Circumstance (2011)

Undescribable Perfection

That was an excellent one.

Did you people see the same film I saw?

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties. It's a feast for the eyes. But what really makes this dramedy work is the acting.

I've read all the reviews, good and bad. Almost everything bad about this film has been mentioned. It's inauthentic, insincere, controversy-baiting, poorly written, poorly researched, etc. etc.Iran has a lot of good things and bad things, but this movie is not satisfied with either, so it invents a new country, the republic of Tehrangeles, and calls it Iran. There is almost nothing Iranian about this film. Yes, they speak Persian(ish?) but it's the equivalent of saying the movie "Rent" is representative of British culture because it's the same language. The disconnect between Iranian-Americans and Iranians is huge because Iran has gone through a revolution, war and an embargo, while the US went through many changes on its own.This film is the equivalent of a North Korean director making a film about South Korea and convincing the world that this is reality.But "wait!" you say. "Iran is the totalitarian state, not the US! Your example should be a South Korean director making a film about North Korean." But nopes. Iran has a lot of restrictions on society and filmmakers, yes, but this film constructs a fictional country.I cannot stress how bad this film is. Most of it is just shot in music video style. There is a scene where the two girls sit on top of a crossing railing, put their heads together and close their eyes. That's not something people actually do anywhere. That's music video material.So, what else do they do?1. It starts with a belly dancing scene. 2. Then there's playing piano and dancing-ish on the stool. 3. Then the girl(s) dance(s) in the taxi, saying "Turn up the volume. This song is orgasmic" - No one talks like that. It's a hip hop song. Get a grip. 4. There's the dancing on the bridge crossing. 5. There's a party and dancing at the party. 6. There's a scene, who cares what, but we go back to the party for more dancing. 7. The girl dances with her mom(?) as the mop up the floor. They stop cleaning the house and just go full dancing. 8. The family is singing on the way to the sea. 9. Dancing at a dinner table, the parents dance. 10. The girl stares out the window wistfully as she hears herself(?) sing. 11. Playing piano. 12. Singing a verse from the Quran. The word is technically recite/chant, but it's still melodic. 13. Dancing to Total Eclipse of the Heart 14. Some club, somewhere, dancing. I think this might be an imagination of life outside Iran. 15. Dancing in a hotel. Or was this the imagination? 16. Dancing in an illegal nightclub 17. Dancing in a car.This is still one hour into the film. I didn't bother keeping count after that.There are things that show how little the director knows about Iran or its culture. For example, even I know that people in mosques pray together. In sync. That's the whole point of group prayers in every culture in the world. It is to pray together. In this film the mosque scenes have people praying off sync. A group of 10+ praying men all praying on their own beat. You can say that they're praying off schedule (they missed the group prayer) and they're catching up before the next one, but as the shot lingers, it shows that they finish one after the other, every 3 seconds one finishes prayer. The first to finish and the last were about 20 seconds apart. So they were praying at the same time, same place, but some were off by a mere 3 seconds... what? No two people were praying together? Why even bother going to a mosque? It's like shooting a restaurant scene where no two people are sitting together. I'd give this film a zero, but IMDb won't let me. So it gets one star. But to be fair, it does get one star because it gives you an insight into the mind of an Iranian American. I have nothing against Iranian Americans, but a subsection of that particular demographic is as informed about Iran as the average American (so knowing little to nothing), which is fine, but a subsection of that demographic also think of themselves as an authority on the matter because of their genetics.Imagine if Katherine Heigl presented herself as an expert on East German culture, directing films about communism, the Berlin wall, the Stasi, etc. Then, instead of doing any research or going there, imagine her going to Prague to shoot the film, making a ridiculous story about graffiti on the Berlin wall, with two lesbians, one from the East one from the West, meeting at the wall. The Western one plays music through a boombox and they dance together or exchange love letters through barbed wire. And most of the film is about dancing.People would laugh at how bad it would be. Heigl wouldn't do such a thing, but this director has.This film is in my bottom 20 list, along with Foodfight! and Birdemic.

So what if the story does not reflect the Iranian society, culture and LGBT community? This is a beautiful coming-of-age story about love between two girls developing in a strongly oppressed society. Even if it is not Iranian, which is hard for me to believe, unfortunately there are many other places on Earth where same-sex love is strongly disapproved of and even criminalized.This multi-faceted film tells several stories and all but the love story are very disturbing - religious fanaticism, denied human rights, strong patriarchal society, drug addiction, hypocrisy, personal psychological issues. Amid the turbulent background, there is a pure and innocent relationship between the two girls, aged 16-ish. The two leading actresses played excellent roles, portraying masterfully both joy and agony. The agony which they are going through is almost physically hurting. I admired attention to detail in depicting this young love. The only thing that lacked a stronger connection between the two girls is the marriage ceremony and party afterward. As a turning point of their lives, one would expect their belonging to each other to be expressed more clearly especially through eye contact.Contemporary lesbian cinematography contains true masterpieces but also epic fails. This film is one of the bright examples of a well-written, directed and produced pieces of art. In spite of the ending, we are indeed left with hope that things can change for same-sex love in this dark world.

After watching Circumstance I have mixed feelings about this movie. I did like the portrayal of this middle class Iranian family. The love that the parents had for their children was very apparent. And also the son's and daughter's love for their parents. I think the film should have been a little longer to show how the son became a little fanatic about his faith. I could not see why he did.I feel that Shireen seemed to fall in love with Mehran when he showed his vulnerable side to her and how much he love her. I think she grew out of her homosexual tendencies.What I didn't like was the portrayal of anyone who was religious as fanatic. I'm sure there are Muslim fanatic in Iran just as thee are Christian fanatic in the USA. But there is nothing wrong with believing in God.I don't want to see Morality Police here in the US like was shown in the movie, but I do wish we had more of a moralistic people here in the West. This may sound very strange but in the state of California the law prohibits licensed mental health professionals from offering therapies aimed at making gay and lesbian teenagers straight. These are young people who want the treatment.

A film made by an Iranian expatriate living in the United States. The film is set in Iran, but was filmed in Beirut. The story follows two best friends, Nikohl Boosheri and Sarah Kazemy, who discover a sexual attraction after Kazemy moves in with Boosheri after her dissident parents disappear (and are assumed to have been murdered by the government). Meanwhile, Boosheri's brother, a former drug addict who has become deeply religious after returning from prison, spies on his friends and family, and is completely open to turning any of them into Iran's morality police. This film has mostly been dismissed by critics and viewers (it has a fairly dismal 6.0 rating on IMDb), and I can understand some of their criticisms. It's a little too glossy, a little too polished, and the hot, teenage, lesbian sex is more than a tad exploitative (almost Cinemax-ian at times). But, really, there's a very good human story at the core of this, with very well written and performed characters. Boosheri, in particular, is just fantastic. I think it's also partly dismissed because it wasn't filmed in Iran - if it was, it would have been a critical hit for sure - and the director probably would have been stoned to death, which would make it even more beloved. Keep in mind that the writer/director, Maryam Keshavarz, is actually an Iranian woman who escaped her home country.