The Noah (1975)

Such a frustrating disappointment

Save your money for something good and enjoyable

hyped garbage

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

It would be easy to dismiss this film as dull, and although there's no doubting the fact that I found this film very boring, I'm going to try to explain why this film's very unique concept just didn't come together in the end.That's what I've got to give the film kudos for: it's an original idea: not just being stranded on a desert island, but assessing a man's insanity by recreating a world all from his memory and imagination. Also, you can't fault the filmmakers for having a real stab at this weird way of showing the insanity that comes with isolation, and some of the sequences, especially those using historical recordings, were interesting to see attempted.However, in the end, it just doesn't work, largely because it's impossible to get engrossed in this film. It's an interesting story, but it's such an inaccessible way of presenting it, with unthinkably slow pacing, and a very pretentious latter stage that borders on the incomprehensible, and that all comes together to not only make this hard to understand, but exhausting to get through, being one of the heaviest film that I know I'll ever see.One of the other things that frustrated me about this film was Richard Strauss' performance. His chemistry with the voices in his head is weirdly brilliant in the opening stages, and it makes for some intrigue, but it's his descent from isolation to insanity to complete madness as the film goes on that I just didn't buy.His performance is ultimately not only intriguing, but it's annoying. He shouts his way through minutes on end of dialogue with himself, so loudly and incessantly that it just hurt my ears watching it, and was perhaps one of the most painful and draining periods of a film I've ever seen.www.themadmovieman.com

This is one of these movies that linger.Following the total annihilation of the human race only one person appears to be alive. An old soldier, close to retirement, when the bombs start falling, escapes across the sea and finds himself on a deserted island, filled with derelict motor vehicles and empty military barracks showing a history of both chines and Japanese occupants.Loneliness creates an illusionary friend, whom he can be responsible for (and boss around), and by mistake he also makes a woman, who turns out to despise him. When his friend and the woman couple, he evicts both from his house (his mind).Then he makes a boy, and in quick succession more children, a whole school class, and education system and a graduation day, where he sends all of his students out to (re)populate the earth. But it soon turns out they make a mess of things - rather than coming to him, their teacher, for advice, they just squabble and murder one another. So he lays down simple rules - basically the stone tablets of Moses, but voiced as the simple man he is. But his children pay him no heed.From then on everything just goes downhill - his creations recreate all that went before his arrival to the island; the final third of the film sees The Noah, as his first friend called him, marching around the island trying to bring control at least to his illusionary military troops, while the recordings of global warfare and unrest rack his mind to the point, where he COMMANDS the silence be.He retracts to his bunk in the barracks, and silence falls on his world, the minute he closes his door. Here he discovers that the radioactive warning tag that he carries on his uniform has gone black. The rain was radioactive, and now he has no other mission but to wait for death.THIS is a brilliant movie! Forget the Biblical allegorical stuff and view it in a larger perspective: Whether messages came from a Maker or not, men translated the messages into words. I.e. Men made the world in their image - they made what they already were. The singular human being will always create the world in his own image - his loves, his fears, his longings, his desires, all that man makes is himself.The Noah tries to make a new world, and tries to take control of this new world, because this is how he is brought up - he tries to delegate responsibility and is disappointed; he tries to take full control, and is disappointed; he relinquishes responsibility and is disappointed; he closes his door on his creation, his fellow men and all their disappointments, and all he gets from all and everything he did, is death.A very poignant and eternal message: You are what you are, and so is your world. All changes must then come from within. We are human beings from how we deal with the perception of our world. The perception is the world - that is the weak and the strong point. There is no one reality, no right reality - only different views of wild wild nature.If you are not well versed in Roman languages, or the imagery of WWII and the Cold War, you'lld do best in getting a subbed version, so as to enjoy the cultural commentating embedded in the use of German, French, Italian, Spanish and other war commentators as well as people on the street in wartime.This is not an anti-war movie, as some might think - it's a film about reality.

Truly remarkable. A one-man film that held my full attention for almost two hours. The storyline is deceptively simple given the complexity of the issues raised: the sole survivor of a nuclear holocaust tries to cope with his new reality by reconstructing, piece by piece, an imaginary civilization based on his memories, fears and desires. It is this illusion that will eventually bring him to face his utter loneliness and powerlessness. Rendered in stark B/W photography, densely punctuated with historical references (including authentic voice recordings of the protagonists of 20th-century history), 'The Noah' is the kind of film that challenges the viewer to see it again and again, each time discovering something new. But where can it be found? I saw it at a CUNY-TV showing years ago. To my knowledge there has not been another TV showing and there is no VHS or DVD of it anywhere.

I have only seen the last portion of this film on a cable channel about five or six years back (I think it was City College's channel, which frequently runs unusual film courses). I remember when THE NOAH came out in the middle 1970s. There was a review of it in NEW YORK MAGANZINE, and it got panned. But when it was shown on television it was treated with considerable respect.Basically (and ironically, as Strauss died after it was briefly released) it was Strauss's biggest chance to display his own acting skills to their widest. After his two appearances with Billy Wilder and his THE ATOMIC KID with Mickey Rooney, he was basically relegated to small support roles of a comic nature. He did have a recurring part as "Charlie Leech" the private eye who discovers that "Samantha Stevens" (Elizabeth Montgomery) was a witch on BEWITCHED, but he was only in a handful of episodes there. Strauss was always game for acting roles, and was perfectly willing to try carrying an entire film on his own shoulders. Here it was (except for two voices) as the sole human being left on earth after a nuclear war.One recalls the unfolding, unstoppable tragedy of ON THE BEACH, but there the citizens of Australia did have each other to live with until they all died in the end. Here Strauss is on an island, well stocked with food and supplies, and with radio contact to the rest of the globe. But there is no "rest of the globe" to contact. Initially he meets the situation with vague disbelief, then panic. But gradually he determines to face the end of humanity (in himself) with dignity. Our last image of Strauss on film is rather stoical, watching to see if anyone will show up after all, but determined not to give into temptation to make a fast end of it if he can.I wish the film was shown again - it was not as worthless a picture as the critic in NEW YORK MAGAZINE made it seem. And it gave Strauss a fine coda role to his underused career.