7 Chinese Brothers (2015)

Thanks for the memories!

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

Sometimes you watch a film and wonder to yourself 'what were they thinking when they made this movie?!'--such was my reaction when I watched this new and oddly named film starring Jason Schwartzman. Bob Byington wrote and directed this strange movie and it's one that left me confused and bored.When the film begins, Larry (Schwartzman) is a complete slacker and a bit of a loser. He's just lost a job because he was caught stealing and he doesn't seem to care in the least. What he does care about are drinking, taking drugs and his dog (incidentally, this French Bulldog is actually Schwartzman's dog in real life). Later, when he gets a job in a quick lube store, you keep expecting Larry to somehow show that down deep he's capable of change and will become responsible and likable...which never really happens in any meaningful way. He is, throughout the entire film, a jerk who has serious issues and who doesn't seem to care about this nor does he see much of a need to change. There is a tiny change at the end...but clearly not enough to offer any real hope for the guy cleaning himself up and achieving something with his life.This film is quirky...almost in a Wes Anderson sort of way, which is what I expected since Schwartzman frequently appears in Anderson's films. However, the quirkiness isn't humorous...just quirky and the film never really resonates with the audience. It's strange...just to be strange. And this soon becomes tedious. Had this been a short film, it might have been an interesting character study. But at 90 minutes and with a leading character you cannot help but dislike the film dragged. No sense of reason for all this seemed evident to me at any point. A clear misfire and I can see why this film went to straight to DVD very quickly. If you care, it's out this week but I wouldn't rush to see it unless you are a die-hard Schwartzman fan or you like long and ponderous films.

This is not a complex movie! It's a nice simple story of a basic slacker biding his time in anticipation of an inheritance. In the mean time we see and experience his daily life.Director/writer Bob Byington brings us a story of 'Larry' (Jason Schwartzman) who feels no need to do something with his life because he is the sole survivor in his grandmothers family. His grandmother (Olympia Dukakis) resides in an assisted living retirement center. Larry occasionally visits, mostly when he needs cash. He knows his grandmother is wealthy and he is confident he will inherit all because he is the only 'family' she has. Larry is comfortable with his dog Arrow and a bottle of booze and job at a quick lube auto service.The day arrives when he learns his grandmother has passed away and Larry makes a move which turns out to be a big mistake! And in his rush to know what his inheritance will be he botches the memorial service. The estate lawyer explains to Larry how 'the will' is portioned out. At this point Larry realizes his past has caught up with him and there's nothing he can do about it now.This is a charming quirky film that is funny and lighthearted. Any indie cinema buff will enjoy this fine production and acting by some well known actors.

This film is a case study on why film criticism exists, to separate the chaff of it from the wheat it pretends as. Neither an evolution nor simulcrum of Lost in Translation, Office Space, or Bottle Rocket, this extended screen test of Jason Schwartzman inhabiting deep suburban environs as a narcissist layabout was likely pitched to distributors as a mashup of all three. Writer-director Bob Byington begins with an old R.E.M. song, 7 Chinese Brothers. This song, from the band's Reckoning album, was naught but a prank; it was Michael Stipe singing the liner notes to a random gospel LP he'd found laying around, which the studio engineer mistakenly recorded, and which the band, finding the track's accidental provenance hilarious, formed into a nondescript, mildly jangly tune. Does this near non-song by R.E.M. inform Byington's film in any measure? No, except that he cues the song at the end credits so that the key grips might have a mildly jangly ruffle and flourish behind their accrediture.From the song Byington derives the title, and upon the meaningless title Byington builds no story whatsoever, and by no story I mean not even a Seinfeldian non-story proposition. Jason Schwartzman is the lead as "Larry." Schwartzman, who is a celebrity and a very good actor, and who might perpetually attract some long-tail audience interested in watching him do anything--say, selling peanuts in a ballpark vendor's uniform-- for a duration of 76 minutes, is required by Byington to move in and out of bland sets (a quik lube garage, a dingy convenience store) and make slight actions (throw a hat at a Mazda, deny your grandmother a sip from a Big Gulp) that are supposed to stand in for the plot or un- plot as it were. Nothing worth filming, nothing that would be worth filming by students, is there.These are petty crimes against cinema Byington is caught at, but that should be no taint against Schwartzman, who screen tests as plumly as ever, or indeed against Tunde Adebimpe or Eleanor Pienta, who check in as friendly companions who join us in wondering just what is supposed to be fascinating about a character who is simultaneously so self-possessed and so lacking in initiative of thought, credible emotion, or stirrings. Rather than screening this movie, Schwartzman enthusiasts are better off hunting down Hotel Chevalier and spending the time gained from unspent viewing balancing their checkbooks.

