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Extreme Measures

Extreme Measures (1996)

September. 27,1996
|
6.2
|
R
| Drama Thriller

Guy Luthan, a British doctor working at a hospital in New York, starts making unwelcome enquiries when the body of a man who died in his emergency room disappears. After the trail leads Luthan to the door of an eminent surgeon at the hospital, Luthan soon finds himself in extreme danger people who want the hospital's secret to remain undiscovered.

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Curapedi
1996/09/27

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

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BallWubba
1996/09/28

Wow! What a bizarre film! Unfortunately the few funny moments there were were quite overshadowed by it's completely weird and random vibe throughout.

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BelSports
1996/09/29

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Taha Avalos
1996/09/30

The best films of this genre always show a path and provide a takeaway for being a better person.

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Myriam Nys
1996/10/01

The subject of the movie is important, although it would have been nice if the message had been delivered with more subtlety. As it is, the viewer gets hit over the head, repeatedly, with the message that HURTING INNOCENT PEOPLE IS WRONG, which won't be news to the millions of people who go around their daily lives without hurting innocent people.The plot and screenplay are both okay. The best scenes are those illustrating the hellish difficulty of working as a (young) doctor or nurse in a large and modern city, especially in an emergency ward.Hugh Grant proves that he does, indeed, have acting talent, although many viewers will laugh their heads off when viewing countless scenes in which Grant cries, despairs, flees, schemes, thinks, runs, crawls, etc etc without messing up his boyishly rakish haircut. Mrs. Parker on the other hand might be replaced by, say, a cactus, a vase of flowers, a dictionary or a bottle of soda.

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Robert J. Maxwell
1996/10/02

SPOILERS. It's an old joke. What's the difference between God and a doctor? God doesn't think he's a doctor.That's Dr. Gene Hackman's problem in this film -- he gets the two identities mixed up. He loses what sociologists call "role distance." He begins to believe that because he can delay death, he can give life, and give the kind of life he'd like to give. Well, we won't get into that here. Please take my course in Philosophy of Medicine 101. You'll find the fee surprisingly affordable. Hurry, offer ends at midnight.Actually, "Extreme Measures" illustrates just about everything that can go wrong with what might have been a decent medical thriller. The story itself is pretty plain. Promising young doc roots out unethical shenanigans at higher levels, rather as in Robin Cook's "Coma." In "Coma" they just did it for the money. Here they do it because they want to practice what Hackman, Chief of the Shenanigans Department, calls "great medicine." It involves harvesting homeless men, cutting their spinal cords, and more or less encouraging the fusion of the severed nerves. Sometimes it works and sometimes it doesn't. When young Dr. Hugh Grant begins to suspect something is up and noses around, he is framed for cocaine possession, employee theft, and having a funny hair style. Ruined, he continues his investigation anyway and it ends in violence.Michael Palmer, a doc himself, wrote the novel on which this is based. I haven't read it, but Palmer must be aware of just how closely the methods used by Gene Hackman resemble those of the docs who worked under Hitler. Germany was exterminating people who were identified as medically unfit -- for the most humanitarian of reasons, of course. State-sponsored propaganda films showed movies justifying the pruning of the herd. Well, just look at these poor schizophrenic dudes, a kindly doc explains. Aren't they better off dead? Later, Jews were used in experiments to determine how long a human body could survive in near-freezing water, presumably to save the lives of sailors who lost their ships in the Baltic. Next to them, Hackman's doc seems only a trifle misguided.Did Palmer have anything to say about this script or did he just get paid and run? The film goes in for the cheapest kind of shock effects while the plot meanders around. I mean "cheap," as in hands reaching in from out of the frame and grabbing the hero by the shoulder. Unimaginative too. When Hugh Grant gets his nose bashed in, he suffers from nothing more than a colorful trickle from one nostril to his lip. Didn't the writers ever see a fist fight in a schoolyard? Punched in the nose, the victim bleeds like Niagara and when he tries to wipe it off he smears it all over his lower face. (Cf., Ben Johnson in "Shane" for how it ought to be done.) At one point, Grant is told that he has a break in the 8th vertebra. Later, he sobs to his girl friend that he has a fracture in C6 (sixth cervical) when it should be T1 (first thoracic). Or is that wrong? I was never good at numbers.Way deep down underground in New York City live "the mole people," from whom Hackman gets his experimental subjects. They're so terrifying that even the normal homeless people who live above ground are afraid to go down there. But Grant does and he finds an angry and suspicious community that looks made up of extras who have been told to dress down. Raggedy clothes, yes, and maybe greasy hair and odd faces, but not TOO extraordinary. Most are freshly shaved, and they speak like high school graduates making a public speech -- being sure to add the "g" at the end of a word like "going". This is directorial sloppiness. Most of the homeless are mentally ill, uneducated, and without material or social resources, bankrupt in every sense. They could not organize a cohesive group. They couldn't organize a trip to a hot dog stand.It's a minor shame in a way, because there may be a decent thriller lurking in this plot somewhere. Alas, nobody found it, presumably because nobody was looking for it. Everyone involved seems to have taken the easy way out and settled for cash.

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sophiewessberg
1996/10/03

In this movie, Hugh Grant proves he can do so much more than romantic comedies. I could easily picture him in one of the hospital shows on TV. Gene Hackman is good too, but David Morse - a personal favorite - is surprisingly stiff and boring. Sarah Jessica Parker isn't even worth mentioning.So what can I say about the plot? Well, the beginning is interesting, and a little spooky. After that a quick cut to the hospital where we reveal the most idiotic name anyone could have ever thought of. I mean, Guy Luthan?? Despite the intriguing plot, it eventually stretches too far and becomes quite ridiculos. And then, as we enter the under ground, my suffering is beyond belief. A very fuzzy climax where David Morse's lack of enthusiasm becomes even more obvious. This movie could have been a lot better if it hadn't made all those mistakes that could have been avoided so easily. Although, it was fun to see Hugh Grant's rom com character peek out in this mildly efficient thriller - which doesn't make his acting worse but adds sympathy to his character and makes him more likable.

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Jackson Booth-Millard
1996/10/04

I have hardly seen Hugh Grant is any serious roles, and without being a bumbling hopeless-romantic, and this is a good break away from that stereotyping. He plays Dr. Guy Luthan, the main man of a New York hospital, he may be a little fussy and make difficult decisions, but he is a good doctor. The film by the way starts with two victims of a mysterious experiment, Claude Minkins (Shaun Austin-Olsen) comes to Guy's hospital, and Teddy Dolson (André De Shields) goes missing. Guy is now investigating Claude's mysterious condition for reason of death, and for some reason, all evidence of him or Teddy are not found. The only person who may know something about it would be Dr. Lawrence Myrick (Gene Hackman), who runs a secret research building, where Claude and Teddy escaped. Eventually Guy uncovers that he is taking homeless people to try and find cures for serious conditions, e.g. broken backs. Guy knows that what he is doing is wrong, as he torturing and in some cases murdering these people. Also starring Sarah Jessica Parker as Jodie Trammel, The Green Mile's David Morse as FBI Agent Frank Hare, Sister Act's Bill Nunn as Det. Bob Burke, Shaun Austin-Olsen as Claude Minkins, André De Shields as Teddy Dolson and Spider-Man's J.K. Simmons as Dr. Mingus. The ending is a little hard to handle because when justice is done (accidently), you don't know if it was the right thing to do or not. Good directing from The World Is Not Enough director Michael Apted. Good!

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