hilarious in several places, with a good supporting cast, and a plot that has a couple of surprises in store. Sellers proves yet again that he's a true comic genius. Three cheers for that, and four stars out of five for the film.