I had heard about this movie a couple months ago and kept it on my radar ever since. 7 Chinese Brothers stars Jason Schwartzman, who I've always been a big fan of. He has an undeniable likability that he has carried with him ever since Rushmore (1998) and it never shines so brighter as it does in this film.The film opens with Larry (Schwartzman) getting fired for taking $5.00 of a $10.00 tip from his job as a bartender. He goes out the way anyone who has left a job under bad circumstances wants to go out. He loudly tells everyone he was fired and takes a bottle of tequila.He goes home to his adorable dog Arrow which is arguably the most significant relationship in his life. Not that he doesn't have people in his life. His only surviving relative is his grandmother (Olympia Dukakis) who he certainly cares about but like most family dynamics the unconditional love is far more complicated than with Arrow. He asks his grandma for money and though she has it, she refuses; and with good reason. She asks him how he would feel if someone consistently showed up with they needed something. Her hope is that he stand on his own two feet, learn Spanish, and find someone to be with.His closest friend is Major (Tunde Adebimpe) who works at his grandmother's senior facility. He's nice, sincerely cares about Larry and sells him prescription drugs at a low fee. Beyond the scripts, he takes, Larry also drinks way too much. Rest easy, we're not going down the depressing spiral that is Leaving Las Vegas (1995). This isn't a movie about an addict or addiction. It's a movie about a guy who is nice and funny but just doesn't know what he wants or where to go to get it.He manages to get a job at a Quick Lube where he instantly develops an attraction to his boss Lupe (Eleanore Pienta). Upon meeting her, Major develops feelings for her as well. The two men never really fight and though Larry definitely feels inadequate in many ways compared to his friend, they remain very close.Once again, this movie takes a very high-road. In so many lesser films there's an all out war between best friends who fight to the death for the person they both desire. Aside from a moment of small sabotage where Larry lies about Major having a prosthetic leg, he doesn't try to keep the two apart. Even when Larry lies to Lupe it fits with the character completely and when confronted about the lie, there's is a big blowout or fight. There's just an honest explanation as to why he felt the need to tell her that.Lupe plays a pivotal role that is refreshingly unique. She isn't treated like some prize to win nor do they follow the trope of having her accuse the men of sexism while playing a woman all-to- willing to be fought over. This movie is smarter than that and far more realistic. More often than not, when two friends who are both generally good people have affection for the same individual life just goes on. There's a discussion about it, but overall everyone tries to be careful and wary of the other's feelings which is what good people do. They're honest as much as they can be. They certainly fall victim to pride or jealousy once in awhile, but overall rationale takes over and things work out in whatever way they do. Most human beings accept that and it's great to see a movie which acknowledges that aspect of behavior.Lupe doesn't play the victim at all. She doesn't pit the men against one another. She like everyone else is trying to figure their life out. She's a mother who works with her ex-husband. She's strong, self-sufficient and enjoys her job. She also isn't instantly charmed with Larry's quirky jokes. Some make her laugh and some make her roll her eyes which again is so real. She isn't a doe-eyed gal put there for eye-candy as merely a romantic interest. She has a real solid role in the film being both a good friend who tries to watch out for her employees and a good person overall.Major life events trigger something in Larry that changes his perspective and reignites an ambition within him. It's not like there's a 180 on the character, but more-so just a comfortability in his own skin. Schwartzman portrays it brilliantly ensuring every moment comes across as genuine and real.The entire cast is fantastic and adds so much to the production. Arrow is just an adorable French Bulldog that I want to hug and take home with me, but being that it is really Jason Schwartzman's dog, I don't think he's up for adoption.Another key component of the film is the the music. From the start when Larry gets fired and all the way up until the last song, the music helps set the tone and the mood. They are all perfectly well selected and great tunes by great artists.I would certainly suggest purchasing this one immediately. It's a smart movie for smart people and is all heart. Don't waste time or money renting, as with most of Scwartzman's work this is definitely one to own.